服装论文期刊

服装论文期刊

先来挂个号

等我详细回答你

你看这些够用不？
已经很多了

如果还不够
单独联系吧

[1]Patrick Vyncke. Lifestyle Segmentation. European Journal of Communication Copyright © 2002. SAGE Publications
[2] 唐纳德•勒曼 拉塞尔•威纳. 《营销分析实务》.企业管理出版社. 2004
[3] 郑丽萍. 《国际服装业十大实力品牌发展战略》. 浙江大学出版社. 2003

[4] 林资敏 陈德文.《生活型态写真馆》.上海财经大学出版社. 2003
[5] 郑丽萍.《旗舰日志-国际服装业十大实力品牌发展战略》.浙江大学出版
社. 2003
[6] 菲利普•科特勒.《营销管理：分析、计划、执行与控制》. 清华大学出版社.2000
[7] 余志鸿.《符号——传播的游戏规则》. 上海交通大学出版社. 2003
[8] 顾松林 菲利斯（美）.《消费品营销反思》.上海远东出版社. 2000
[6] J.保罗•彼得.《消费者行为与营销战略》.东北财经出版社. 2000
[7] 里斯 特劳特.《定位》. 中国经济财政出版社.2002
[8] Ferle, C. L., Edwards, S. M., & Lee, W. (2000). Teens’ use of traditional media and the Internet. Journal of Advertising Research, 40(3), 55-65.
[9] Anderson, C. (2000). Survey: The young: Youth, Inc. The Economist, 357(8202), S9-S10.
[10] White, N. (2002) Markets from Networks: Socioeconomic Models of Production. Princeton, NJ: Princeton University Press.
[11] Peter, J.P. and J.C. Olson (1994) Understanding Consumer Behavior. Burr Ridge, IL: Irwin.
[12] Patrick Vyncke. Lifestyle Segmentation-From Attitudes, Interests and Opinions, to Values, Aesthetic Styles, Life Visions and Media Preferences. European Journal of Communication Copyright © 2002. SAGE Publications
[13] Chaney, D. (1996) Lifestyles. London: Routledge.
[14] Cosmas, S.C. (1982) ‘Life Styles and Consumption Patterns’, Journal of ConsumerResearch 8: 453–5.
[15] Kahle, L.R. and L. Chiagouris (eds) (1997) Values, Lifestyles, and Psychographics. Mahwah, NJ: Lawrence Erlbaum.
[16] Kevin Lane Keller. Strategic Brand Management [M]. Upper Saddle River, NJ : Prentice-Hall, 1998.
[17] Aspers, P. (2001) Markets in Fashion: A Phenomenological Approach. Stockholm: City University Press.
[18] Kevin Goldman, Adidas Tries To Fill Its Rivals Big Shoes [J]. Wall Street Journal, 1994-03-17.
[19] Wolburg, J.M. and J. Pokrywczynski (2001) . A Psychographic Analysis of Generation Y College Students, Journal of Advertising Research 41(5):33–50.
[20] Joanne Entwistle. The Aesthetic Economy-The production of value in the field of fashion modeling. Copyright © 2002 SAGE Publications, (London, Thousand Oaks, CA and New Delhi) Vol 2(3): 317–339

[1] 汤姆•邓肯. 《整合营销传播：利用广告和促销建树品牌》. 中国财政经济出版社. 2004
[2] 郑丽萍. 《国际服装业十大实力品牌发展战略》. 浙江大学出版社. 2003
[3] Patrick Vyncke. Lifestyle Segmentation. European Journal of Communication Copyright © 2002. SAGE Publications

1、 服装CAD/CAM概论 中国纺织出版社 [英]斯蒂芬`格瑞
2、 计算机辅助工艺设计 机械工业出版社 赵汝嘉，孙波主编
3、机械CAD/CAM 葛巧琴、许超.南京:东南大学出版社,1998
4、王隆太.现代制造技术. 北京：机械工业出版社，1998.
5、服装设计与工程 东华大学出版社 服装设计与工程编写组
6 、计算机辅助服装设计教程 电子工业出版社 武晓丽 主编
7 、机械CAD技术与应用 东北林业大学出版社 关晓平 等著
8 、CAD/CAM技术 唐荣锡..北京：北京航空航天大学出版社，1994.
9 、中国传统服饰文化 东华大学出版社 楼慧珍 等编著
10、服装人体工效学与服装设计 中国轻工业出版社 潘健华 著
11、计算机集成制造技术 孙志挥等南京：东南大学出版社，1997.
12、计算机辅助机械设计 许超、汤文成等南京：东南大学出版社，1997.

求关于苗族刺绣在现代服装设计中的创新运用的英文论文或者期刊！！！

The innovative application of Miao embroidery in modern clothing design in Guizhou Province

Summary:Guizhou Miao embroidery is one of the intangible cultural heritage in the world. It is a wonderful flower in the history of Chinese embroidery and has a unique artistic charm. Miao embroidery is a cultural product created by the people of Miao nationality who exert their wisdom and diligence in the life of nature. It is the carrier of Miao culture. The application of Miao embroidery innovation in Guizhou in modern clothing design is beneficial to the establishment of unique artistic style of modern clothing, the integration of traditional technology and modern design, and the inheritance and development of traditional technology.
Key words:Guizhou Miao Embroidery; modern clothing design; innovative application

Introduction
Miao embroidery in Guizhou Province is wonderful, but with the development of the times, Miao embroidery skills gradually decline, is facing the challenge of metamorphosis and regeneration. Designers in the new era should shoulder the responsibility of inheriting and developing the Miao embroidery techniques. The Miao embroidery is a source of inspiration for modern fashion design because of its rich and varied shapes, colors and techniques[1].In the new era, how to apply the innovation of Guizhou Miao embroidery to modern clothing design, how to inherit and innovate, how to collide traditional techniques with modern design to create new sparks, and how to make Miao embroidery glow with new vitality, etc. , it is worthy of our deep thought and study.

