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The term English literature refers to literature written in the English language, including literature composed in English by writers not necessarily from England; Joseph Conrad was Polish, Robert Burns was Scottish, James Joyce was Irish, Dylan Thomas was Welsh, Edgar Allan Poe was American, Salman Rushdie is Indian, . Naipaul was born in Trinidad, Vladimir Nabokov was Russian. In other words, English literature is as diverse as the varieties and dialects of English spoken around the world. In academia, the term often labels departments and programmes practising English studies in secondary and tertiary educational systems. Despite the variety of authors of English literature, the works of William Shakespeare remain paramount throughout the English-speaking article primarily deals with literature from Britain written in English. For literature from specific English-speaking regions, consult the see also section at the bottom of the [hide]1 Old English 2 Renaissance literature 3 Early Modern period Elizabethan Era Jacobean literature Caroline and Cromwellian literature Restoration literature Augustan literature 4 18th century 5 Romanticism 6 Victorian literature 7 Modernism 8 Post-modern literature 9 Views of English literature 10 See also 11 External links Old EnglishMain article: Anglo-Saxon literatureThe first works in English, written in Old English, appeared in the early Middle Ages (the oldest surviving text is Cædmon's Hymn). The oral tradition was very strong in early British culture and most literary works were written to be performed. Epic poems were thus very popular and many, including Beowulf, have survived to the present day in the rich corpus of Anglo-Saxon literature that closely resemble today's Norwegian or, better yet, Icelandic. Much Anglo-Saxon verse in the extant manuscripts is probably a "milder" adaptation of the earlier Viking and German war poems from the continent. When such poetry was brought to England it was still being handed down orally from one generation to another, and the constant presence of alliterative verse, or consonant rhyme (today's newspaper headlines and marketing abundantly use this technique such as in Big is Better) helped the Anglo-Saxon peoples remember it. Such rhyme is a feature of Germanic languages and is opposed to vocalic or end-rhyme of Romance languages. But the first written literature dates to the early Christian monasteries founded by St. Augustine of Canterbury and his disciples and it is reasonable to believe that it was somehow adapted to suit to needs of Christian readers. Even without their crudest lines, Viking war poems still smell of blood feuds and their consonant rhymes sound like the smashing of swords under the gloomy northern sky: there is always a sense of imminent danger in the narratives. Sooner or later, all things must come to an end, as Beowulf eventually dies at the hands of the monsters he spends the tale fighting. The feelings of Beowulf that nothing lasts, that youth and joy will turn to death and sorrow entered Christianity and were to dominate the future landscape of English literatureMain article: English RenaissanceFollowing the introduction of a printing press into England by William Caxton in 1476, vernacular literature flourished. The Reformation inspired the production of vernacular liturgy which led to the Book of Common Prayer, a lasting influence on literary English language. The poetry, drama, and prose produced under both Queen Elizabeth I and King James I constitute what is today labelled as Early modern (or Renaissance).Early Modern periodFurther information: Early Modern English and Early Modern Britain Elizabethan EraMain article: Elizabethan literatureThe Elizabethan era saw a great flourishing of literature, especially in the field of drama. The Italian Renaissance had rediscovered the ancient Greek and Roman theatre, and this was instrumental in the development of the new drama, which was then beginning to evolve apart from the old mystery and miracle plays of the Middle Ages. The Italians were particularly inspired by Seneca (a major tragic playwright and philosopher, the tutor of Nero) and Plautus (its comic clichés, especially that of the boasting soldier had a powerful influence on the Renaissance and after). However, the Italian tragedies embraced a principle contrary to Seneca's ethics: showing blood and violence on the stage. In Seneca's plays such scenes were only acted by the characters. But the English playwrights were intrigued by Italian model: a conspicuous community of Italian actors had settled in London and Giovanni Florio had brought much of the Italian language and culture to England. It is also true that the Elizabethan Era was a very violent age and that the high incidence of political assassinations in Renaissance Italy (embodied by Niccolò Machiavelli's The Prince) did little to calm fears of popish plots. As a result, representing that kind of violence on the stage was probably more cathartic for the Elizabethan spectator. Following earlier Elizabethan plays such as Gorboduc by Sackville & Norton and The Spanish Tragedy by Kyd that was to provide much material for Hamlet, William Shakespeare stands out in this period as a poet and playwright as yet unsurpassed. Shakespeare was not a man of letters by profession, and probably had only some grammar school education. He was neither a lawyer, nor an aristocrat as the "university wits" that had monopolised the English stage when he started writing. But he was very gifted and incredibly versatile, and he surpassed "professionals" as Robert Greene who mocked this "shake-scene" of low origins. Though most dramas met with great success, it is in his later years (marked by the early reign of James I) that he wrote what have been considered his greatest plays: Hamlet, Romeo and Juliet, Othello, King Lear, Macbeth, Antony and Cleopatra, and The Tempest, a tragicomedy that inscribes within the main drama a brilliant pageant to the new king. This 'play within a play' takes the form of