农夫三下乡
中西方婚礼风俗差异The western wedding customs vary众所周知,当今世界正在向全球化的趋势发展,各国之间的关系也变得更为紧密了。今天无论是“借鉴”还是“拿来”西方的礼仪,或者是我们自创一套自己的礼仪系统,这在形式上都不难。难的是我们也能有一个完整而自洽的价值体系,有对自身文化的高度认同和深刻的觉悟。 As everyone knows, the world today is to the trend of globalization, the relations between various countries are also becoming more closely. Whether it is" reference" or" used" the western etiquette, or are we created a set of their own etiquette system, this form is not difficult. The difficulty is that we can have a complete and consistent value system, have to their own cultural identity and profound consciousness of height.自古以来,婚姻就是人的一生中至关重要的一项活动,几乎在每一个社会文化中,都有举办婚礼的习俗。人类似乎天生就有这么一种需要,用婚礼将丈夫和妻子的关系公开并确立下来。而最重要的是人们可以透过纷繁绚丽的风俗来更清楚的认识人类社会历史,探究人类社会的发展历程和规律,因此我门从这方面着手只到整个礼仪系统的学习。 Since ancient times, marriage is vital to people's life in an activity, in almost every culture in society, has held the wedding customs. Humans seem to be born with this kind of need, with the wedding will be husband and wife relationship public and established. And the most important thing is that people can through numerous beautiful custom to better understanding the history of human society, to explore the development of human society and the law, so me from this respect proceed only to the etiquette system study.婚礼同时也体现了中西方文化的碰撞。中国有着5000年灿烂而悠久的传统文化,这是世界各国有目共睹的,而婚礼文化在中国经历了历史的变迁后,已经有非常悠久的历史。而西方的婚礼文化也是随着社会的进步在不断地发生变化。Wedding but also reflects the western culture collision. China has a bright 5000 tradition culture, this is be obvious to people all over the world, and the wedding culture in China has experienced changes in the history, has a very long history. While the western wedding culture is also along with the progress of the society is constantly changing.现在社会上流行中式婚礼西方化,西式婚礼中国化,都在说明着婚礼的形式在不断的发生变化,这体现了婚礼文化的丰富,中西方两种文化的碰撞,以及中西方文化的交融。而文化的进一步交流也必然带动各国之间经济的合作发展,没有了文化上的冲突,政治也会变得相对稳定。 Now the popular Chinese wedding western, Western-style wedding in China, are in the form of a wedding in constant change, which reflects the rich western wedding culture, the collision of two kinds of culture, as well as the western culture blend. And cultural exchanges between countries also will promote the economic cooperation and development, no cultural conflict, political will become relatively stable.中国的婚礼形式在我门年轻人的眼中都觉得很烦琐,首先介绍个对象不说,还得各个亲戚看看是否“通过”,那我就简单说几句吧,相亲,是我们国家的俗称,大多数是男的相女的,哈哈,接下来就是“见面”、“递贴”、“换号”,后边才结婚呢,结婚当天也不是那么简单的,“通路”、“接亲”等等,就是事情比较多,也比较麻烦!现代的婚礼形式受到西方文化的影响,一般是在教堂或酒店里,男女双方在结婚公证处领取结婚证后就是喜宴,在喜宴上新娘要轮流向每位客人进酒,不管男女老少,都要喝一口新娘进的酒。有时双方的朋友会刁难新娘,新娘若回答不出他们的提问就要送一大堆的喜糖作为交换。喜宴结束后,大多数情侣会去度蜜月。 无论是古代还是现代都体现了中国婚礼的特点:隆重,热闹,喜庆。Chinese wedding in my young people feel very cumbersome, first introduced the object does not say, still have various relatives have a look whether" through", I would simply say something, to date, is our country most commonly known as, is male is female, ha ha, the next is"."," stick", pass" change", behind only wedding, wedding day is not so simple," the passage", "the kiss" and so on, is a thing more, have more trouble! Modern wedding has been the impact of western culture, is