到中国知网上去看。背景到GOOGLE 上去查。我记得有个网站上对每一小节都有分析。至于哪个网站，我已经不知道了。过去3年了。反正到处搜啊！我那时还搜到人家哈佛的图书馆去了咧。俺的论文基本上我是写成中文后来自己翻译的，用了很厚一个笔记本。因为我查不到对我有用的英文资料。还是多到图书馆多看看吧。
The Integrity of Human and Nature——— An Analysis of Gone with the Wind from the Perspective of Eco-feminism It’s generally accepted that Gone with the Wind is a popular novel except a few people thought it is not worth reading. Due to some controversial problems had been discussed in the book so the novel was neglected for a long time by critics, such as its descriptions of the black, of the reconstruction after the war and of ku klux klan and so on. However, Donald W. Miller praised the book as a great epic which influences a number of people of different generations and nations. Recently people come to realize there is something significant behind the big work so that more and more people are addressing themselves to study it from many perspectives. Firstly, there are some essays about the relationship between Margaret Mitchell and Scarlett. Carolyn Gage, described a true-life Mitchell who suffered great grief after her fiancé’s death and then got flash marriage to a bootlegger which took her little happiness, later, even though she enjoyed a fast pace of life she could not escape the stigma of her gender, so when Mitchell reinvested herself in the novel she rewrote life the way she thought it should have been, therefore, she created a right man instead of the dashing and sexually charismatic alcoholic. In this way, Gage concluded that Mitchell’s writing purpose was to reveal the delusion of female life and escape from her shadowy preceding life, so Gage appealed that females should not live in dream under the patriarchal society, but take Scarlett for example, to live in present and pursue what they need. Secondly, female consciousness of tomorrow catches people’s attention. Luo Minyu considered Scarlett’s consciousness of tomorrow as a kind of expectation: expecting the equality between men and women, a peaceful world and happy homeland and a true love. Thirdly, another popular topic is the comparison between Scarlett and some females in other works, such as Jane Eyre or Wang Xifeng. Zhai Xu compared Scarlett and Wang Xifeng and thought that they were a typical paragon of feminism who possessed the awareness of Women’s Awakening; both were brave, strong-minded, independent and rebellious against the restrictions which set against the females by the society of their own time. Fourth, the Tara Theme is also noticeable, and Vicki L. Eaklor pointed out that “Tara Theme” was the story’s musical leitmotif as Tara was repeated frequently in the novel and it was Scarlette’s spiritual pillar. The war destroys Scarlett’s family as well as her happy life, but it did not defeat Scarlett as she had Tara beside her which gave her strength, every time she got into trouble she turned to Tara for comfort and encouragement, while Tara had trouble, Scarlett safeguarded it by all means. Besides, a majority of professors analyzed the novel from the perspective of feminism. Both Gu Shaoyang and Wang Yanli acclaimed the novel was a great one, not only because it reflected female’s self-awareness, especially after the war broken out and women had to go out to realize their economic independence, but also because it confirmed women’s contribution to the society, praised their fraternity, selflessness and rebellious spirit, and revealed the belief that women should be liberated from families. Wu Shijuan and Xie Jingzhi also thought that Scarlett was a heroic female since she dared to break the traditional prejudice that “females are inferior to males”. She was brave enough to walk out of the house and entered into the “patriarchy’s world” and competed against the men for her economic independence. In Liu Xiaoyong’s essay, he pointed out that Scarlett was increasingly maturing and in the end became a Southern new woman with strong feminist leanings along with the advance of war and industrialization. When it comes to Zhou Yaming, he deeply analyzed Scarlett’s struggle, success and failure and her psychical conflict in her pursuit of material and love, and then he put forward that Rhett, one of the representatives of male, his leaving possibly meant the male’s loss to conquer female; meanwhile, Scarlett suffered great loss: she lost her true love and happy life. And in the game no one won. Therefore, Zhou concluded that this complex bisexual relationship reflected Mitchell’s desire, rebel, conquer and regression toward male, and her wish of a harmony bisexual addition, some critics tried to analyze the novel from the perspective of eco-feminism, which studies the close relationship between female and nature. This is a most novel and interesting way to analyze the book. Zhen Jigen generalized that Tara and the lumber mill were the resources for Scarlett’s eco-feminism, in which it was not the male who conquered and oppressed the land as well as conquered the female, but a young lady who called Scarlett conquered the land and men’s will, as Scarlett unexpectedly disobeyed her second husband’s will to operate the lumber mill and proved rather successfully; when she came back to Tara during the war she could manage the plantation without the help of man and finally possessed the supreme dominion. So Zhen concluded that these behaviors were a good match with the ecofeminist’s opinion, that female and nature were linked together in the term of creating and maintaining life, and natural process abode by female principles of motile creativity, diversity, integrity, sustainability and sanctity of life. When it came to Cao Peihong, she focused on the three kinds of links between nature and women. First link was a symbolic one which stated women’s “naturalized” and nature’s “feminized”; second one was the experiential link about the hardships and humiliation suffered by women and nature in patriarchal societies; third one was about females and nature’ status link which embodied in females’ folly and nature’ identification as the field and background of human activities. Then she discussed in detail about their mutual dependence —— females were caretakers of nature while nature was the haven for females. Take house (which was an important part of nature according to eco-feminist) for example, Cao acclaimed women playing a great role in managing the house and plantation before, during and after the war; and the reasons why women were willing to commit any kind of sacrifice lied in houses’ illustration of women’s beauty and traits, as houses were the place for women to convey their feeling through the order and decorations and furniture; but the most important thing was women had a deep love for those dwellings, in a word, houses as well as nature were haven for women in hard sum up, the above critical reviews on Gone with the Wind may represent the major achievements of the studies of this novel in the recent decades. These studies have effectively advanced the exploration of the novel, broadened readers’ vision as well as deepened readers’ comprehension of it. The eco-feminism theory sums up early scholars’ two separate topic of feminism and Tara Theme, and then analyzes the novel from a new way which links nature and female together. However, the essays of eco-feminism only use the theory to analyze Scarlett’s eco-feminism thoughts and her relative manifestations, in the novel it appears as Scarlett’s deep attachment to Tara and her every endeavor to protect it from being destroyed, in turn, Tara is her spiritual pillar which will help her come through every difficulty. But the purpose and significance of the eco-feminism have not been further exposited. On the one hand, the reason why Scarlett tried her best to strive for more rights and final say was not only to satisfy her vanity but to be as free as men and to be treated equally as men. On the other hand, the purpose of eco-feminism is not to establish a society where female are at last over or conquer male, but pursue the balance between female and male, human and nonhuman nature, especially nowadays, due to many reasons, women haven’t fully displayed their talents to better the world which suffers the crises of ecological environment and threat of wars, which shows the relationship between nature and human beings is not so harmonious. Therefore, in this thesis, the eco-feministic point of view will be used to figure out the close relationship between female and nature in the novel to encourage the society especially the patriarchy-centered society to treat feminism seriously and respect them; to encourage the feminists to care for the ecology, and to do more by their strength to be against wars in the world since wars destroy the lands and kill people which both belong to the nature；to encourage the society to build a new environment where female and male, human and nonhuman nature are equal and harmonious.
