Abstract In Wuthering Heights by Emily Bronte, based on love, on the other side, demonstrates the collision between humanity and The humanity is very Accordingly, this novel has the haunting This novel reveals the humanity’s complexity and profundity, because it implies the love and resentment, furthermore, the humanity has impacted on the temporal social This paper explores the love and hate ——producing from the collision between humanity and And try to illustrate the undying love between Catherine and Heathcliff through humanity and culture and how to face their Under the social culture, when love turns to hate , hate twists Thereby, humanity’s love is as tragedy Because they missed the beautiful time for love ,when humanity arises Key words: Humanity Culture Love Revenge Humanity ? Culture ?——Wuthering Heighets’love IntroductionIn Wuthering Heights, the topic is love, deduces us a world-shaking undying They are not only have the lingering love, but also a deeply ingrained hate between Catherine and Heathcliff’s love has both humanity and social culture and which bind with The humanity has made their love unchanged and undying, but culture destroys this love, and causes hate, Catherine betrays Therefore Heathcliff’s hate is quite incisive and vivid, but still comes back to the In the novel by Emily Bronte, the two main characters have the natural style and primitive nature—— naivete, truculence, frankness, firmness, a flush of sentiment, behavior is They love very desperately, they hate is regardless of As a result, the characters’ love quite strong, shaking- “Unchanged as the mount, ferocity as the lighting” (song p7)Hence, Wuthering Heights becomes the most magnificent love epic in the The social culture and humanity In the nineteenth century, the Victorian period the nobleman is enormously proud of their success, full of the temporal rank Status is first, money is G People’s spirits suffer from the intense Humanity is twisted without The Earnshows hold a precarious place within the Although the gentry, possessed servants and often large estates, they nonetheless hold a fragile social The Lintons are relatively firm in their gentry’s status, but the Earnshows are on much shakier ground Catherine wants to marry Edgar so that she will be “the greatest woman of the neighborhood” Above all, this is the social culture and humanity on that But Catherine and Heathcliff‘s character is governed by their passions, not by reflection or ideals of Also the house where they live comes to symbolize the humanity, but Thrushcross Grange represents culture, convention, When Catherine left for Thrushcross Grange the first time, she has impacted on this culture and finds herself deeply attracted by Therefore, for love her heart so Owning to Catherine’s changing, Heathcliff begins to resent the society that is responsible, “when he acquires power and returns to Wuthering Heights with money and the trappings of a gentleman he becomes a villain” Humanity was dispelled in a corner; social culture was filled in civic Catherine’s love under the social cultureThe heroine—Catherine is very ambivalent in her love Due to human nature, she loves Heathcliff deeply with childlike passion, and her soul can’t live without But the social culture made her betray the love in order to satisfy her yearning for fame and She chooses Linton, hereby her love becomes a Catherine is crazy about Heath Their love is rooted in their childhood and is marked by the refusal to change and embrace those Moreover, their love is based on their shared perception that they are identical, even their souls are shared by Catherine declares, “Whatever our souls are made of, his and mine are the same” (Gao p103) “I am Heathcliff!”