in the church or in a restaurant, both men and women in marriage notary office received a marriage certificate is the reception at the wedding reception, bride to rotate towards each guest wine, regardless of people of all ages and both sexes, to drink the bride into wine. Sometimes the friends will create difficulties for the bride, bride if you can't answer their questions was to send a lot of candy in exchange. After the wedding reception, the majority of couples take a ancient or modern reflects the Chinese wedding features: grand, lively, happy.西方的婚礼是属于浪漫型的,整个婚礼从一开始就充满了浪漫的气息。一般有以下步骤:1来宾入席。2奏结婚进行曲。亲友点上蜡烛,牧师领唱诗班进场,宣布婚礼开始.伴郎伴娘和新郎陆续进场,女方家长陪新娘进场全体起立.3女方家长入席。新娘挽着父亲的手,步入大堂,伴娘和花童一同进入会场,全体来宾起立,父亲郑重的把女儿交给新郎,女方家长就坐,全体来宾就坐。4牧师证婚。新人进行结婚宣誓,宣告愿意结为夫妻。5新郎新娘互戴婚戒,宣誓。6献诗。来宾在唱诗班的带领下,唱祝福歌。7礼成。奏乐,新郎站右边,新娘站左边,两人一起走出教堂,伴郎伴娘随后,家属以及来宾随后退场。8茶会或晚宴。Western wedding is a romantic type, the whole wedding party from the beginning is full of romantic atmosphere. The general has the following steps: 1 guests attend. 2 played the wedding march. Friends and relatives of a candle, the priest a choir approach, announces the beginning of the wedding. And groom groomsman Bridesmaid enters the arena in succession, the wife's side parents to accompany the bride enters the standing ovation . 3 female parents sitting. The bride in her hand, stepped into the lobby, flower girl bridesmaid and they entered the hall, all the guests stood up, father solemnly put the daughter to the groom, wife's side parents sat, all the guests sitting. The 4 priest. The new marriage oath, declaring to be married. 5 the bride and groom each other wearing a wedding ring, oath. The 6 choir. Guests at the choir 's lead, sing a song. The ceremony is over 7. The bride, groom on the right, stand on the left, along with two people out of the church, a groomsman Bridesmaid subsequently, families and guests then exit. 8 party or dinner.
萨瓦底卡Fs
写作思路:可以从中西方婚礼时候的穿着以及颜色进行对比,中心要明确,避免语法使用错误等等。
正文:
Chinese wedding is more serious, while western wedding is relaxed and pleasant. These traditional wedding customs reflect the cultural differences between different regions.
中国的婚礼是比较严肃的,而西方国家的婚礼则是轻松而又愉悦的。这些传统婚礼习俗映射出不同地区之间的文化差异。
The biggest difference between Chinese and Western wedding customs is color. In China, red is known as a festive, lively, auspicious and prosperous color. On the wedding day, red is the main color, and the word "zhe" must be adhered to all kinds of items. The bride is centered on red, and the bride can only wear red clothes to get married.
在中西方婚礼习俗里最大差别是颜色,在我们中国红色被誉为是喜庆、热闹、吉利、兴盛的。在结婚当天主要以红颜色为主,各类物品上都是必须要粘着颜色为大红的“囍”字的,新娘更是以大红色为中心,新娘子只可以穿红色的衣服出嫁。
In western countries, white is the main color of wedding. The bride on the wedding day must wear white wedding dress, because white symbolizes inner loyalty.
西方国家婚礼则是以白色为主要颜色,结婚当天的新娘,必须身穿白颜色的婚纱,因为白色象征着内心的忠贞。
The custom of wearing white wedding dress in the West originated from the Victorian period in England. White wedding dress became the favorite dress for girls on the wedding day, while men in the West must wear white or black suits.