那个年轻，美丽的女人用她那双如鹰般的眸子，搜寻这离她远去的爱人。纵使倩影被湮没于黑夜中，她却极力穿透黑夜，翘首光明。尖锐的眸光折射除不灭的冀望，然而又掩饰不住几许的绝望. 《飘》，淋漓尽致的描绘出了思嘉丽颠沛流离的青春历程也流露出她独到的魅力。 她长的并不美丽，但是男人一旦未她的魅力迷住往往就理会不到这一点。 瞧！艾希礼的订婚宴上，思嘉丽迷倒了几乎全场的绅士们。不过她的目的不在此，而在于得到宴会上男主角的心。孪生兄弟为你闹翻脸；对你一见钟情的说要娶你。这些还不够吗？何必执著于一个艾希礼呢？看似相貌堂堂，器宇轩昂，却是白人渣滓。 思嘉丽你知道吗？为了艾希礼，你的可贵青春，你的终身幸福，你的纯洁灵魂都如家园塔拉一样随风飘逝了，即时你嫁给再多的弗兰克也是徒然。为报复，屈身嫁给媚兰妹妹的情人；为金钱；使计勾引亲妹妹的恋人。到头来，还是一场空。一切的一切都仅仅为了艾希礼，你确实爱他吗？不！你不懂事，你不懂他。在绅士群集的宴会上，你注视到了那个始终爱你，在你结婚来结婚去之间放逐希望的瑞德吗？ 瑞德从容，练达，睿智。只有你才配的起他，也只有他才会爱你这样可爱的人。可惜，你没有珍惜他。瑞德的离开时对你的最大惩罚。然而人总是在失去了才懂得拥有的可贵。‘‘众里寻他千百度，蓦然回首，那人却在灯火阑珊处’’转瞬间，已无踪可觅了。 这天夜里，我背倚着床，沉思…… 蓦地看见思嘉丽端坐在我的窗沿。她憔悴了，脸上不再容光焕发，颊畔的两行泪痕尚未风干；头发凌乱，不再金丝闪闪。纤纤素手已不复存在，战争的残酷让双手又粗又大。倒是那条17英寸的柳腰依然尚存，我想瑞德一定会喜欢的。 她的双手倚在墙上，脸上是异常的懊丧，悒郁。她是在追悔那3段不完美的婚姻，抑或是瑞德无情的离开？ 我奢望帮思嘉丽找回瑞德，我轻声说： “其实，瑞德一定在哪里想着你的！” 她潸然泪下，用最绝望的语气说道： “不会的，他肯定恨死我了。他不会原谅我的” 我真懊恼自己说了不该说的话，勾起了思嘉丽心地最脆弱的弦，断了。刹那间，崩溃了。狠狠的撕破了夜的宁静，那声音，叫天不应叫地不闻…… 月光流淌在她身上，沿着那柔软的弧线倾斜，无法言说…… 瑞德走了，只留下痛苦，寂寞。如果我见到瑞德，我会劝他回到思嘉丽身边，至少不要让两个相爱的人苦苦思恋。 思嘉丽垂泪斜睨扣在书桌上的《飘》，始终不敢正眼细看。也许是不敢面对自己。对于思嘉丽，我既是恨又是怜悯，这两种感情在我心中不断挣扎着。 我，彻夜无眠。 第二天醒来，思嘉丽已不见了。也许是找她的瑞德去了吧！夜里也不见她的倩影，我还有好多问题想问她呢。窗沿上空空荡荡，只剩窗幔与风低声调着情。桌上的《飘》被一页一页的掀开了。 一个女人再坏，也总又令人可敬的一面； 一个女人再强，始终需要爱情的包庇； 一个人，撑不了一片天。 思嘉丽，如果你愿意，我愿带着你，携着书中情节去寻找你的瑞德……
The Integrity of Human and Nature——— An Analysis of Gone with the Wind from the Perspective of Eco-feminism It’s generally accepted that Gone with the Wind is a popular novel except a few people thought it is not worth reading. Due to some controversial problems had been discussed in the book so the novel was neglected for a long time by critics, such as its descriptions of the black, of the reconstruction after the war and of ku klux klan and so on. However, Donald W. Miller praised the book as a great epic which influences a number of people of different generations and nations. Recently people come to realize there is something significant behind the big work so that more and more people are addressing themselves to study it from many perspectives. Firstly, there are some essays about the relationship between Margaret Mitchell and Scarlett. Carolyn Gage, described a true-life Mitchell who suffered great grief after her fiancé’s death and then got flash marriage to a bootlegger which took her little happiness, later, even though she enjoyed a fast pace of life she could not escape the stigma of her gender, so when Mitchell reinvested herself in the novel she rewrote life the way she thought it should have been, therefore, she created a right man instead of the dashing and sexually charismatic alcoholic. In this way, Gage concluded that Mitchell’s writing purpose was to reveal the delusion of female life and escape from her shadowy preceding life, so Gage appealed that females should not live in dream under the patriarchal society, but take Scarlett for example, to live in present and pursue what they need. Secondly, female consciousness of tomorrow catches people’s attention. Luo Minyu considered Scarlett’s consciousness of tomorrow as a kind of expectation: expecting the equality between men and women, a peaceful world and happy homeland and a true love. Thirdly, another popular topic is the comparison between Scarlett and some females in other works, such as Jane Eyre or Wang Xifeng. Zhai Xu compared Scarlett and Wang Xifeng and thought that they were a typical paragon of feminism who possessed the awareness of Women’s Awakening; both were brave, strong-minded, independent and rebellious against the restrictions which set against the females by the society of their own time. Fourth, the Tara Theme is also noticeable, and Vicki L. Eaklor pointed out that “Tara Theme” was the story’s musical leitmotif as Tara was repeated frequently in the novel and it was Scarlette’s spiritual pillar. The war destroys Scarlett’s family as well as her happy life, but it did not defeat Scarlett as she had Tara beside