(Gao p105) When she first comes back from Thrushcross Grange, she immediately realizes the impact that the social culture has had in Her heart becomes more complex and Catherine looks for Heathcliff, to embrace and kiss him, at the same time she is afraid about Heathcliff’s dirty clothe against her clean She also treats her marriage like If she marries Heathcliff she will be a Even if she is well aware that without Heathcliff she can’t live, but the cruel reality helps her realize that marrying Linton will make her become the greatest woman in the The temptation of material benefit and the bourgeois culture society, made her betray her love But her betrayal is not Although, she dares to break free from the low class She is still crazy about Heathcliff even without property, As Catherine says “It would degrade me to marry Heathcliff now ………but because he is more myself than I ” (Gao p102) But humanity’s love never let Catherine give up Heathcliff Catherine said “My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary……but as my own ”(Gao p105) Her choice about marriage made her betray her humanity and Heath cliff, forcing Heathcliff to leave Despite her childlike nature to love him very deeply with fierce Social culture wins humanity in Catherine, but she was never happy at the civilized Thrushcross Grange, and found herself feeling empty without And for the next seven years, Catherine coasted through life, living only in the past Her soul so eager to meet Heathcliff’s Ultimately, she is torn between her wild passion for Heath cliff and her social But the primitive love exceeds the cultural love, causes her miss the Wuthering Heights in And before she dies, go into the bosom of H After she dies, her lonely ghost thirsts for coming back Wuthering H She uses the melancholy voice sobs “Let me in —Let me in!”(Song p28)Heathcliff’s love and hateHeathcliff’s love is pure in intention and never Like Catherine, he loves to run around on the His love just has the human nature’s emotion without rank, culture Heathcliff never says “love”, but his love stronger than hurricane, compare with He is filled with uncontrollable In chapter third, he hears some sounds in Catherine’s room, “his agitation was so extreme, that he could hardly pick it ”(Gao p30) Upon arriving at the bedroom, as Lockwood[the renter of Thrushcross Grange] flees from it, Heath cliff cries out to Catherine begging her to “ ‘Come in ! Come in!’He sobbed ‘Cathy, do come Oh do –once more! Oh! My heart’s darling; hear me this Catherine, at last!’ ”(Gao p33) this shows how Heathcliff tastes the bitterness of his lost His love for Catherine is expressed simple, honestly brevity but full of fervid In chapter sixteenth, he curses Catherine for the She has caused him and pleads with her spirit to haunt him for the rest of his She may take any form, he says, and even drives me mad as long as I am He goes on to say “may you not rest as long as I am living! You said I killed you ---haunt me, then!” “Be with me always---take any form ---drive me mad! Only do not leave me in this abyss, where I can’t find you!”(Gao p218)Although in this chapter, there are no definite words to represent Heathcliff’s love, it is nonetheless known and deeply rooted in their hearts, never losing their Because of the strength of his love for Catherine, Heathcliff undertakes his wicked and vengeful revenge against those deems responsible for his misery Heathcliff comes from the lower class and because of this, the Linton family makes him feels unworthy of Catherine seeks a more genteel life therefore betraying their When Heathcliff heard that “It would degrade me to marry Heath cliff now”(Gao p102) He withdraws in a rage of shame, humiliation, and Three years later, Heathcliff comes back with power and money, he is longing for meeting Catherine, at this time he begins to do an elaborate plan for But his cruel and harmful behavior comes from the pain of his love He becomes a fiend, a demon, toward every person around him He ruins Hindley [Catherine’s brother] by tricking him and therefore, taking