西方穿白色婚纱的习俗源于英国维多利亚时期,白色婚纱便成为女孩在结婚当天最喜欢的礼服,而西方的男士一定要身穿白色或黑色西装。
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1、婚前习俗不一样
西方订婚戒,这个传统始于15世纪,当时奥地利大公麦西米伦以钻戒向玛丽许下海誓山盟。当时,他的亲信呈文献言:“殿下,在订婚时,您必须送一枚有钻石的戒指。”麦西米伦纳言。这个仪式从此流传至今,已有数世纪之久。
中方过大礼仪式,“过大礼”的仪式,这是订婚的最隆重,也是最重要的仪式;因为这仪式过后就等如正式定立了婚约。跟“过文定”一样,男家会选择一个吉日,带同聘金和各种礼品到女家;而女家亦会准备回礼礼品。
2、结婚当日流程不一样
中方,迎亲,就是在结婚之日,新郎会与媒人和亲友一起前往女家迎娶新娘。新郎前往女家之前会先到女家的祖庙行拜见之礼,然后以花轿接新娘回到男家。新人会在男家举行拜天、地、祖先的仪式,然后送入洞房。
西方:
(1)前往教堂
新人会前往教堂,到达后婚礼就正式举行。
(2)仪式开始
一般来说,西式婚礼是由牧师或神父主持的。亦有所谓的Civil Wedding,在此情况下,婚礼并没有任何的宗教仪式,那当然亦不会由牧师或神父主持了。)当牧师或神父到来时,伴郎及伴娘就会进入会场,这时也会播放或演奏进场的乐曲。而宾客即会起立;戒子童Ring Bearer 也同时会把戒子交给该牧师或神父。
跟着就会奏出婚礼进行曲,新娘会挽着她爸爸的手进场。新娘进场后,新娘的父亲就会把新娘交到新郎的手中。跟着就是最重要的时候了,全场的宾客都会肃静,而所有的奏乐也会停止。主持人会问新郎新娘会否愿意成为夫妇,这就是说I Do 我愿意的时候了!
然后是交换戒指的仪式;当然,在现今社会中,还需要签字作实,这才可以使西式婚礼具法律的约束力。
3、婚后习俗不一样
中方有三朝回门,即归宁,三朝是指婚后的第三天,新娘由丈夫的陪同下,带备烧猪及礼品回娘家祭祖,然后再随丈夫回到夫家。
西方,“蜜月”(Honeymoon) 一词的由来起源于古欧洲的习俗。新婚夫妇在婚后的30天内,或直到月缺时,每天都要喝由蜂蜜发酵制成的饮料,以增进性生活的和谐。古时候,蜂蜜是生命、健康和生育能力的象征。“蜜月”是新婚夫妇在恢复日常生活前的单独相处。
参考资料来源;百度百科-中国婚礼
百度百科-西式婚礼
我爱我家2小宝
隐喻的中西方文化差异Abstract: Metaphor is not only a linguistic phenomenon but also a way of thinking, which is one of the basic methods for human survival and cognition. It is rooted in language, thought and culture. Through the analysis and comparison of the use and concept of metaphor in different countries, we find that its universality and commonality of the metaphor as a basic human cognitive activities. However, metaphor in different languages reflects a different way of thinking and behavior and different cultural patterns. Owing to the different two modes of thinking and culture, there are some differences in understanding and formation that can not be ignored. Therefore, this paper will discuss the questions : metaphor, cross-cultural differences, translation. 1. Preamble Metaphor is a common phenomenon, a large number of people use metaphor to express his feelings and ideas. British scientists rhetoric Richards (IARichards) once said, "We have day-to-day in almost every conversation in three sentences may be a metaphor." According to statistics, life around the use of 4,700,000 new metaphor, 2,140,000 stereotypes of metaphor. Research in recent years, there is a great metaphor. This article introduced in the definition of metaphor on the basis of summing up the similarities and differences between Chinese and Western metaphor, and that its culture, precisely because of the prevalence of metaphor, how to translate metaphor has become a very important issue in the latter part of the article is aimed at The translation of metaphor put forward a translation of the three strategies. This paper studies aimed at trying to comparative analysis of English and Chinese in a large number of day-to-day language of metaphor to express, find out the differences and similarities, in order to be able to accurately translate the article in good metaphor to explore a little. This article is about the metaphor from the point of view to explore the differences in the way Thinking allows us to a deeper understanding of language, culture, the relationship between thinking and can more clearly understand the different ethnic language, culture, way of thinking, and so on On the nature of translation. 2. Metaphors in Chinese and Western studies In 1980, Lakoff & Johnson (George Lakoff & Mark Johnson) made a "living metaphor" (Metaphors We Live By) of the book, a modern metaphor to open a new chapter in the school. Domestic academia on the "metaphor" This is also a review of the system, such as Lin Wu's book "Study abroad metaphor Looking at the" beam-setting "metaphor research," Li of China and India "The main subjects Metaphor" and so on. However, the Chinese metaphor for the academic study of rare. "Chinese scholars on the study of metaphor, I am afraid the real contribution should be through the metaphor of the Chinese characteristics of research and study, through the metaphor of the Chinese and other languages in the comparative study of metaphor, metaphor for the establishment of a more general theory of the strong, and even unique The basis. "Lin Wu in the book" metaphor of the basic research the status quo, and the focus of the trend "in the main text, put forward a model of