her which gave her strength, every time she got into trouble she turned to Tara for comfort and encouragement, while Tara had trouble, Scarlett safeguarded it by all means. Besides, a majority of professors analyzed the novel from the perspective of feminism. Both Gu Shaoyang and Wang Yanli acclaimed the novel was a great one, not only because it reflected female’s self-awareness, especially after the war broken out and women had to go out to realize their economic independence, but also because it confirmed women’s contribution to the society, praised their fraternity, selflessness and rebellious spirit, and revealed the belief that women should be liberated from families. Wu Shijuan and Xie Jingzhi also thought that Scarlett was a heroic female since she dared to break the traditional prejudice that “females are inferior to males”. She was brave enough to walk out of the house and entered into the “patriarchy’s world” and competed against the men for her economic independence. In Liu Xiaoyong’s essay, he pointed out that Scarlett was increasingly maturing and in the end became a Southern new woman with strong feminist leanings along with the advance of war and industrialization. When it comes to Zhou Yaming, he deeply analyzed Scarlett’s struggle, success and failure and her psychical conflict in her pursuit of material and love, and then he put forward that Rhett, one of the representatives of male, his leaving possibly meant the male’s loss to conquer female; meanwhile, Scarlett suffered great loss: she lost her true love and happy life. And in the game no one won. Therefore, Zhou concluded that this complex bisexual relationship reflected Mitchell’s desire, rebel, conquer and regression toward male, and her wish of a harmony bisexual addition, some critics tried to analyze the novel from the perspective of eco-feminism, which studies the close relationship between female and nature. This is a most novel and interesting way to analyze the book. Zhen Jigen generalized that Tara and the lumber mill were the resources for Scarlett’s eco-feminism, in which it was not the male who conquered and oppressed the land as well as conquered the female, but a young lady who called Scarlett conquered the land and men’s will, as Scarlett unexpectedly disobeyed her second husband’s will to operate the lumber mill and proved rather successfully; when she came back to Tara during the war she could manage the plantation without the help of man and finally possessed the supreme dominion. So Zhen concluded that these behaviors were a good match with the ecofeminist’s opinion, that female and nature were linked together in the term of creating and maintaining life, and natural process abode by female principles of motile creativity, diversity, integrity, sustainability and sanctity of life. When it came to Cao Peihong, she focused on the three kinds of links between nature and women. First link was a symbolic one which stated women’s “naturalized” and nature’s “feminized”; second one was the experiential link about the hardships and humiliation suffered by women and nature in patriarchal societies; third one was about females and nature’ status link which embodied in females’ folly and nature’ identification as the field and background of human activities. Then she discussed in detail about their mutual dependence —— females were caretakers of nature while nature was the haven for females. Take house (which was an important part of nature according to eco-feminist) for example, Cao acclaimed women playing a great role in managing the house and plantation before, during and after the war; and the reasons why women were willing to commit any kind of sacrifice lied in houses’ illustration of women’s beauty and traits, as houses were the place for women to convey their feeling through the