a masque, an interlude with music and dance coloured by the novel special effects of the new indoor theatres. Critics have shown that this masterpiece, which can be considered a dramatic work in its own right, was written for James's court, if not for the monarch himself. The magic arts of Prospero, on which depend the outcome of the plot, hint at the fine relationship between art and nature in poetry. Significantly for those times (the arrival of the first colonists in America), The Tempest is (though not apparently) set on a Bermudan island, as research on the Bermuda Pamphlets (1609) has shown, linking Shakespeare to the Virginia Company itself. The "News from the New World", as Frank Kermode points out, were already out and Shakespeare's interest in this respect is remarkable. Shakespeare also popularized the English sonnet which made significant changes to Petrarch's sonnet was introduced into English by Thomas Wyatt in the early 16th century. Poems intended to be set to music as songs, such as by Thomas Campion, became popular as printed literature was disseminated more widely in households. See English Madrigal School. Other important figures in Elizabethan theatre include Christopher Marlowe, Thomas Dekker, John Fletcher and Francis Beaumont. Had Marlowe (1564-1593) not been stabbed at twenty-nine in a tavern brawl, says Anthony Burgess, he might have rivalled, if not equalled Shakespeare himself for his poetic gifts. Remarkably, he was born only a few weeks before Shakespeare and must have known him well. Marlowe's subject matter, though, is different: it focuses more on the moral drama of the renaissance man than any other thing. Marlowe was fascinated and terrified by the new frontiers opened by modern science. Drawing on German lore, he introduced Dr. Faustus to England, a scientist and magician who is obsessed by the thirst of knowledge and the desire to push man's technological power to its limits. He acquires supernatural gifts that even allow him to go back in time and wed Helen of Troy, but at the end of his twenty-four years' covenant with the devil he has to surrender his soul to him. His dark heroes may have something of Marlowe himself, whose untimely death remains a mystery. He was known for being an atheist, leading a lawless life, keeping many mistresses, consorting with ruffians: living the 'high life' of London's underworld. But many suspect that this might have been a cover-up for his activities as a secret agent for Elizabeth I, hinting that the 'accidental stabbing' might have been a premeditated assassination by the enemies of The Crown. Beaumont and Fletcher are less-known, but it is almost sure that they helped Shakespeare write some of his best dramas, and were quite popular at the time. It is also at this time that the city comedy genre develops. In the later 16th century English poetry was characterised by elaboration of language and extensive allusion to classical myths. The most important poets of this era include Edmund Spenser and Sir Philip Sidney. Elizabeth herself, a product of Renaissance humanism, produced occasional poems such as On Monsieur’s of Renaissance poetryJacobean literatureAfter Shakespeare's death, the poet and dramatist Ben Jonson was the leading literary figure of the Jacobean era (The reign of James I). However, Jonson's aesthetics hark back to the Middle Ages rather than to the Tudor Era: his characters embody the theory of humours. According to this contemporary medical theory, behavioral differences result from a prevalence of one of the body's four "humours" (blood, phlegm, black bile, and yellow bile) over the other three; these humours correspond with the four elements of the universe: air, water, fire, and earth. This leads Jonson to exemplify such differences to the point of creating types, or cliché is a master of style, and a brilliant satirist. His Volpone shows how a group of scammers are fooled by a top con-artist, vice being punished by vice, virtue meting out its who followed Jonson's style include Beaumont and Fletcher, who wrote the brilliant comedy, The Knight of the Burning Pestle, a mockery of the rising middle class and especially of those nouveaux riches who pretend to dictate literary taste without knowing much literature at all. In the story, a couple of grocers wrangle with professional actors to have their illiterate son play a leading role in a drama. He becomes a knight-errant wearing, appropriately, a burning pestle on his shield. Seeking to win a princess' heart, the young man is ridiculed much in the way Don Quixote was. One of Beaumont and Fletcher's chief merits was that of realising how feudalism and chivalry had turned into snobbery and make-believe and that new social classes were on the popular style of theatre during Jacobean times was the revenge play, popularized by John Webster and Thomas Kyd. George Chapman wrote a couple of subtle revenge tragedies, but must be remembered chiefly on account of his famous translation of Homer, one that had a profound influence on all future English literature, even inspiring John Keats to write one of his best King James Bible, one of the most massive translation projects in the history of English up to this time, was started in 1604 and completed in 1611. It represents the culmination of a tradition of Bible translation into English that began with the work of William Tyndale. It became the standard Bible of the Church of England, and some consider it one of the greatest literary works of all time. This project was headed by James I himself, who supervised the work of forty-seven scholars. Although many other translations into English have been made, some of which are widely considered more accurate, many aesthetically prefer the King James Bible, whose meter is made to mimic the original Hebrew Shakespeare, whose figure towers over the early 1600s, the major poets of the early 17th century included John Donne and the other Metaphysical poets. Influenced by continental Baroque, and taking as his subject matter both Christian mysticism and eroticism, metaphysical