cultural metaphors with the relationship:" The language of metaphor is the emergence of expression into the system, which not only reflects the psychological Structure, but also reflect the different cultural models also play a role. " metaphor in the relationship between Chinese and Western cultures relationship Correspond to (corresponding) refers to the relationship between the two languages, English and Chinese in the meaning and metaphor in the use of the same meaning in the culture and image, and so on and-one mapping. This is because the survival of mankind itself, as well as all the external conditions, including the geographical environment, climate change, and the whole of human society and cultural background are certain there is a common, which formed a common humanity of their own and the outside world on many issues. In the "angry" mood, the English are angry that physiological responses, such as: grind one's teeth. (Teeth), bare one's teeth. (Ziyaliezui) an eye for an eye and a tooth for a tooth. (an eye for an eye, a tooth for a tooth), reflecting the Chinese culture on the basis of common experience. non-correspondence English-Chinese metaphor, after all, rooted in two different languages on the soil, resulting in very different cultural backgrounds, fully corresponds to the few metaphors, the vast majority do not have common cultural identity in order to form the corresponding non-(non-corresponding ) Relations. Non-relationship metaphor can be roughly divided into three categories: Vehicle counterpart, Yu Yi does not correspond to English and Chinese in some cases there is the same as a metaphor, but in their own language and culture in the meaning of the metaphor means is different, even different. Peacock in the Chinese culture is auspicious, a symbol of beauty, especially the Dai people to express jumped Pavaner desire to better their own. If the Chinese people will be likened to a peacock, it means that beautiful light. However, in English, peacock (Peacock) is a symbol of pride, often interpreted as arrogance, love to show off. For example, They were eager to take the young peacock down a peg. (They want to pressure a pressure that the arrogant young guy's momentum). counterpart Yu Yi, the vehicle does not correspond to English-Chinese two nations due to their differences, from different angles to look at things the same, it will be a different analogy. As a result both English and Chinese language there is a different vehicle, but Yu was referring to was basically the same as the meaning of the case, that is the same kind of non-correspondence. Such as: a person described as the hearts of anxious, restless, Chinese is "ants on the hot pan" and English is "a cat on the bricks". There are similar: To kick down the ladder. Guohechaiqiao. Yu Yu Yi and do not correspond to Some of the metaphors Yu-Yu has a meaning and it refers to the language and culture are closely related, in another culture often can not find corresponding Yu and Yu Yi, which resulted in a culture known as the default Phenomenon. For example: in English "my rib" I am referring to Yu's wife, it comes from the "Bible" story, that is, Adam (Adam)'s wife Eve (Eve) God is with a piece of Adam's rib made. The Chinese did not, "the Bible" cultural background, and there was no analogy with rib habit, so the formation of a corresponding gap. Similarly, "ugly duckling" (Ugly Duckling) refers to the metaphor will get ahead of Little, "early bird" refers to the diligent Yu, in the words into Chinese language, culture, as a result of the default, can not find a corresponding relationship between metaphor . Chinese and Western cultures in the common metaphor Metaphor and culture to a large extent, human beings have a common understanding, rooted in the people's own day-to-day experience. In this connection, often between different ethnic groups are the same. Both English and Chinese language in a lot of abstract thinking that the metaphorical expression is the same. For example: the human child in the period to form a position on the concept of input in that direction in the form of many of them easily understood, including the position expressed by metaphor, which has become a fixed