1. Main characteristics and distribution of Miao embroidery in Guizhou
Miao embroidery in Guizhou is very particular. Different needlework methods should be considered according to the expression of different objects and artistic effects. Some needlework, some needlework, some needlework, and some needlework involve thread winding, weaving and knotting each other. Guizhou Miao embroidery mainly flat embroidery, lock embroidery, braids embroidery, seed embroidery, plate embroidery, broken thread embroidery, tin embroidery and so on, embroidery design texture rich three-dimensional sense. There are many branches of Miao ethnic group in Guizhou, and different regions have different representative types of embroidery: the most common flat embroidery, mainly distributed in southeast Guizhou Taijiang, Shidong, Rongjiang and Danzhai County. Flat embroidery single needle single thread, pay attention to even and even stitch. CREPE and braid embroidery are mainly distributed in Xi River and Leishan. It is one of the most unique traditional embroideries. The craft is complicated, first the silk thread weaves the small plait, with the traditional pattern pastes the cloth as the bottom, the small plait sews on the pattern, each sews a stitch to fold, causes the small plait drape three-dimensional, like the relief. Dazi embroidery is mainly distributed in Taijiang, Dazi is to wire around a few times and then insert the base cloth to play a knot in one heart, a Zhang Sengyou effect. Broken thread embroidery, mainly distributed in Taijiang, is a very special embroidery method in flat embroidery. Broken thread embroidery divides ordinary silk thread into 8 to 12 strands of fine thread, and then uses fine threads to make flat embroidery. It is exquisite, exquisite and luxurious. It is a fine work in Miao embroidery. Tin Embroidery is distributed in Jianhe. The Intelligent Miao people cut tin foil into thread and embroider it on cloth. The geometric pattern is the most fashionable style of embroidery[2].Miao embroidery in Guizhou Province is rich and colorful, with distinctive features, which congeals the national spirit and historical and cultural connotation of Guizhou.

2. Development Status of Miao embroidery in Guizhou Province
With the development of social economy, there are fewer and fewer young people learning embroidery skills[3].Miao embroidery process innovation and age is proportional to the younger generation of the Miao is the carrier of process inheritance, lack of innovation will lead to Miao embroidery culture and environmental adaptability[4].The lack of innovation ability has become a big problem in the development of Miao embroidery technology.
Colorful Guizhou has unique tourism resources. In recent years, the rapid development of Guizhou tourism industry has led to the development of tourism products, and the design of tourism products with Guizhou characteristics has become a hot spot, including the development of Guizhou Miao embroidery tourism products with Guizhou characteristics, for example has the Miao nationality embroidery clothing, the bag, the small ornament and so on. Since 2015, the international ethnic and folk cultural tourism products fair of Guizhou has been held, fully displaying the colorful and varied forms of Guizhou, displaying ingenious ethnic cultural products and unique ethnic cultures, to promote the protection, inheritance and scientific and reasonable industrial transformation of national folk arts and crafts, so as to promote Guizhou mass entrepreneurship and innovation, further enhance cultural self-confidence, and enhance the soft power of culture. The opening of the fair has brought a new opportunity for the innovation and development of Miao embroidery in Guizhou.

3. The application of Miao embroidery in costume design in Guizhou Province
3.1The application of Miao embroidery in traditional dress in Guizhou Province
Miao embroidery is not bound by natural form, pay attention to emotional expression screen, rich in strong artistic appeal. Abstract methods are widely used in the modeling of Traditional Miao costumes. The image of virtual animals and plants of the Miao people in Guizhou Province means that in the long course of history, the Miao people have naturally transcended the process of imitating reality in the face of various external circumstances, the abstract form of the object in the Miao embroidery to provide a broad space for its creation.
In the traditional costumes, the Miao people in Guizhou have rich and colorful embroidery colors and techniques, which are full of the unique artistic language of the Miao Culture. In traditional costumes, Miao embroidery uses unique embroidery techniques to decorate costumes, which are often decorated on the body, placket, collar, cuffs and Hem of traditional costumes, the texture effect in the decoration increases the layering, massiness and artistic sense of the dress. Women dress up, complex exquisite needle will focus on the collar, cuffs and other parts, highlighting the focus of clothing, and ensure the harmony and unity of clothing and accessories[5].
3.2The application of Miao embroidery in modern clothing design
The modern clothing design uses the Miao nationality traditional color matching method for reference, the decorative color mainly gives priority to the bright color, forms the intense contrast color. Highlight the decorative patterns of clothing, traditional Miao costumes into modern clothing. In the modern clothing design, the traditional national cultural elements are increasing, the unique style of Guizhou Miao embroidery has created the traditional significance modern fashion works in the international modern clothing design application[6].
In 2009, the famous domestic designer Lin Xuefei designed the evening dress with the Miao nationality characteristic by the tin embroidery element, and displayed it at the European wedding dress conference, which caused a great sensation overseas. Miaos'clothing elements are widely used in modern fashion design in European and American fashion shows. Modern women underwear design is often used embroidery techniques, highlighting the Miao embroidery close to the heart, showing the feminine soft and sexy[7].

北京服装学院学报是全国中文核心期刊吗

北京服装学院学报(自然科学版)
是统计源核心 看你所在的学校是否认可了 比北大要低
发表核心论文的话,可以去清雅论文网 咨询下,他们哪还是比较不错的,