order and decorations and furniture; but the most important thing was women had a deep love for those dwellings, in a word, houses as well as nature were haven for women in hard sum up, the above critical reviews on Gone with the Wind may represent the major achievements of the studies of this novel in the recent decades. These studies have effectively advanced the exploration of the novel, broadened readers’ vision as well as deepened readers’ comprehension of it. The eco-feminism theory sums up early scholars’ two separate topic of feminism and Tara Theme, and then analyzes the novel from a new way which links nature and female together. However, the essays of eco-feminism only use the theory to analyze Scarlett’s eco-feminism thoughts and her relative manifestations, in the novel it appears as Scarlett’s deep attachment to Tara and her every endeavor to protect it from being destroyed, in turn, Tara is her spiritual pillar which will help her come through every difficulty. But the purpose and significance of the eco-feminism have not been further exposited. On the one hand, the reason why Scarlett tried her best to strive for more rights and final say was not only to satisfy her vanity but to be as free as men and to be treated equally as men. On the other hand, the purpose of eco-feminism is not to establish a society where female are at last over or conquer male, but pursue the balance between female and male, human and nonhuman nature, especially nowadays, due to many reasons, women haven’t fully displayed their talents to better the world which suffers the crises of ecological environment and threat of wars, which shows the relationship between nature and human beings is not so harmonious. Therefore, in this thesis, the eco-feministic point of view will be used to figure out the close relationship between female and nature in the novel to encourage the society especially the patriarchy-centered society to treat feminism seriously and respect them; to encourage the feminists to care for the ecology, and to do more by their strength to be against wars in the world since wars destroy the lands and kill people which both belong to the nature；to encourage the society to build a new environment where female and male, human and nonhuman nature are equal and harmonious.
《 Float 》 , is my favorite the beauty of si brave strong, like the rui especially of tactful is resolute, like the outside of the meilanrui soft inside the beauty of si this person thing, my felling is self-contradict, is to dislike the but again and have to respect and admire is a person for having the character very much, loving two men in her whole life, but she didn't an is an understanding she understands the rare gift of a, that she will not love him;If she understands the rui especially, that she will not lose always is to be ungrateful to the rui especially of, she is just not to stop the rare gift of prince- a who make track for oneself's in a is just to think the characteristics that loves by herself that the rare gift of a have, she just does a gorgeous clothes, letting rare gift of a put on, being in love with him and fact is, she love just that her, I am to have to admire of, admire her strong, admire her to the persist of land, admire her ability under the education that that in environment under let go of before be subjected to the farmland stem live, admiring the speech that she can neglect the society but founding own life contain a few souls, an is her mother is a madam with expensive very able and gentle and soft typical model, is the person who she respect and admire most .But, mother typhoid for saving the person but ising infect, , is her more than ten in the last years favourite of person- a rare ability stands up in the adverse circumstances, have very greatly a part of reason is