pattern of thinking. For example: The term direction (up, down) to describe people's social status, physical, emotional, and other abstract concepts to the case when the good is up; Sad is down. We Chinese are also not difficult to find a similar sentence: "Gas Prices "," enhance the social status "and" vision "and" depressed. " Since the objective laws of nature with the relative unity of different cultures to understand the nature of the course is similar to the cognitive experience. in the metaphor of the difference between Chinese and Western cultures As the English-Chinese geographical and cultural differences, living in two different cultures in practice there are a lot of differences, and different life experiences and let people understand the objective world, a different language carries different nationalities Cultural characteristics and cultural information. Understanding of metaphor is not out of socio-cultural backgrounds. For example, social and cultural impact of the color words is deep-rooted, some color words in different cultures in an entirely different meaning, has a distinctive feature of our national culture. Such as: English, said in green "inexperienced" and "shallow knowledge", such as: "a green hand", "I was very green when I started working there." The Chinese like to express the meaning of the word is "yellow" Such as: "Huangmaoyatou" and "flower girl". Cultural background knowledge is the metaphor to create a rich source of thinking, as the Eastern and Western cultures are different, metaphors in English and Chinese applications there are also significant differences. The metaphor of the cross-cultural differences between Chinese and Western influence Language is a cultural change in the development of the complex, subject to political, economic, historical, environmental and other factors. Chinese and Western styles are different, but in many ways to infiltrate interaction and integration, language differences and cultural metaphor for the inevitable impact is complex and diverse. metaphorical expression of cultural conflict Different nationalities in the world to observe a different perspective and ideas, different cultures there are a lot of conflict or inconsistency metaphor. If the animal metaphors, in English Long (dragon) is a kind of evil, will belch out smoke monster. "Bible", the dragon is the devil, is a symbol of evil and terror, there is a terrible vicious meaning. The Chinese dragon is in power, the auspicious symbol of Chinese traditional culture, the Chinese have "Wangzichenglong", "descendants of the Dragon." The same analogy in different cultures, different meaning, of two cultures "Dragon" to give a different connotation. differences in living conditions caused by differences in metaphor In English is a lot of metaphor and marine-related, such as: all at sea (at a loss what to do); drink like a fish (drinking cow); fish in the air (Shuizhonglaoyue); give up the ship (give up). In Chinese, there are a lot of the horse or cattle pose a metaphor, such as: "a willing ox" (a willing horse) Gan means to serve the community; "old ox" (a working horse) refers to the hard work; "bragging "(Talk horse), and so on. This is due to different geographical location and natural environment caused by different cultural metaphor. Britain is an island, ultimately, dependent on the sea, and China is a large agricultural country, farming culture deeply feudal society. different religious and cultural differences arising from the metaphor Religious culture of human culture is an important part of it by referring to the nation's religious beliefs, such as the formation of the sense of culture, "the Bible" in the story, with its language and meaning has become a feature of daily life in the West in terms of . For example, power of the keys (the keys to the kingdom of heaven; the rights of the Pope), in the right church, but in the wrong pew (in general is right, but not the details), and so on. Chinese culture and Buddhism, Taoism and more affected by the impact of Confucianism, the Chinese, there are a lot of related argot. "Jiehuaxianfo"; "临时抱佛脚"; "做一天和尚撞一天钟" and so on. It is due to the diversity of culture, resulting in the differences between English and Chinese metaphor. This difference to the cross-cultural communication has brought the impact. As a foreign language students, do not understand the difference between metaphor and language will make mistakes, sometimes mistakenly made good as pleasant, caused by either one or both of the conversation unpleasant; also sometimes mocked as a praise. When a native language other operators do not understand the language contained in the cultural differences, it is often difficult for such language to accurately convey the meaning of the understanding, difficulty to the cross-cultural exchange. 