possession of Wuthering H He also ends Hareton’s [Hindley’s son] education after Hindley died, and then elopes with Isabella [Lintion’s sister], after she is ill-treated by Likewise, Heathcliff uses Isabella to revenge E “His malevolence proves so great and long—lasting that it can’t be adequately explained even as a desire for revenge”(Liu p34) Without Catherine , he lost his sense of life , revenge replaces love , and become the driving force behind his However, who strips his love? What does twist his humanity? But the deep-rooted love didn’t disappear at Heathcliff tries to recapture the spirit of Catherine in his desire to rejoin He even opens her coffin, Heathcliff says “I saw her face again” The many signs of Catherine show that “she did exist” but that “I have lost her”When Heathcliff fulfills his revenge, he finds that the primary pleasure is no longer within He begins to give up his revenge, wanting only to be with C The humanity of his love arises again, love for Catherine eroding his lust for In Heathcliff’s life, he sees Catherine’s shadow He is bound to C They shared one soul, longing to become one Heath cliff becomes more and more obsessed with the memories of Catherine, begins to talking with her ghost Remembering his climactic night on the moors , he feels so happy and anticipates a reunion with her ghost Two opened souls become one Heathcliff’s feeling of revenge for his lost love ,eventually ,return to the original In the end, Humanity’s love wins driving his life from this point Conclusion“Inevitably , the unbridgeable gab in Catherine’s and Heath cliff’s social positions renders their fervent romance unrealizable on any practical level ”（Liu p77）Catherine’s actions are so stringing driven by her social ambitions , that she betrays her humanity, and consequently Heathcliff’s love turns top the Heathcliff becomes a so-called genteel man, returns to Wuthering Heights and carrying out all the cruel acts of Nevertheless, this love is natural, primitive, inner, and spiritual On account of their soul has been the unit can’t separate from each other, no more than two The emotion can’t use the culture to explain and alter The temporal social culture compares with the delicate humanity, thereby resulting in a painful ending to this love When love turns to hate, hate twists the humanity This profound avatar is shown through Heathcliff and C The author shows for us the struggle between humanity’s love and social In light if this ideal, today, how do we choose our love when faced it? 给我分吧，我弄了3个小时，送你一图
你好，已经发送给你8篇英文论文，20来篇中文论文了，关于跨文化交际和中西文化差异的，查收下哈~ 希望对你有帮助！以后还需要检索论文的话可以再向我或者其他举手之劳队员提问哦，举手之劳助人为乐！——百度知道 举手之劳团队 队长：晓斌11蓝猫
苏东坡的文学背景和他的赋SU TUNG-PO’S LITERARY BACKGROUND AND HIS PROSE-POETRY by Qian Zhongshu (Primarily written as a foreword to “Su Tung-Po’s Prose-poems” translated into English With Notes and Commentaries by C D Le Gros Clark, this is published here by kind permission of M Le Gros C Those who are interested in textual criticism may consult M Wu Shih-ch’ang’s review in Chinese which appeared in The Crescent Monthly, V IV, N –E)Of the Sung dynasty, it may be said, as Hazlitt said of himself, that it is nothing if not The Chinese people dropped something of their usual wise passiveness during the Sung dynasty, and “pondered, searched, probed, vexed, and criticized” This intellectual activity, however, is not to be compared with that of the Pre-Chin period, the heyday of Chinese The men of the Sung dynasty were inquisitive rather than speculative, filled more with a sense of curiosity than with a sense of Hence, there is no sweep, no daring, no roominess or margin in their A prosaic and stuffy thing theirs is, on the This critical spirit revealed itself in many directions, particularly in the full flourish of literary criticism and the rise of the tao-hsüeh （道学）, that mélange adultere of metaphysics, psychology, ethics and