poetry uses unconventional or "unpoetic" figures, such as a compass or a mosquito, to reach surprise effects. For example, in "A Valediction: Forbidding Mourning", one of Donne's Songs and Sonnets, the points of a compass represent two lovers, the woman who is home, waiting, being the centre, the farther point being her lover sailing away from her. But the larger the distance, the more the hands of the compass lean to each other: separation makes love grow fonder. The paradox or the oxymoron is a constant in this poetry whose fears and anxieties also speak of a world of spiritual certainties shaken by the modern discoveries of geography and science, one that is no longer the centre of the universe. Apart from the metaphysical poetry of Donne, the 17th century is also celebrated for its Baroque poetry. Baroque poetry served the same ends as the art of the period; the Baroque style is lofty, sweeping, epic, and religious. Many of these poets have an overtly Catholic sensibility (namely Richard Crashaw) and wrote poetry for the Catholic counter-Reformation in order to establish a feeling of supremacy and mysticism that would ideally persuade newly emerging Protestant groups back toward and Cromwellian literatureThe turbulent years of the mid-17th century, during the reign of Charles I and the subsequent Commonwealth and Protectorate, saw a flourishing of political literature in English. Pamphlets written by sympathisers of every faction in the English civil war ran from vicious personal attacks and polemics, through many forms of propaganda, to high-minded schemes to reform the nation. Of the latter type, Leviathan by Thomas Hobbes would prove to be one of the most important works of British political philosophy. Hobbes's writings are some of the few political works from the era which are still regularly published while John Bramhall, who was Hobbes's chief critic, is largely forgotten. The period also saw a flourishing of news books, the precursors to the British newspaper, with journalists such as Henry Muddiman, Marchamont Needham, and John Birkenhead representing the views and activities of the contending parties. The frequent arrests of authors and the suppression of their works, with the consequence of foreign or underground printing, led to the proposal of a licensing system. The Areopagitica, a political pamphlet by John Milton, was written in opposition to licensing and is regarded as one of the most eloquent defenses of press freedom ever in the reign of Charles I (1625 – 42), English Renaissance theatre experienced its concluding efflorescence. The last works of Ben Jonson appeared on stage and in print, along with the final generation of major voices in the drama of the age: John Ford, Philip Massinger, James Shirley, and Richard Brome. With the closure of the theatres at the start of the English Civil War in 1642, drama was suppressed for a generation, to resume only in the altered society of the English Restoration in forms of literature written during this period are usually ascribed political subtexts, or their authors are grouped along political lines. The cavalier poets, active mainly before the civil war, owed much to the earlier school of metaphysical poets. The forced retirement of royalist officials after the execution of Charles I was a good thing in the case of Izaak Walton, as it gave him time to work on his book The Compleat Angler. Published in 1653, the book, ostensibly a guide to fishing, is much more: a meditation on life, leisure, and contentment. The two most important poets of Oliver Cromwell's England were Andrew Marvell and John Milton, with both producing works praising the new government; such as Marvell's An Horatian Ode upon Cromwell's Return from Ireland. Despite their republican beliefs they escaped punishment upon the Restoration of Charles II, after which Milton wrote some of his greatest poetical works (with any possible political message hidden under allegory). Thomas Browne was another writer of the period; a learned man with an extensive library, he wrote prolifically on science, religion, medicine and the literatureMain article: Restoration LiteratureRestoration literature includes both Paradise Lost and the Earl of Rochester's Sodom, the high spirited sexual comedy of The Country Wife and the moral wisdom of Pilgrim's Progress. It saw Locke's Treatises on Government, the founding of the Royal Society, the experiments of Robert Boyle and the holy meditations of Boyle, the hysterical attacks on theatres from Jeremy Collier, the pioneering of literary criticism from Dryden, and the first newspapers. The official break in literary culture caused by censorship and radically moralist standards under Cromwell's Puritan regime created a gap in literary tradition, allowing a seemingly fresh start for all forms of literature after the Restoration. During the Interregnum, the royalist forces attached to the court of Charles I went into exile with the twenty-year old Charles II. The nobility who travelled with Charles II were therefore lodged for over a decade in the midst of the continent's literary scene. Charles spent his time attending plays in France, and he developed a taste for Spanish plays. Those nobles living in Holland began to learn about mercantile exchange as well as the tolerant, rationalist prose debates that circulated in that officially tolerant largest and most important poetic form of the era was satire. In general, publication of satire was done anonymously. There were great dangers in being associated with a satire. On the one hand, defamation law was a wide net, and it was difficult for a satirist to avoid prosecution if he were proven to have written a piece that seemed to criticize a noble. On the other hand, wealthy individuals would respond to satire as often as not by having the suspected poet physically attacked by ruffians. John Dryden was set upon for being merely suspected of having written the Satire on Mankind. A consequence of this anonymity is that a great many poems, some of them of merit, are unpublished and largely unknown.未完