3. Metaphor of the three methods of translation The translation of metaphor not only accurately and effectively convey the original language, but also loyal, accessible, complete reproduction of the original language and cultural connotation and significance. But in the West because of cultural differences and different, so the translation of metaphor in English on the need to consider not only its literal sense, and so on, but also in the West should pay attention to their cultural differences. American Eugene Nida said: "Translation is the exchange between the two cultures. The real success of the translation, even more familiar with the two cultures is more important to master two languages. Because only in terms of its role in the culture In the background will only be meaningful. "Therefore, the translation of metaphor to combining Chinese and Western cultures, and cultural backgrounds to leave the translation, can not be achieved between the two languages of the real exchange. Literal Translation The so-called "literal" is asked in the language when conditions permit, in the translation to maintain the original content, but also to maintain the original form, in particular, to maintain the original metaphor, the image of the nation, and other local color. In the literal translation method to maintain the original expression of the culture and at the same time, target enriched the vocabulary and expression, such as: "a Pandora's box" (Pandora's Box); "chain reaction" (chain reaction). In the original text and asked the information contained in the same culture, we should adopt the literal translation method. (1) You are my sunshine, my only sunshine. : You are my sun, my only sunshine. In Chinese and English, the sun is warm, beautiful, in both languages, they disseminate information on culture are the same. As a rule, and asked in the original text in the form of grammatical structure, similar to the style or color on basically the same, the law should adopt the literal translation. (1) He is another Shylock. : He is also a Shylock. (Note: Shakespeare's Shylock is "The Merchant of Venice" in a very harsh mean business People. ) (2) To carry coals to Newcastle. : Coal to Newcastle. (Note: "Newcastle" is a British coal, coal is superfluous here.) 4. Conclusion Metaphor as a way to figures of speech or skills, a unique feature of grammar, which features make the sentence more flexible and constructive, but the United States. Is a metaphor to express more complex ideas and things, a powerful tool. Wherever and whenever people in their daily lives are often used metaphor. As Mr. Lin Zhuang said: "The metaphor is no longer expanding his knowledge and understanding of a passive process. To help us in the form of new knowledge, the metaphor has played an active role so that we can better a better understanding of the objective world." In English and Chinese Metaphorical significance of the difference is due to cultural differences between East and West, that mode of thinking, moral values and sense of difference. However, different cultural impact of what is the concept of metaphor, it is still a need to examine and address the problem. At the same time, in the metaphor of the process of translation must pay special attention to cultural differences. The best translation is to be able to accurately reflect the true meaning of the author, as well as its cultural and stylistic characteristics of the translation, that is, the translation of metaphor to make as much as possible the original language and to achieve the target language culture, and so on.