Literary criticism in China is an unduly belated Apart from a handful of obiter dicta scattered here and there, Liu Hsieh’s Literary Mind （刘勰文心雕龙） and Lo Chi’s A Prose-poem on Literature （陆机文赋） are the critical writings that count up to the Sung There is Chung Yung’s Classification of Poets (钟嵘诗品) of But Chung Yung is a literary genealogist rather than a critic, and his method of simply dividing poets into sheep and goats and dispensing praise or dispraise where he thought due, is the reverse of critical, let alone his fanciful attempts to trace literary parentages(1) Ssu-Kung Tu’s Characterisations of Poetry (司空图诗品) is a different matter(2) Ssu-Kung Tu seeks to convey purely with imagery the impressions registered by a sensitive mind of twenty four different kinds of poetry: “pure, ornate, grotesque,” His is perhaps the earliest piece of “impressionistic” or “creative criticism” ever written if any language, so quietly ecstatic and so autonomous and self-sufficient, as it were, in its being but it fails on that very account to become sober and proper It is not until the Sung dynasty that criticism begins to be practiced in Numerous “causeries on poetry” （诗话）are written and principles of literature are canvassed by way of commentaries on individual Henceforth, causeries on poetry become established as the vehicle for Chinese One must note in passing that there do not appear professional critics with the rise of In those good old days of China, criticism is always the prerogative of artists The division of labour between critics and artists in the West is something that the old Chinese literati would scoff The criticism of Sung dynasty, like all Chinese criticismsbefore the “New Literature Movement” with the possible exception of Hsieh’s Literary Mind, is apt to fasten upon particulars and be given too much to the study of best words in best But it is symptomatic of the critical spirit, and there is an end of The Chinese common reader often regards the men of the Sung dynasty as Their high seriousness and intellectual and moral squeamishness are at once irritating and amusing to the ordinary easy-going Chinese There is something paralyzing and devitalizing in their wire-drawn casuistry which induces hostile critics to attribute the collapse of the Sung dynasty to its There is also a disingenuousness in their attempts at what may be called for want of a better name, philosophical masquerade: to dress up Taoism of Buddhism as orthodox C One need but look into Sketches in a Villa（阅微草堂笔记）and Causeries on Poetry in a Garden（随园诗话） to see what a good laugh these two coxcombs of letters, Chi Yuen （纪昀） and Yuan Mei （袁枚） have had at the expense of the Sung philosophers and critics Nevertheless ofe is compelled to admit that the Sung philosophers are unequalled in the study of mental Never has human nature been subject to a more rigorous scrutiny before or since in the history of Chinese For what strikes one most in the tao-hsüeh is the emphasis on self- This constant preying upon itself of the mind is quite in the spirit of the The Sung philosophers are morbidly introspective, always feeling their moral pulses and floundering in their own streams of To them, their mind verily “ a kingdom is” They analyse and pulverize human But for that moral bias which Nietzsche thinks to be also the bane of German philosophy, their vivisection of human soul would have contributed a good deal to what Santayna calls literary The poetry of the sung dynasty is also a case in It is a critical commonplace that the Sung poetry furnishes a striking contract to the T’ang Chinese poetry, hitherto ethereal and delicate, seems in the Sung dynasty to take on flesh and becomes a solid, full-blooded It is more weighted with the burden of Of course, it still looks light and slight enough by the side of Western But the lightness of the Sung poetry is that of an aeroplane describing