榜样，这个词我们并不陌生。每个人都会有自己心中的榜样，那你的榜样是谁呢?下面我给大家分享一些榜样高三 议论文 800字五篇，希望能够帮助大家，欢迎阅读!

榜样高三议论文800字1

在我们的身边，有许多出类拔萃的优秀者。他们有许多优点都值得我们学习，如：助人为乐、舍己为人、讲文明、讲礼貌、爱学习、守纪律……这些好品质都是非常值得我们学习的。在我的身边，就有许许多多的例子。

有一天，我要乘车到住在厦大的朋友家去玩。上了车，大家都是肩膀挨着肩膀，脚尖顶着脚后跟，挤得都无法走动了。

好几站过去了，车上的海洋只少了一部分的“浪花”，我找了个空位坐了下来。站了将近10分钟，我的脚已经很酸了。正在我休息的时候，一位老人上了车，我也没在意。就在我不经意往老人的方向看去时，一幕幕感人的场面映入我的眼帘：公共汽车突然来了个紧急刹车，老人一时没站稳，险些倒在了地上。要不是旁边的一位年轻人赶紧下座扶住老人，那位骨瘦如柴的老人肯定得摔骨折。那位老人在年轻人的搀扶下重新站了起来。

那位年轻人似乎怕老人再次在紧急刹车中摔倒，礼貌地扶老人上座。老人感激地说：“谢谢你，年轻人!”