简单已逝
Western novels in comparison First, Western novels in the history of the development of Western novels are based on myths and legends of its origin. In ancient times, science developed, out of fear of nature, the working people out of the imagination is the key to many of the world "God", describing the personification of God is a myth; who will describe the deified, that is legend. China opened the world's Pan story, the story of San Juan Five Emperors, the West Greek mythology, Roman mythology, Norse mythology, and so on are all typical works. East and West, the original novel, is closely linked with the history, as historical records complement the event. China Pre-Qin prose in the fable, the Han dynasty in the history books, biographies, the Wei and Jin Zhi, Zhi-person novel; the West of ancient Babylon, "the United States and Ji Jia disabilities epic", in ancient Greece, "Homer's epic," "Aesop's Fables "And so on, fall into this category, fiction, novels such novels have been about the characteristics of fiction, it is still not the literary creation, directly from the private collection record, so this type of fiction plot is relatively simple, writing rough comparison. Ban Gu said, "On the Street Lane words, hearsay are made of" is a novel kind of accurate assessment of the image. China's Tang Dynasty, the novel is only from history and literature become a creativity. Tang Dynasty culture has developed, the author's ideas are more open, the legend came into being at this time, Li Zhaowei "Liu Yi Chuan", Po Chu's "Everlasting Regret," Wolf's "Everlasting Regret Chuan" And so on, are made in accordance with the creation of the legend. For the fictional story of the Tang Dynasty more emphasis on imagination and literary talent, not just the history of the nature of things, but as the history of Zhi Zhi who is also the novel did not stop. The Legend of the Song Dynasty to the novel on a gradual decline, which followed the rise of this so that after processing will become a scholar so many novel and Romance novels such as "Romance of the Three Kingdoms", "Outlaws of the Marsh", "Journey to the West." The author of such novels is the use of private creative and re-created to describe the circumstances of the touching scenes of brilliant and vivid active in shaping the character known, there are obvious story-telling style of language. Here by the redevelopment, it will become an independent literary creation rather than things to come together with the civil process, the representative of this type is the "Golden Lotus", it was an open and ordinary life on the road, the reality is that literature has come a long way The development of the latter's "A Dream of Red Mansions" in ancient China Geng Shiba realism to the novels of the summit. "54" after the novelist began to learn from China's western fiction writing practices, and gradually out a new path. Western novels, is the "Renaissance" after the rapid development of mature. The development of the Middle Ages novel near-stagnation in the West, 14, the end of the century "Renaissance" to overthrow the literature of the Church of control, 15, appeared in the western end of the century to promote freedom of thought and the liberation of personality in order to describe the reality of life and portray characters from all walks of life for the content of the Humanist novels, is to tie in with this type of novel anti-feudal Europe at the time of arising at the same time it also set the novel in the West to human describing the tone of the main things. Jiaqiu Italy's "Decameron", Spain's Cervantes "Don Quixote" is the kind of representative works of fiction. The resulting novel is a classical, elegant favor of its national language to standardize the writing of this novel in 17th century France's most well-developed. As a note on behalf of Corneille's "Cid" neoclassical story of the rise of Western novels have been a language substantially improved. The beginning of the 18th century to promote popular science knowledge, enlightenment of the public consciousness for the purpose of the Enlightenment novels, of which there are relatively well-known German Goethe's "Faust", the United Kingdom Defoe's "Robinson Crusoe" and the Swift "Gulliver's Travels" and so on, this type of novel to the emergence of the bourgeois revolution at the time to mold public opinion. In the 19th century, romantic fiction, realistic novels and critical realism novel turn to occupy the leading position in the field of fiction. Romantic novels, such as France Victor Hugo's "Notre Dame de Paris", Goethe's "juvenile Witt of trouble" and so on, imaginative, unusual ideas, language and imaginative, strong feelings. Efforts to reflect the reality of the novel is the essence of life, and depict typical life of a typical phenomenon in the United Kingdom Dickens, France and Germany are of such novels as a representative of the writer. Critical realism novels exposed the efforts of the decadent feudal system and capitalist