a rare gift of a .She the rare to a gift persists have a, is the meilanli .More than ten years that struggle together in, the meilanli has already become her life in the indispensability of a feel that the beauty of si is like a child, persisting to the thing that oneself want unusually, but to the thing that oneself own but disdain to on attend at try very hard to make the oneself happy, a push the happiness to leave constantly again, push the lover toward beauty of si is loving is a rare gift of a , but,a rare gift but don't want like the rui to especially say of, the rare gift of a is a gentleman, just wasing born in an and he inharmonious still uses the rules of the game of the old world life, will bump only beauty of si doeses not understand the a to hope the gift, so she loves him, think that exhausted whole wayses get him, but when she recognize pure he, she did not love him any beauty of si is a contradictory body, can have again who not is a contradictory body?She is in the life of road up all the way walk, be when she face the difficulty, she chooses the accolade, be when she face the responsibility, she chooses to carry, can be she face loving choice is, at first, he choose to hoodwink the oneself, being her to recognize finally pure, to face, but is already the hour already she, at incapable is a dint, will tell the oneself, tomorrow is new day, everythings will like tomorrow, the Tomorrow is another is all an in the whole story full of fire, be filled with the person of the will to enjoy most of, would be her this" Tomorrow is another day.".Was filled with the hope forever, be filled with the will to fight, can never give up, can never spirit, the most worthy of I , whenever I meet the difficulty, mood not good, I will tell the oneself then:" Tomorrow is another day.".The another in book make the female that me admire very, would be the meilanli .She is an outside soft inside just of female, she almost owned the whole virtue that female can if the rui especially says of, she is a that a handful of expensive madam that he saw is strong, she is patriotic, she uses her heart love nearby all her husband fight, she silent in the rear guard the hon, do the business of her what lies in one's power, be the north guy to beat in the city and she again soon about to deliver child, she still the town settle, being the next stem of the her body infirmity and nobodies to live soon didn't When the rice eat, she similar to beauty of si , let go of past education for be subjected to and sense of superiorities, trail weak of body next stem live, be she see the beauty of si kill a north guy, she did not be rattled, but help to bury the corpse, searching the money, wiping the blood stain, being the war finally end, north guy soldier whom she hate bitterly before arriving at her door request to look after and themselves also have no excessive food, she still fulfil her ability the ground helped them, because she hopes to also have the north guy woman of a good heart afar to her just at homing a rice of husband strong female, the but again is a such gentleness kind and persists the ground to believe the rare gift of beauty of si and a's, even someone see with own eyes they hug together, also persisting the ground to believe them, protection si knows perfectly well pain and sufferings that own body can't bear again to grow, but persist the ground to want to hope the gift to give birth to a child for the a again, end leave she loved the close relatives of the really too great, looking at themeilanli, make me thought of much more Chinese ancient times females of, they are also such dociles, work hard in spite of criticism, assist husband and bring up children, then silent unknownly old go to and depart from this the whole book, I is a rui for the person that like most is brave