不知不觉，车已经到了终点站：厦大站，老人也已经下车了。但是，回想起刚才一幕幕，我想：那位年轻人真是我的好榜样!他助人为乐的好品质非常值得我们学习!

不但尊老爱幼、助人为乐是好品质，讲文明也是好品质呢!

一天，我和好朋友来到厦大的一个小公园玩。走着走着，忽然，一个年轻人把吃完的香蕉皮往旁边扔，扔了就大步流星地朝前走，理都不理别人愤怒的眼神。

路过这儿的清洁工更加生气，走上前去，强忍着内心的怒火，礼貌地对年轻人说：“你好。请您不要乱仍果皮纸屑。”他一听，不耐烦地说：“去去去，我爱扔就扔!”这一说不要紧，把清洁工内心的火烧了起来：“你不要这么说啊!如果每个人都像你这么不讲文明，那世界岂不成了垃圾堆!”那个年轻人被清洁工这么一说，变得不好意思起来。他意识到了自己的错误时，就往香蕉皮走去，弯腰把香蕉皮捡了起来，扔进了垃圾桶。

那位清洁工说得很对：如果每个人都像他这么不讲文明，那世界岂不成了垃圾堆!

因此，助人为乐、尊老爱幼和讲文明都是很重要的品质!

榜样高三议论文800字2

记得哪位伟人讲过，一个人的一生就像一张白纸，这就需要我们去认真地用心，用脑，用智慧去描绘，争取在这张纸上画出自己最美的图案……这更需要我们去发现，在电视中，在网络中，在书报中，在自己的身边。用榜样的力量，鼓舞我们，也鞭策着我们。

清晨，当我还在睡梦中的时候，妈妈一遍又一遍，不厌其烦地喊我起床，洗漱。早点早已准备妥当……我已经成了习惯。在我的脑子里，这就是我应有的生活，非常自然……但自从我读了《走近最美中国人》后，我惭愧了。我想起十五岁照顾脑瘫养父的小梁燕，想起照顾失明母亲十几年的祁晓岩，想起十三岁捡瓶子为奶奶治病的箫蝶，想起九岁雨中守护井盖的赵洋……都是同龄人，为什么他们和我是那样不同。在那么艰难，困苦的环境中，他们却那么自强不息，阳光向上，自立自强……那么平凡，却展现给我们那么闪耀的光芒。从此，我决心向他们靠近。自己定时间，自己起床叠被……每当看到妈妈欣慰的笑脸，我都会在心里说：“妈妈，这都是榜样的力量。”

在学校，老师每天苦口婆心……我们却当耳边风。当我读完最美教师吉思妞，张丽莉，刘效忠，孙影和阿力甫夏·依那亚提汗，我才明白，原来，我所享受的一切是那么珍贵。我们却无视老师的关心，轻视老师的期待。在这么优越的学习环境中，却“身在福中不知福”。

是你们这些最美的榜样，才校正了我们那些不良的思想。也给予了我们无形的力量。让我们感动，也让我们学着去做。吴斌的的勇于担当，使我们感悟到从小形成责任意识，遇到困难敢于承担。张丽莉舍己为人，使我们感悟到凡正义的事就要大胆去做，自己也处处施行正义，多做善事。吉思妞的敬业奉献，使我们感悟到做事要尽职尽责，做出成绩，自己好好学习，争取优秀。罗长姐的慈母大爱，使我们感悟到亲情的崇高，自己处处孝敬长辈，照顾比自己小的同学。让我们走近“最美中国人”，学着最美的榜样，从一点一滴做起吧!

依仗榜样给予我们的力量，也让“最美中国人”照耀着我们一路前行，我相信，在我们人生的旅途上，一定会留下不寻常的脚步!

