白先勇纽约客论文题目

最近特别喜欢一首歌的歌词，非常适合作为我 对《纽约客》读后感的题跋：天上的男人，地上的女人原唱 林宥嘉填词 施人诚时代一旦疯狂到面目狰狞生不逢时也只能身不由己人被命运连根拔起再随手散成飘萍或浮云。。。如果把每一个普通人的人生故事想象成水蒸气凝华而成的形态各异的雪花，那大部分雪花的最终宿命大概都是随风飘散在了房檐上、门窗前、和马路上。这些雪或被扫雪车推到路边堆成一堆，或被忙着上班的人们轮番踩到发黑，等到最后太阳出来，就全部慢慢融化成雪水流进了下水道，再无人知晓、无人看见。幸亏，我们还有一批像白先勇先生一样爱收藏故事的作家。他们努力地在漫天飞舞的雪花中，接住那一个个或让人怆然叹息、或让人欣慰流泪的人生故事，小心翼翼地把他们放在玻璃片上，用眼睛、用手、用心记录下来,再精炼成文字，汇集成册，才让我们能有幸打开一扇扇穿越之门，代入那一个个已经消逝的亡魂，去体会他们那本应该跟我们毫无关系、却又让我们觉得无比熟悉的人之感情 - 比如正好在我手中的这本《纽约客》。《纽约客》收集了白先勇先生在196X年-198X年之间创作的6篇纽约故事，分别是《谪仙怨》、《谪仙记》、《夜曲》、《骨灰》、《Danny Boy》 和 《Tea for two》。《谪仙怨》和《谪仙记》讲的是两位曾经上海达官贵人之家的小姐，出国留学于纽约后，因为家庭变故，无法再返回故乡，只能流离于异乡生活的孤寂；《夜曲》和《骨灰》讲述的是两对在年轻时做出了不同人生选择的朋友或亲人，晚年相会于纽约的唏嘘；《Danny Boy》和《Tea for two》则记录了那些在纽约生活的同性恋们，如何共同面对艾滋病的肆掠。我猜想，这些纽约客们的际遇，映射了国家命运的风云变幻、文化与文化的冲突、以及整个人类在面对灾难时的挣扎和团结，与时代背景交织在一起，一定带给了白先勇先生无比的震撼和深度的思考。但是作为一个优秀的故事述说者，白先勇先生没有将自己的主观情感代入自己的创作中。他只是作为一个冷静而客观的旁观者，静静地将故事讲述出来，而对于故事中的主人公们的感情，则留给了我们自己去想象和体会。相信，当你读完这些故事时，你心中一定会有一个属于你自己的李彤、黄凤仪、和吴振铎（《纽约客》中人物）。抛开隐藏在小说背后的感情，单单看看白先勇先生的文字和表达，你就会惊讶于原来汉字和词语可以让表达如此的丰富、准确、和简洁。比如“飞快地、快速”可以是“倏地”，“支支吾吾、吞吞吐吐、想说又说不出”可以是“嗫嚅”，“随意、轻狂浮荡”可以是“佻达”、还可以用来形容双手插在腰间，“回首往昔心惊胆战”可以是“此身虽在堪惊“。有太多人的《纽约客》读后感都在探讨白先勇先生对于文化碰撞，中国到世界的观察和思考。有时候，不用想太多，只是细细品味优美的文字本身，也是一件让人享受的事。最后，再次感谢白先勇先生，让我们人生轨迹不再单一，让我们的灵魂有机会脱离自己的身体，去附身于半个世纪前纽约的亡魂，与他们一同游荡于42街、中央公园、和纽约下城区，去体会他们的人生百态，尽得感概。

Full of wit and a distant cousin to Marc Webb's (500) Days of Summer,Daniel Hsia's feature debut Shanghai Calling is a hilarious and steadypicture featuring an outstanding breakout performance by Daniel romantic comedy that often falls victim to American stereotypes thatwe've grown to see over the years of cinema however, it's delightful tosee those things outside of a New York backdrop or mundane collegetown. Telling the story of a New York attorney Sam (Henney) who is sentto Shanghai, China on business, but when a shady deal threatens hiscareer, Sam, with the help of his relocation specialist Amanda (ElizaCoupe) and others, he grows an admiration of his new 's stylistic tendencies are impressive and while he resemblescertain directorial choices from the likes of Chris Weitz, Marc Webb,even Sofia Coppola among others, he doesn't allow himself or his filmto be taken too serious. Its loads of fun, well-written, and shows apotential promising career that could eventually elevate to smarter,more daring cinematic themes; Hsia's film is a great introduction intohis future arsenal. There aren't the pros without the cons sadly. Hispacing and editing are well put together, but Hsia's story treads tooclose to sappy rom-coms that will annoy the boyfriends of many ladiesaround the the charismatic and incredibly funny Sam, Daniel Henney, probablywell-known for his role as Agent Zero in X-Men Origins: Wolverine(2009), delivers the first great comedic performance of 2013. Involvedand dedicated, Henney takes an A-typical "schmuck guy" role andelevates it to raw magnetism that stands as the actor's finest. Thefilm succeeds purely on his talents as he wiggles his way right intoyour heart. Dare I say this early, Golden Globe consideration? Thoughhighly improbable. The score by Klaus Badelt & Christopher Carmichaelis also pretty sensational as it brings a wonderful accompaniment tosome key the cute, spunky love interest, Eliza Coupe (ABC's "Happy Endings")does the best with the tools she's given. A single mom running fromAmerican life in a predictable and underwritten role isn't the mostinventive or effective manners to showcase your talents. Coupe is stillworth watching. The great Bill Paxton is as underutilized as ever,bringing an unappealing perversion to an American mayor that furtherbuilds the projection that all Americans suck. Keep your eyes on SeanGallagher, who's forced, yet effective role as Brad, is an added joyfull of to foresee and even too cliché for its own good at times, ShanghaiCalling is pure enjoyment and something that may surprise even moreskillful cinematic minds.