and persists, he can love the beauty of si so and deeply for more than ten years wants to protect the beauty of si , the doter si beauty, look after the beauty of si, let her everything feel happy, but the beauty of si says, again the time that eternal love also will dub out, but his love, drive beauty of si, drive rare gift of a , was dub out by the adherence that the si beauty is stupid heart, his daughter leaves him, his heart, return any further not to says, he has always been to have no that patience shear the ground pants and sew and like, then tells the oneself this is similar to lately, just deceive yourself as well as is ground, return and don't go to any further, even make allies, the top still stays the crack, is not originally any further that.《飘》，是我最喜爱的书。喜欢斯佳丽的勇敢坚强，喜欢瑞特的机智果断，喜欢玫兰妮的外柔内刚。对于斯佳丽这个人物，我的感觉是矛盾的，是讨厌却又不得不敬佩她。她是个非常有个性的人物，她一生中爱了两个男人，而她却没一个是了解的。如果她了解阿希礼，那她就不会爱他；如果她了解瑞特，那她就不会失去他。她一直以来是辜负瑞特的，她只是不停追寻着自己梦中的王子——阿希礼。她只是把自己爱的特点认为阿希礼有，她只是做了一件华丽的衣服，让阿希礼穿上，而后爱上他。而事实是，她爱的只是那件衣服。对于她，我是不得不佩服的，佩服她的坚强，佩服她对土地的执着，佩服她能在那中环境下放下以前所受的教育下田干活，佩服她能不顾社会上的言论而开创自己的事业。她生命有几个灵魂，一个是她的母亲。他的母亲是一位非常能干、温柔的典型贵夫人，是她最敬佩的人。可是，母亲为了救人而被传染伤寒，去世了。另一个，是她十几年来最爱的人——阿希礼。她能在逆境中站起来，有很大一部分原因就是阿希礼。她对阿希礼是异常执着的。还有一个，就是玫兰妮。在一起奋斗的十几年里，玫兰妮已经成为她生命中不可缺少的一部分了。我觉得斯佳丽就像个小孩子一样，对自己想要的东西异常执着，而对自己所拥有的东西却不屑一顾。一面在拼命让自己幸福，一面又不断地把幸福推离，把爱人推向深渊。斯佳丽爱的是阿希礼，可是，阿希礼却不要她。就像瑞特说的，阿希礼是个君子，只是生在了一个和他格格不入的时代。他还是用旧世界的游戏规则生活，只会撞得一鼻子灰。斯佳丽不了解阿希礼，所以她爱他，想尽一切办法得到他，而当她认清他时，她再也不爱他了。斯佳丽是个矛盾体，可又有谁不是矛盾体呢？她在生命的道路上一路走来，当她面对困难时，她选择迎接，当她面对责任时，她选择担负，可当她面对爱的抉择是，起初，他选择蒙蔽自己，当她终于认清，要面对时，却已为时已晚。而她，在无能为力时，就会告诉自己，明天是新的一天，明天一切都会好了，Tomorrow is another day。她在整个故事中，都是个充满生气、充满斗志的人。我最欣赏的，便是她的这句“Tomorrow is another day.”。永远充满了希望，充满斗志，永远不会放弃，永远不会绝望。这份精神，是最值得我学习的。所以，每当我遇到困难、心情不佳时，我便会告诉自己：“Tomorrow is another day.”。书中另一个使我十分佩服的女性，便是玫兰妮。她是个外柔内刚的女性，她几乎拥有了女性所能拥有的一切美德。正如瑞特说的，她是他所见过的少数贵夫人中的一个。她是坚强的，她是爱国的，她用她的心爱身边所有的人。当她丈夫打仗时，她在后方默默守侯，做她力所能及的事，当北佬打进城而她又快要临盆时，她依然镇定，当她身体虚弱而没人下地干活快要没饭吃时，她和斯佳丽一样，放下过去所受的教育和优越感，拖着虚弱的身体下地干活，当她看到斯佳丽杀了一个北佬时，她没有惊慌失措，而是帮着掩埋尸体，搜查钱财，擦拭血迹，当战争终于结束，她痛恨的北佬士兵来到她门前要求照顾而她们自己也没有过多粮食时，她还是尽她所能地帮助他们，因为她希望在远方也有一个好心的北佬女人给她正在回家的丈夫一口饭吃。如此一位坚强的女性，却又是如此的温柔善良和善解人意。她执着地相信斯佳丽和阿希礼，即使有人亲眼看见他们搂在一起，也执着地相信他们，保护斯佳丽。她明知自己的身体无法再承受生育的痛苦，却执着地要再为阿希礼生个孩子，最终离开了她爱了一辈子的亲人们。真的是太伟大了，看着玫兰妮，使我想到许许多多的中国古代女性，她们也是如此的善良，任劳任怨，相夫教子，然后默默无名地老去、死去。整部书中，我最为喜欢的人物就是瑞特。他勇敢、执着，他能那么深地爱着斯佳丽十几年不变。他想保护斯佳丽，宠爱斯佳丽，照料斯佳丽，让她事事称心，而斯佳丽却拒绝了。他说过，再永恒的爱也会有磨光的时候，而他的爱，是被斯佳丽，被阿希礼，被斯佳丽愚蠢的固执磨光的。他的心，死了。当他女儿离开他时，他的心，再也回不来了。他说过，他从来没有那个耐心把剪碎的裤子缝好，再告诉自己这就和新的一样，自欺欺人罢了。碎了就是碎了，再也回不去了，即使修好，上面仍然留有裂缝，再也不是原来那条了。瑞特是个复杂的人，他有良好的家世，但却仍和旧时代格格不入，他有锐利的眼睛，可以在乱世找到自己的处身之道，他对国家有热情，即使他明知必败无疑，却仍在最后关头入了军。他爱斯佳丽，但他更了解斯佳丽，所以他从不说，只是通过行动表达，而斯佳丽却从来不想去了解他。最后，他绝望了，一次又一次的失望使他再也没有勇气再去尝试，他累了。《飘》绝对是部值得再三品味的好书，文字优美，情节跌荡起伏、扣人心弦，虽然其中由于作者的主观因素，对于美国南北战争的评价并不客观和全面，但以文学角度来说，这绝对是一部绝世佳作，值得一看。备注：中文后几段英文好像没有翻译，宁外《飘》英文名应该是《go with wind》
可以往女性主义上靠 起码我当年是这样写的
论文题目即文章的题名，题目犹如“文眼”,能准确反映论文特定的核心内容，至关重要。下面是我带来的关于美国文学论文题目的内容，欢迎阅读参考!美国文学论文题目(一) 1. 从伊丽莎白和达西的爱情管窥英国人的婚恋观 2. 浅析永别了武器的艺术风格 3. 论傲慢与偏见中的金钱与婚姻 4. 通过《莎菲女士的日记》和《三个金币》比较 5. 弗吉尼亚.沃夫与丁玲的女权主义思想 6. 呼啸山庄中的爱与仇 7. 浅谈《最后一个莫西干人》的风景和种族文化冲突 8. 论《觉醒》中的象征主义 呼啸山庄中的环境分析 9. 论《觉醒》中的象征主义 10. 简爱的双重性----简爱眼中的女权主义与平等主义 11. 《双城记》中狄更斯的人道主义思想 12. 海明威作品中的女性形象 13. 乱世佳人中两位女性之对比 14. 苔丝悲剧及其成因 15. 对大卫•科波菲尔的性格分析 16. 论《了不起的盖茨比》中美国梦的破灭 17. 从《傲慢与偏见》看女性意识 18. 儿子和情人中人际关系探讨 19. 浅析《了不起的盖茨比》中美国梦的破灭 20. 黑暗的召唤--分析《麦克白》中女巫及其预言 21. 论《飘》的社会价值及斯嘉丽人物性格 22. 论《鲁宾逊漂流记》中的资本主义倾向 美国文学论文题目(二) 1、海明威战争小说中的人道主义分析 2、解读《老人与海》的主题思想 3、王子复仇记》主题分析 4、哈姆雷特之性格分析 5、论悲剧《李尔王》的艺术技巧 6、浪漫主义文学与新古典主义文学之对比研究 7、王国维的“出入说”与华兹华斯的诗论 8、由爱反映出的个性-《简.爱》中情爱的分析 9、浅析王尔德的文艺主张 10、托马斯.哈代-一个传统主义者还是现代主义者 11、苔丝：一个纯洁的女人 12、殖民地时期美国文学的特点 13、华盛.欧文-真正的美国文学之父 14、清教与美国文学 15、论马克吐温的艺术风格 16、论亨利詹姆斯的“国际题材” 17、美国现实主义文学运动的特点 18、美国梦与美国噩梦-试析《大人物盖茨比》 19、当代汉语文学与外国文学的联系 20、《章鱼》：有的放矢的一本小说 美国文学论文题目(三) 1. 价值观的碰撞-中美交流的根本冲突 2. 《鲁滨逊漂流记》中的个人主义 3. 早期美国现实主义小说初探 4. 自由之旅-析马克.吐温哈克贝里.费恩历险记 5. 浅谈哈代“性格与环境”小说中的“性格”和“环境”的关系 6. 海明威小说的叙述声音 7. 从嘉莉妹妹的形象看德莱塞的女性观 8. 《红字》中的海斯特?白兰形象解读 9. 《白鲸》的宗教意义透视 10. 《老人与海》中主人公圣地亚哥的命运新析 11. 从《永别了，武器》看海明威的写作技巧 12. 论海明威作品中的女性形象 13. 《欲望号街车》的幻想与现实的对立 14. 静水流深-----罗伯特?弗罗斯特诗歌 15. 《喧哗与骚动》的象征意义 16. 哈代小说中的自然主义 17. 《太阳依旧升起》中“迷惘的一代” 18. 白色和红色-----苔丝的双重象征色 19. 挣扎于“围城”中的悲剧人物-方鸿渐 20. 论《红字》中海斯特和丁梅斯代尔对爱情、罪恶、生活的态度 21. 关于斯佳丽的生活观 猜你喜欢： 1. 英美文学类论文范文 2. 浅谈英美文学论文 3. 英美文学论文范文 4. 英美文学方向毕业论文 5. 美国文化学术论文格式要求