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如果我们是一点水滴，会不会去滋润他人;如果我们是一缕阳光，会不会去照亮前方;如果我们是一丝和风，会不会去给予温暖;如果我们是一颗钉子，会不会去恪尽职守······3。5是学雷锋日，每到这天就会想起那坚守岗位的雷锋，那日夜不停地忙碌身影，那给予人信念的“钉子”精神，和他那做过的一点一滴的好人好事。

而人们似乎只局限于在这天象征性的表达一下对雷锋的尊敬，象征性的去做一些好事。可又有哪些人真正去努力了，去争取了，去实现了。只是不停的在想象着，思考着，观看着。雷锋精神是中华民族传统美德的一种积淀，是一种随着时代进步而不断发展的与时俱进的精神。雷锋那种全心全意为人民服务，把有限的生命投入到无限的为社会服务中去的精神，那种干一行爱一行，爱一行钻一行，坚守岗位艰苦奋斗的敬业精神，那种对同志和人民像春天般温暖，恪尽职守、助人为乐的精神。

而有一首歌：《学习雷锋好榜样》这样的 励志歌曲 激励了一代代人向雷锋同志那样做着永不生锈的螺丝钉，默默无闻地为人民、社会、祖国服务。雷锋精神，在实践中不断丰富着的革命精神，发展着坚守努力。实质不就是是全心全意为人民服务，为了人民的事业无私奉献。雷锋已经成为我们这个时代精神文明的表征。思想是一种精神上的形式，雷锋精神仅仅是助人为乐，对人真诚善良吗?也许对于以前那种老思想，我们可以更进一步去理解这雷锋精神。在学习中的那种努力，坚持，奋进;在工作上的负责，坚守，诚信。应都属于雷锋精神的。雷锋本人在世之时，毕竟算不上政治人物。其实，在绝大多数人民心目中，学雷锋始终是一项提倡助人为乐的公益活动。

不论其缘起如何，经过四十年磨砺，如今已被简化为“再单纯不过的符号”——可以极凝练地概括为三个字：‘做好事!’。雷锋做过的好事数都数不尽，就在那个过年，战友们在一起娱乐，雷锋在娱乐的同时突然想到运输和服务部门在假日时是最忙的，他就立马停止活动，和另外几个战友去了车站，帮旅客倒水。雷锋就是永远地，真心地为人民，为社会，为祖国无私付出，为他们做好事，难怪人们一见到做好事的人就会想起雷锋!雷锋，这个光辉的名字，在我们的心中闪烁着不灭的光辉。他把自己旺盛的青春全部献给了人民，献给了党，他高尚的、理想、道德、信念，必将在我们这一代身上不断发扬光大，他那不可磨灭的形象，将永远活在我们的心中，为中华留下一段不朽的诗篇，留下一道绚丽的彩虹。

雷锋有句 名言 ：“人的生命是有限的。”所以我们必须在我们那珍贵的生命里创造辉煌。

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但凡事业成功者，无不希望自己的家族后代能够一如既往地兴旺发达下去，就如秦始皇给自己的选定帝号时所想的一样，盼望子孙后代能够做帝王，从二世、三世到四世，以至于子子孙孙无穷尽。如果自己的儿女这一代不能努力奋斗、用功读书，那么他们将成为坏的榜样，将来的下一代在他们的影响下一定难以成就事业。为下一代树立一个好的榜样，老师十分重要，先贤们都有过精辟论述，就像荀子所说的那样：“师者，传道、授业、解惑也。”

一个人做了好事，不用大肆张扬，人们自然会记住他;一个人待人友善，尊上爱下，不用刻意炫耀，人们自然感念他;桃李有芬芳的花朵、甜美的果实，虽然他不会说话，但是仍靠着花朵和果实吸引人们来到他的身边，以至于树下走出一条小路。为人处世，应该向桃李学习， 教育 子女也应该如此。言传身教，以身作则，榜样的力量大无穷，如此才能润物细无声。