graceful curves, and no longer that of a moth fluttering in the mellow In the Sung poetry one finds very little of that suggestiveness, that charm of a beautiful thing imperfectly beheld, which foreigners think characteristic of Chinese poetry in Instead, one meets with a great deal of naked thinking and outright It may be called “sentimental” in contradistinction to the T’ang poetry which is on the whole “naïve”, to adopt Schiller’s useful The Sung poets, however, make up for their loss in lisping naivete and lyric glow by a finesse in feeling and In their descriptive poetry, they have the knack of taking the thing to be described sur le vif: witness Lo Yu (陆游) and Yang Wan-li （杨万里） They have also a better perception of the nuances of emotion than the T’ang poets, as can be seen particularly in their Ts’u （词）, a species of song for which the Sung dynasty is justly famous(3) Small wonder that they are deliberate artists, considering the fact that they all have been critics in the off hours of their The most annoying thing about them is perhaps their erudition and allusiveness which makes the enjoyment of them to a large extent the luxury of the initiated even among the C （3000字）还有一篇在玩偶之家的身份抗争（6000字）和一篇马丁路德金的《我有一个梦》文体分析（10000字）如果需要就麻烦您告诉我您的邮箱，再给您发过去。
你要是找国淘论文写作，就不会出现这种问题了好不好？1．题名规范 题名应简明、具体、确切，能概括论文的特定内容，有助于选定关键词，符合编制题录、索引和检索的有关原则。2．命题方式3．撰写 英文题名的注意事项 ①英文题名以短语为主要形式，尤以名词短语最常见，即题名基本上由一个或几个名词加上其前置和（或）后置定语构成；短语型题名要确定好中心词，再进行前后修饰。各个词的顺序很重要，词序不当，会导致表达不准。 ②一般不要用陈述句，因为题名主要起标示作用，而陈述句容易使题名具有判断式的语义，且不够精炼和醒目。少数情况（评述性、综述性和驳斥性）下可以用疑问句做题名，因为疑问句有探讨性语气，易引起读者兴趣。 ③同一篇论文的英文题名与中文题名内容上应一致，但不等于说词语要一一对应。在许多情况下，个别非实质性的词可以省略或变动。 ④国外科技期刊一般对题名字数有所限制，有的规定题名不超过2行，每行不超过42个印刷符号和空格；有的要求题名不超过14个词。这些规定可供我们参考 。 ⑤在论文的英文题名中。凡可用可不用的冠词均不用。
不会，我可以
外国语学院英语论文格式规范(附样例) A Contrastive Study between English and Chinese Idioms（题目：二号，黑体，加粗，居中,除了英语小词外，其他单词首字母都要大写；另外：除了题目外，论文中所有英文的字体均采用“Times New Roman”）外国语学院 2001级英语教育1030120011XX XXX 指导老师：XXX（学院、专业、学号、作者姓名、指导教师姓名（小四号宋体字，加粗），依次排印在论文题目下，上空二行，居中）【Abstract】 This paper centers on the different expressions of ……（英文摘要：上空二行；题目采用五号“Times New Roman”字体，加粗，置于粗体方括号【】内，顶格放置；随后的内容与前面的粗体方括号【】之间空一格，不用其他任何标点符号；采用五号“Times New Roman”字体，不加粗；单倍行距。）【Key Words】 idiom; comparison; English; Chinese （英文关键词：题目采用五号“Times New Roman”字体，加粗，两个单词的首字母要大写，置于粗体方括号【】内，顶格放置；随后的内容与前面的粗体方括号【】之间空一格，不用任何其他标点符号，采用五号“Times New Roman”字体，不加粗，除了专有名词外，其他单词的首字母不大写，各单词之间用分号“；”隔开，分号之后空一格；最后一个关键词之后不用任何标点符号；单倍行距。） Introduction (顶格，除了第一个单词及专有名词外，其他单词首字母都不要大写；标题最后不用任何标点符号，上空两行) In both English and Chinese, … So, this essay is trying to focus on the differences between Chinese and English idoms in terms of their essential meaning, customary usage and typical expression (Chang Liang, 1993:44; Li Guangling, 1999) (段落第一行缩进4个英文字符；夹注的标注法：出现在夹注中的作者必须与文后的参考文献形成一一对应关系；注意一个或多个作者间的标点符号，时间、页码等的标注法；另外，汉语参考文献的作者要以拼音形式出现，不能出现汉语姓氏；夹注出现在标点符号之前) The similarities between English idioms and Chinese idioms In English, … And it can be clearly seen in the below examples: (1) I don’t know。我不知道。 (2) I am not a 我不是诗人。 (正文中的例子以（1），（2）…为序号排列，直至最后一个例子；而①, ②…则为脚注或尾注的上标序号)… The differences between English idioms and Chinese 1 The characteristics of English idioms（正文章节序号编制：章的编号： ，， ，…；节的编号：1,2…，1,2…；小节的编号为：1, 2…。小节以下层次，采用希腊数字加括号为序，如（i），（ii）…；之后再采用字母加括号，如(a), (b),…;每章题目左顶格，小四号字，加粗；每节（及小节以下）题目左顶格，小四号字，不加粗但要斜体；所有章节的题目都单独一行，最后不加任何标点符号） … In conclusion, …2 The characteristics of Chinese idioms … Feng (1998) found some problems as shown in the following examples (注意此句中夹注的另一种写法): (9) We never know the worth of water till the well is (10) People take no thought of the value of time until they lose …1 The analysis of the differences between English and Chinese idioms …(i) … …(ii) … … Conclusion …Bibliography (References) （小四号，加粗，后面不加任何标点符号）Sanved, The Oxford book of American literary anecdotes[C] New York: OUP, 常亮，“关于英语的偏离否定”[J] 。《外国语文》，1993，4：44。冯树健，“否定之否定新说”[J] 。《英语辅导》，1998，6：11。李光陵，“不完全否定浅析” [J] 。《大学英语》，2000，30：30。（论文最后的参考文献中所有文献的排列顺序：尾注：按照编号顺序。