这个题目的话，可以分阶段写。分为两条线，对比Scarlet在同一时间分别对这两个人抱有怎样的感情，又是怎样发展的。最后大体概括一下。可以从scarlet所看到的，ashley所看到的和bulter所看到的入手。
1 水火交融的“乱世佳人”斯佳丽出生于十九世纪中期，生活在美国南部佐治亚州的一个富裕的庄园主家庭。父亲是爱尔兰人，性格开朗、热情、随便，不喜欢被规则所束缚，但渴望了解其他社会和文化。她的母亲出身高贵，系优雅端庄的法兰西贵族，她高贵、典雅、娇柔。他们一个有着豪爽仗义的爱尔兰农民精明朴实的血统，一个有着极富教养的法国海滨贵族血统，斯佳丽就是这两种血统的交汇。加上其生活的佐治亚州是美国南方一个开化较晚、不拘礼仪的地区，那里有着独特的历史人文背景，孕育了一代具有极为浓厚的“南方性”情节的人们，这样的环境为斯佳丽性格的形成提供了自由的空间。于是特殊的家庭和特殊的社会环境造就了其特殊的性格，即水一般的温柔与火一样的热烈。初次亮相表面的优雅和性情的率真让我们看到斯佳丽身上那种如她父亲般刚烈的爱尔兰人性格已占上风。她向往自由自在的生活，她想像田野里的风，不受任何束缚地想吹到哪儿就吹到哪儿。唯我独尊，想干什么就干什么的本性在她一见钟情就喜欢上维希礼时淋漓尽致地展现了出来。她怀着准备与维希礼私奔的念头，表现出“上等人”所不具备的勇气，直截了当地说出了她渴望得到的东西———维希礼的爱情！从她的行为举止中，我们已看不到任何所谓淑女的矜持与风范，感受到的是一颗火一般热烈的少女的心。可是维希礼拒绝了她，她遭受到前所未有的失败，她的自傲受到强烈的打击，于是她扇维希礼耳光，砸碎了碗，正如她父亲当年“因无名火起杀人”一样，而“她母亲家世中素有的教养，天大的事都能默默忍受”的温柔贤淑的美德在她身上已无影无踪，我们看到的是一个因得不到想要的爱情而气急败坏的野蛮少女。虽然从斯佳丽的心理成长、性格发展可以看出那独特的如火一般刚烈的爱尔兰个性占据了她性格的主导地位，但她同时又是爱伦的女儿，爱伦的圣母玛利亚般圣洁的光辉也时刻影响着她，牵动着她。2 物质追求与精神追求斯佳丽一生都在追求两样东西：一是维希礼的爱，一是有很多的钱。前者是精神的，后者是物质的。斯佳丽爱上维希礼仅仅是因为他那优雅的外表和他那一句“磁性十足”的问候，以后无论经历怎样的波折她依旧坚信自己的爱，哪怕维希礼已经娶了媚兰，她依旧不曾放弃任何示爱的机会。对维希礼的爱，成为失去爱伦精神无所依傍的斯佳丽活着的动力和拼搏的勇气。为了得到维希礼的爱，她堂堂一个大家闺秀竟策划在维希礼的定婚宴会上和他私奔。为了引起维希礼的注意，她尽情地发挥她的魅力，“不停地与周围的骑士们说笑，挑逗他们说出些过分的话来，然后再拼命地摇头，弄得耳坠猛乱地舞蹈着。”她强占所有男子的目光，抢走别人情人的注意力�6�8�6�8这些显然与爱伦的教育背道而驰。可是，这是一种盲目的、缺乏深厚感情的爱，它像镜中花、水中月，可怜的斯佳丽却一直在苦苦寻。直到媚兰去世，她才明白：“我所爱的只是一尊自己虚构的偶像———没有生命和灵魂。我给他做了一套漂亮的衣服，然后就爱上它了。当维希礼骑着马向我走来时，是那么英俊潇洒、风流倜傥，我便把那套衣服给了他，并不管他合身不合身，最重要的是我不肯看清他到底是一个怎样的人物。我一直爱着那套衣服———没有爱他人。”如果说爱伦圣母般的爱是斯佳丽的精神支柱，那么在时世变迁中，它已杳无踪迹；斯佳丽所虚构的美丽的爱情是她生命的动力，最后也在梦幻的破灭中消失殆尽。当南北战争如秋风扫落叶般将属于她的那个安乐富裕的家刮走后，她意识到“这是个狂暴而艰难的时代，要在这样的时代生活下去就非得进行艰难而剧烈的斗争不可”，“她不想穷一辈子，也不想干坐着，耐心等待奇迹来帮助她，她要闯进生活中去，努力取得她要取得的一切�6�8�6�8”她瞅准“金钱是这个世界上最重要的东西”，认为钱可以让她得到想要的一切，可以让她从小向往的“想做什么就做什么的”生活得以实现，可以让她强烈的唯我主义得到彰显。于是她义无返顾地投身到城市金钱的活动中去。斯佳丽已彻底忘掉爱伦教给她的女人大多只能作男子附庸的传统观念，却如同一个精明强悍的男子一样混入到男人的世界，与他们大张旗鼓地竞争，并以其大胆心细、能屈能伸、惟利是图、不择手段在商业竞争中游刃有余，获得了很大的成功。渐渐地，她由一个农奴主转变成一个没有良心的自私冷酷的资本家，精神追求在她那强烈的物质追求面前显得苍白无力，最多也只是一种心理平衡的配料罢了。有了钱，斯佳丽那发光的绿眼睛越发动人了，因为钱给她漂亮的衣服、精致的饰物、豪华的住宅、美味的食物�6�8 .而给予斯佳丽更多享受的是瑞德�6�1巴特勒。瑞德把从战争中捞取的金钱拱手献给他深爱着的斯佳丽，让她想干啥干啥，想买啥买啥，他不仅满足了她所有的的物质欲望，同时也让斯佳丽的唯我主义得到极大限度的彰显。正因为如此，无论瑞德是一个无恶不作、十恶不赦的奸商，还是一个彬彬有礼、受人爱戴的民主党人，对斯佳丽而言他永远是个感情真挚的好男人。因为只有瑞德最懂她，最理解她，也最能肯定她，愿意为她做一切；正因为如此，她才可以在他面前放任性子，自由自在。心理学中讲，人潜意识层中的积淀物，在一定的外部条件下会转化成一种强大的心理力量，诱发出惊人之举。瑞德在斯佳丽的丈夫刚死时就向她求婚，而心系维希礼的斯佳丽在原打算拒绝的时候竟然同意了，这是她潜意识层里的情感因素，也可以说是她的本我在做主。因为在模模糊糊、隐隐约约中，斯佳丽觉得除了喜欢瑞德的钱外，似乎还有点喜欢他本人，因为他们实在有臭味相投的一面———“天生的一对，都是为人冷酷、贪婪而又无所顾及”，“他是她唯一可以吐露心里话的人”。最终，斯佳丽答应了瑞德的求婚。斯佳丽的前两任丈夫———一个是乳臭未干的小男孩，一个是可以做她父亲的老头儿，相比之下，瑞德是成熟的、有着无限魅力的男子，从他身上斯佳丽才真正感受到婚姻的乐趣。这次婚姻与斯佳丽的前两次婚姻的不同在于除了功利目的外，还“有些喜欢”的因素（实质是灵的相吸引），这也不同于斯佳丽对维希礼的精神恋爱，它是在唯我主义的形式下，实现了灵与肉的结合。当然斯佳丽是经过了前所未有的思想斗争的，这是意识与潜意识、理性与感性的斗争，这种斗争展现了斯佳丽性格丰富复杂的一面。
因为“每个人的心理世界中，都存在着形而上和形而下的欲求，即自然欲求和精神欲求，从而形成双向的生命内驱力互相矛盾拼搏的张扬力。这种拼搏形成人的痛苦，形成人的性格的二重组合形态和各种丰富复杂的性格特征。[4]之所以把斯佳丽对瑞德的感情放在她的物质追求方面来讲，是因为到故事结局以前，斯佳丽一直把瑞德的深情厚爱只当作一种类似物质享受的需要，就如同她喜欢的一件漂亮衣服。她并非把它当作爱情来看待,尽管这是实实在在的爱情,是真真切切的灵的吸引,而斯佳丽却傻瓜般地没有意识到，直到最后,她才真正意识到:在噩梦中拼命寻找的“安全之地”就是瑞德的爱，他那里有她想要的一切,安全感、虚荣心�6�8�6�8于是，她拼命地、坚定地奔向家的方向,因为那里有瑞德!3水火交融的悲剧———斯佳丽性格的最终解析在斯佳丽的故事情节发展中, 她是由一个无忧无虑的享受者因战争变成痛苦的受害者再因性格变成了勇敢的战斗者———即我们简称的“乱世佳人”，这一步一步的变化、一个情节一个情节的过渡正是斯佳丽的性格得以形成的过程。战争的爆发促成了斯佳丽成为乱世中的佳人, 而乱世的各种应接不暇的变革又促成了斯佳丽性格中水与火的矛盾对立,最终形成其悲剧性的结局。斯佳丽在战争爆发前过着任性幸福的时光，战争爆发后她过去的人生观价值观已经转变成为现实的拜金主义，成了一个彻头彻尾的现实主义者。生活使她懂得了“适者生存，弱肉强食”的法则，她清楚地明白那些充满魅力的传统文化、让人敬仰的优雅礼仪是不能当饭吃、当衣服穿的，所以她抛弃了一切甚至人性道德，义无返顾地成为一个名副其实的资本家。可是，白天自信、勇敢、不知疲倦的为生存和金钱拼命的斯佳丽到了夜里，却时常忍受着噩梦的困扰，梦魇中的她总是孤寂地、恐怖地在迷蒙的浓雾中拼命地奔跑，寻找那块“安全之地”，却又总是寻而不见。这种梦魇中的情绪常常在现实中偷偷地侵袭她，暗暗啃噬她的心，这正是斯佳丽意识深处执拗追求的“灵魂的归宿”和“精神的家园”的象征符号，它的反复出现证实了斯佳丽在得到物质追求的同时，一种潜意识层的精神层面的追求的丧失。这一得一失造就了斯佳丽心理的不平衡。