society, the dark, in-depth criticism of the reality of evil, France Balzac and Maupassant, the United Kingdom of Charlotte, Bronte,. Russia's Tolstoy, Dostoevsky, the United States of a large number of writers such as Mark Twain's works belong to this category. Value today, the three novels in the West is still the most important of the three types of literary fiction. East-West novel on the history of the development of more or less the case. Second, the characteristics of the novel in the West In addition to the basic characteristics of the novel, the story of the West also have their own characteristics are as follows: 1, the traditional Chinese novel attention to the characters, language and the details of the description, in contradiction to the conflict to display the images, but the character of a single, small changes in the absence of the main flu. Western novels are more people pay attention to the psychological description, stressed that mining figure in the subconscious mind, good at writing full, the changes in the strong sense of the main characters. Again, "coach Lin Feng Snow Mountain Temple" in the figure is only through dialogue and action leads to contradictions and conflicts, but Anna Karenina Wogui before a series of conflicts only with his description of the psychological will be able to express their clear; for poetry in Lin In the performance of her literary talent, and Paul with his inner monologue of the ideal; Zhang Zhong-Yong has only the character, but Jane Eyre's character is the brave, strong, warm, kind-hearted, and so many of the character and rubbing and Cheng's. In short, people in the area described in the West has its own unique features. 2, China compared with Western fiction novel plot twists and turns more and more complete story. Plot twists and turns, the story is complete fiction China's unique traditional arts. The Wei and Jin Zhi Zhi people on the novel twists and turns with vivid characteristics. Tang legend in the layout of many of the famous, magnificent anomaly, rigorous and clever, dramatic plot development. The contents of the Ming and Qing Dynasties novels scattered irregular, undulating waves, Cuoluoyouzhi, careful structure, an integral whole. "A Dream of Red Mansions", everywhere She Fu, Hui turning point, the story of Jia's best writing. Western plot in respect of the outstanding works, although there are many, but it can not be compared with the Chinese novel. 3, concise and lively Chinese language novel, rich in content and rich Western novels. Chinese folk artists absorbed the novel language, at the same time inherited the fine traditions of ancient prose, often a few words will be able to outline the incident or the people. Western novels in the author includes a broad range of knowledge, involve the community in many ways, so rich in content and rich people can gain knowledge in many areas. Engels said he was in Balzac's novel about 19th century France's domestic situation than he received any reports are more. Western novels have different characteristics, and also in the West different aesthetic concepts to a certain extent related. 4, Western novels have been the rule of the feudal culture of oppression destroyed. Chinese feudal culture makes the development of the novel is extremely difficult, Ming and Qing Dynasties more people to write stories for shame, so many great writers living, creating the conditions are not covered, many of the great works of authors who do not know. Western novels in the feudal culture makes almost the whole of the Middle Ages in the development of extremely slow, and many talented writers were forced to church services, wrote some of the religious nature of the article dry hole. Third, Western novels in the future prospects for the development of End of the Qing Dynasty, China and the West have begun to understand the other side of the system, the advantages of the novel in the West have been constantly learn from each other. Of course, due to historical reasons, the Chinese side of the draw a little more. To this day, the novelist in the West efforts are still two researchers in the novel's artistic charm, although the different languages of each other's appreciation of the arts to a certain extent, but the United States are interlinked. We have every reason to believe that in the near future, the novel art in the West will ultimately learn from each other and integrate, develop and reach new artistic heights. References: "Foreign Literature" Shanghai Translation Publishing House Zhou Xu Liang "Contemporary Literature election," Zhang Zhong, such as Beijing University Publishing House "Chinese literature history of the development of" Shanghai Ancient Books Publishing House Liu Jie "Literary History of Europe" People's Literature Publishing House Yangzhou Han Wu Da-yuan Zhao Rui radish "Three high school language textbook used by the five dates of the" People's Education Press仅供参考,请自借鉴。希望对您有帮助。
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