夹注：英文文献----网络文献----汉语文献，各个文献的先后以作者的姓氏字母或拼音为序，不用单独加序号或编号；每个参考文献的第二行起必须缩进4个英文字符；5倍行距；另外，与文中的夹注一一对应；不同类型的参考文献写法请参照写作指南中附件2的内容）(以下内容单独一页)汉英习语的对比研究（题目：二号，黑体，加粗，居中）【摘 要】 汉英的习语问题是个既简单有复杂…… …… ……（中文摘要：上空二行；题目采用黑体五号字，加粗，置于粗体方括号【】内，缩进2个汉字字符，方括号中的“摘要”两个字之间空一格；随后的内容与前面的粗体方括号【】之间空一格，不用其他任何标点符号，采用楷体五号字，不加粗，单倍行距； 第二行起要顶格；字数约400字，约8-10行；）【关键词】 习语；对比；英语；汉语（中文关键词：题目采用黑体五号字，加粗，置于粗体方括号【】内，缩进2个汉字字符；随后的内容与前面的粗体方括号【】之间空一格，不用其他任何标点符号，采用楷体五号字，不加粗，单倍行距；各单词之间用分号“；”隔开，分号之后不空格；最后一个关键词之后不用任何标点符号；单倍行距）一、 基本格式：论文只能打印在每页纸的一面上，不得打印在正反面上。论文纸的大小尺寸为A4纸打印。侧面装订。二、题名页：论文题名页上打印格式基本相近，中、英文对照，中文题目页在第一页，英文题目页在第二页。一般由顶部往下三分之一页处打印论文题目，论文题目都用大写字母，下隔八行打印论文调查者姓名、所属电大，再下隔八行视实际情况打上提交日期XX年XX月XX日以及课程名称：论文项目设计上述各项内容都应打印在论文题名页的中间部位。三、摘要及关键词页摘要及关键词页上打印格式同论文题名页，中、英文对照，中文题目页在上，英文题目页在下。一般根据提要的内容多少安排打印。中文题目摘要采用宋体一号，加粗，摘要正文部分采用宋体，小四号。关键字题目部分采用宋体三号，加粗，关键字短语部分采用宋体，小四号。英文题目摘要采用Times New Roman字体，字号为一号，加粗，摘要正文部分采用Times New Roman字体，字号为小四。四、致谢页学员可以自选致谢页，一般不要求写中文。英文大标题采用Times New Roman字体，字号为一号，加粗，正文部分采用Times New Roman字体，字号为小四。五、目录页英文大标题采用Times New Roman字体，字号为一号，加粗，小标题部分统一采用Times New Roman字体，字号为三号，加粗。注意在右方注明对应的页号，中间虚线连接。六、正文页论文的正文需隔行打印，正文采用Times New Roman字体，字号为小四。大标题为Times New Roman字体，字号为三号、加粗字。副标题为Times New Roman字体，字号为三号、加粗。七、尾注、参考文献页与附录页尾注、参考文献页与附录页（大标题采用Times New Roman字体，字号为一号，加粗）正文部分如尾注、参考文献目录与附录可不必隔行打印，字体为Times New Roman小四。
英语论文致谢范文1I would like to thank all of you for helping me in writing this My deepest gratitude is first to professor ________， my mentor， for his constant encouragement and He wrote my essay at all Without his usual and enlightening guidance， this paper would not have been in its present Secondly， I would like to express my heartfelt thanks to professor ________， who has led me into the world of I am also very grateful to professors and teachers of the English department: wu ____， ______ and ______， and for the past two years， I have been guiding and helping Finally， I would like to thank my dear family for their love and great faith in me for many I also want to thank my friends and classmates who have given me help and time to listen to my opinions and help me solve my problems in the difficult process of my 英语论文致谢范文2First of all， I would like to express my sincere gratitude to my boss， ________， for her helpful Suggestions and helpful Suggestions for my I am deeply grateful for her help in completing this ______my wife's profound knowledge of English has inspired my love of this beautiful language and my attitude towards learning EI also thank all the teachers and teachers in the translation studies for their direct and indirect Special thanks to my friends who have spent a considerable amount of time and energy on the Finally， I thank my parents for their continued support and 英语论文致谢范文3First of all, I would like to express my gratitude to all those who helped me during the writing of this I gratefully acknowledge the help of my supervisor, Ms x, who has offered me valuable suggestions in the academic In the preparation of this thesis， she has spent much time reading through each draft and provided me with inspiring Without her patient instruction, insightful criticism and expert guidance, the completion of this thesis would not have been Second, I also owe a special debt of gratitude to all the professors in Foreign Languages Institute, from whose devoted teaching and enlightening lectures I have benefited a lot and academically prepared for the Last, I should finally like to express my gratitude to my beloved parents who have always been helping me out of difficulties and supporting without a word of 以上就是环球青藤小编关于英语论文致谢范文分享，希望对大家有所帮助，小编将会及时分享论文相关内容，大家及时关注哦!
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中国论文发英文期刊可以展现中国论文水平的提升。可以让更多的外国人了解到中国的文化。
在期刊上发表了论文Published a paper in the Journal—————————————————您好，用心、细心为您答疑解惑；如果本题还有什么不明白可以追问，如果满意请记得采纳；如果有其他问题请采纳本题后，请指向我的图像点击向我求助！答题不易，请谅解，谢谢。——————————————————————————————————祝您生活愉快！
因为英文期刊更有影响力。受科学家关注度较高的期刊几乎都是英文期刊，所以发表在英文期刊才更有反响。