其实这是潜藏在斯佳丽心底的精神追求与物质追求的搏斗，这一搏斗的结果是通过最能反映她精神层面的爱情来体现的。“爱是人性王国的核心，是这个王国中最活泼最美丽的，充满生命的根本因素，是人类文明积淀程度的一面镜子。因此作家要表现人性的深度，就应当真切地表现爱的真实过程，表现爱的痛苦、挣扎与升华过程。[4]斯佳丽的爱情是最能体现她人性的一面镜子。代表着具有浓厚“南方情节”的维希礼从斯佳丽一见钟情地爱上他时，就被迫穿上她为他套上的漂亮衣服———英俊潇洒、风流倜傥、正直优雅、温柔浪漫，充分闪烁着传统文化和价值观念的光芒。这套衣服的美丽无比使斯佳丽对维希礼的爱那么坚定不移、一往情深，那么真挚执着，甚至成为她生命的动力。由此可见，在斯佳丽的叛逆心理中，传统文化和价值观念对她仍有一定的影响，以至于心灵的天平常常在震颤中不自觉地倾斜到传统一面。正因为如此，无论现实中的瑞德�6�1巴特勒如何魅力无限、如何那般般配地适合她的“口味”和兴趣、如何地疼她爱她满足她，她都视而不见、不屑一顾甚至大加讽刺，因为瑞德较于维希礼是一个完全对立的人物，他不仅是一个众人唾弃的奸商和无赖，还是一个冷酷残忍的叛国者，根本与“南方情节”沾不上边，所以斯佳丽一直瞧不起瑞德。而事实上，斯佳丽同瑞德是不相上下的，两个人的价值观人生观是差之毫厘、臭味相投的，是与维希礼截然相反的。这种梦幻般的感觉直到媚兰去世她才在悲痛至极中清醒过来，才明白瑞德的爱正是她一直追求的那个“安全的地方”，这才猛然间醒悟似地发现瑞德那浓情似海的爱是那般的不可或缺。可是已经晚了，被她撕碎心而心力交瘁的瑞德已决定弃她而去。她的精神追求最终是一个大败笔，尽管她再次拿出塔拉农场惯用的法宝———“不管怎样，明天又是崭新的一天！”来安慰和鼓励自己，可是正如瑞德所说：“最深厚的爱也会有被耗尽的时候！”斯佳丽的这两种追求的对立冲突，既是人性中所谓“灵与肉”的冲突，也是新旧两种文化、两类价值观之间的对立冲突。因为追根溯源，精神的价值观是一种传统的观念和意识，而物质的价值观是一种现代的观念和意识。结果，斯佳丽在这种冲突中获得了整个世界却失去了灵魂。斯佳丽的悲剧是矛盾对立的性格发展到极端的体现，也是物质追求与精神追求应在人的心理中保持平衡的有力印证，她的悲剧值得我们深思
研究动态：西方女性主义是与革命相伴而行的，两次脑残星主义的浪潮推动了西方女性主义理论的发展，女性解放进程又促使女性主义超越单纯的政治行为，走向理性思考，投入与学术的结合，产生了大量的妇女学综合研究成果和多流派的女性主义理论，女性主义者将理论再投入时间，进一步深化女性主义学术与政治。因此，社会革命、理论反思、回归实践是西方女性主义的一般模式，而通过社会革命发展为独立的由女领导和为主题的女权运动、并注重理性建树是西方女性主义的特点。 本选题意义开拓了人们的视野，对以后的社会以及政治思想提供了新的认知角度。为人权的进步、妇女解放提供了有力的思想武器，对于构建和谐社会两性关系、家庭关系、社会关系具有重大的理论和实践意义。
水火交融的“乱父亲是爱尔兰人，性格开朗、热情、随便，不喜欢被规则所束缚，但渴望了解其他社会和文化。她的母亲出身世佳人”斯佳丽出生于十九世纪中期，生活在美国南部佐治亚州的一个富裕的庄园主家庭高贵，系优雅端庄的法兰西贵族，她高贵、典雅、娇柔。他们一个有着豪爽仗义的爱尔兰农民精明朴实的血统，一个有着极富教养的法国海滨贵族血统，斯佳丽就是这两种血统的交汇。加上其生活的佐治亚州是美国南方一个开化较晚、不拘礼仪的地区，那里有节的人们，这样的环境为斯佳丽性格的形成提供了自由的空间。于是特殊的家庭和特殊的社会环境造来。她怀着准备与维希礼私奔的念头，表现出“上等人”所不具备的勇气，直截了当地说出了她渴望得到的东西———维希礼的爱情！从她的行为举止中，我们已看不到任何所谓淑女的矜持与风范，感受到的是一颗火一般热烈的少女的心。可是维希礼拒绝了她，她遭受到前所未有的失败，她的自傲受到强烈的打击，于是她扇维希礼耳光，砸碎了碗，正如她父亲当年“因无名火起杀人”一样，而“她母亲家世中素有的教养，天大的事都能默默忍受”的温柔贤淑的美德在她身上已无影无踪，我们看到的是一个因得不到想要的爱情而气急败坏的野蛮少女。虽然从斯佳丽的心理成长、性格发展可以看出那独特的如火一般刚烈的爱尔兰个性占据了她性格的主导地位，但她同时又是爱伦的女儿，爱伦的圣母玛利亚般圣洁的光辉也时刻影响着她，牵动着她。2 物质追求与精神追求斯佳丽一生都在追求两样东西：一是维希礼的爱，一是有很多的钱。前者是精神的，后者是物质的。斯佳丽就了其特殊的性格，即水一般的温柔与火一样的热烈。初次亮相表面的优雅和性情的率真让我们看到斯佳丽身上那种如她父亲般刚烈的爱尔兰人性格已占上风。她向往自由自在的生活，她想像田野里的风，不受任何束缚地想吹到哪儿就吹到哪儿。唯我独尊，想干什么就干什么的本性在她一见钟情就喜欢上维希礼时淋漓尽致地展现了出着独特的历史人文背景，孕育了一代具有极为浓厚的“南方性”情
要好好写哦，
你好！ 请参考：《飘》是美国当代女作家玛格丽特•米切尔的一部十分优秀的长篇小说，作品以美国的南北战争为历史背景，深刻地描绘了那一个特定的历史时期美国社会的真实图景。小说自1936年出版发行后，受到了读者的一致好评，经久不衰。作品中的女主人公郝思嘉也一度成为美国人民心目中理想的妇女形象。作者着力刻画郝思嘉这一形象，使其形象光彩夺目，充满传奇色彩，自其诞生半个世纪以来，她的魅力仍不减当年，成为世界文学史中一颗璀璨夺目的明珠。本文分析了这一艺术形象性格形成原因，揭示了其性格的复杂性，郝思嘉这一艺术形象是现实主义与浪漫主义的相结合,交织了坚强,叛逆和痴情.并探讨了这一艺术形象魅力经久不衰的原因。【关键词】郝思嘉;坚强 ;叛逆; 痴情 希望可以帮到你！
分析《飘》的人物特征浅谈《飘》中郝思嘉的性格形成
论文题目即文章的题名，题目犹如“文眼”,能准确反映论文特定的核心内容，至关重要。下面是我带来的关于美国文学论文题目的内容，欢迎阅读参考!美国文学论文题目(一) 1. 从伊丽莎白和达西的爱情管窥英国人的婚恋观 2. 浅析永别了武器的艺术风格 3. 论傲慢与偏见中的金钱与婚姻 4. 通过《莎菲女士的日记》和《三个金币》比较 5. 弗吉尼亚.沃夫与丁玲的女权主义思想 6. 呼啸山庄中的爱与仇 7. 浅谈《最后一个莫西干人》的风景和种族文化冲突 8. 论《觉醒》中的象征主义 呼啸山庄中的环境分析 9. 论《觉醒》中的象征主义 10. 简爱的双重性----简爱眼中的女权主义与平等主义 11. 《双城记》中狄更斯的人道主义思想 12. 海明威作品中的女性形象 13. 乱世佳人中两位女性之对比 14. 苔丝悲剧及其成因 15. 对大卫•科波菲尔的性格分析 16. 论《了不起的盖茨比》中美国梦的破灭 17. 从《傲慢与偏见》看女性意识 18. 儿子和情人中人际关系探讨 19. 浅析《了不起的盖茨比》中美国梦的破灭 20. 黑暗的召唤--分析《麦克白》中女巫及其预言 21. 论《飘》的社会价值及斯嘉丽人物性格 22. 论《鲁宾逊漂流记》中的资本主义倾向 美国文学论文题目(二) 1、海明威战争小说中的人道主义分析 2、解读《老人与海》的主题思想 3、王子复仇记》主题分析 4、哈姆雷特之性格分析 5、论悲剧《李尔王》的艺术技巧 6、浪漫主义文学与新古典主义文学之对比研究 7、王国维的“出入说”与华兹华斯的诗论 8、由爱反映出的个性-《简.爱》中情爱的分析 9、浅析王尔德的文艺主张 10、托马斯.哈代-一个传统主义者还是现代主义者 11、苔丝：一个纯洁的女人 12、殖民地时期美国文学的特点 13、华盛.欧文-真正的美国文学之父 14、清教与美国文学 15、论马克吐温的艺术风格 16、论亨利詹姆斯的“国际题材” 17、美国现实主义文学运动的特点 18、美国梦与美国噩梦-试析《大人物盖茨比》 19、当代汉语文学与外国文学的联系 20、《章鱼》：有的放矢的一本小说 美国文学论文题目(三) 1. 价值观的碰撞-中美交流的根本冲突 2. 《鲁滨逊漂流记》中的个人主义 3. 早期美国现实主义小说初探 4. 自由之旅-析马克.吐温哈克贝里.费恩历险记 5. 浅谈哈代“性格与环境”小说中的“性格”和“环境”的关系 6. 海明威小说的叙述声音 7. 从嘉莉妹妹的形象看德莱塞的女性观 8. 《红字》中的海斯特?白兰形象解读 9. 《白鲸》的宗教意义透视 10. 《老人与海》中主人公圣地亚哥的命运新析 11. 从《永别了，武器》看海明威的写作技巧 12. 论海明威作品中的女性形象 13. 《欲望号街车》的幻想与现实的对立 14. 静水流深-----罗伯特?弗罗斯特诗歌 15. 《喧哗与骚动》的象征意义 16. 哈代小说中的自然主义 17. 《太阳依旧升起》中“迷惘的一代” 18. 白色和红色-----苔丝的双重象征色 19. 挣扎于“围城”中的悲剧人物-方鸿渐 20. 论《红字》中海斯特和丁梅斯代尔对爱情、罪恶、生活的态度 21. 关于斯佳丽的生活观 猜你喜欢： 1. 英美文学类论文范文 2. 浅谈英美文学论文 3. 英美文学论文范文 4. 英美文学方向毕业论文 5. 美国文化学术论文格式要求