季康子曾经向孔子询问怎样治理政事。孔子回答说：“政的意思就是端正。您带头端正，谁敢不端正呢?”的确，作为一国之君，只有领导人带头做出表率，他的臣民才能学习效仿，所谓上行下效，说的就是这个道理。孔子也说过：“其身正，不令而行;其身不正，虽令不从。”作为一个，自己行事正直，光明磊落，下属也会被感染，即使不下命令，下面的人也知道该如何行事。反之，自身行为不检点、不端正，即使三令五申，下属也恐怕不会听从的。只有你言传身教，为他人做出表率，你才会获得拥护，深得民心。否则，就会使得其反。

树立榜样，以身作则，是教育人的一种基本 方法 ，以自身的行动来引导子女的健康成长，这种以行动对人进行教育、影响的方法通常又称为“身教”。以身作则的“身教”就是通过自己良好的言行，有针对性的影响对方，使其信服自己并效仿榜样的修为，只有这样以身作则，树立榜样，才能把积极地能量传输给后人，达到润物细无声的效果。

榜样高三议论文800字5

我素来不喜欢自觉学习，有时写作业也要大人催，但有一个人改变了我。

那是一个夏天的傍晚，太阳已经下山了，但天空还有几片血红血红的残阳，白天的余热还没有散去，世界似乎是一个大火炉，让人汗流不止。我依依不舍得离开空调房间，按照习惯出来散步。外面没有一丝风，深绿色、茂密的树叶如木头人一般，一动不动地立在那里，隐隐约约还传来一声声“知了，知了，知了，知了。”的知了叫声，惹人心烦。余阳渐渐散去了，余热却怎么也赶不走，所以路人个个大汗淋漓，有的甚至像刚洗过澡一般。我们有滋有味地吃着雪糕。一路谈笑风生。

忽然，在昏黄的路灯下，出现了一位少年那瘦弱的身影，他坐在自制的小板凳上，拿着一本破破的书，专心致志地看着，还不时大声读出声来：“Look、cat、dog、pig、queue、queen、leg、elbow|……”噢，原来他在背诵 英语单词 。好奇心促使我走上前去，少年仍旧埋头苦读，似乎没有发现我，我开始上下打量他，少年脸色苍白，眼睛凹了进去，颧骨很高，嘴唇有点发紫，身穿一件并不合体、破破烂烂、缝满补丁的深色上衣，依旧是缝满补丁的黄色长裤，汗水一滴滴地从他脸上滑落下来，他却不曾觉察到，身后那树木间，隐藏着的许多知了大尖声大声歌唱，他却像没有听见似的。

我忍不住与他攀谈起来：“你好!”那少年似乎略微吃了一惊，抬起头来，一见到我笑了，但他的脸却显地那样憔悴。“你好!”他也说了一句，继续埋头看书，“你……你为什么不在家里的台灯下读书，反倒到这里来呢?”我忍不住开口说，他似乎又吃了一惊，毫不隐瞒地说道：“其实……其实是这样，我家原本就很穷，父母用微薄的薪水支撑着家，可惜今年效意不好，父母所在的单位都相继破产、倒闭了，父母也都下了岗，父亲偏偏又得了重病天天卧床不起，我家连买米的钱都没了还哪有钱去治父亲的病呢?该卖的全都卖了，我们穿的衣、鞋子都是别人给的，我也上不成学，只好在这里自学，白天我和妈妈早出晚归去卖菜，买菜的钱都是向别人借的，偏偏那些人又是要高利贷的，我们家被逼地山穷水尽了，不想父亲又去逝了……唉!”

说着说着，他掉下泪来，思想到了不愉快的境地，我急忙安慰他一番，并和他说了些闲话，不知不觉已月上树梢。那少年抬头一看，急忙说：“哎呀，时间太晚了，我要回家帮母亲干活了!再见!”说着，扶着一根木棒，吃力地站起来一瘸一拐地向前方走去，我这才知道他是个残疾人。我呆呆地望着他的背影渐渐离去，忽然感觉他是那么高大，而我，却是多么渺小。

回家后，我画了幅残疾的少年刻苦读书的画，挂在了书桌前，让它时刻激励着我，因为我需要它的精神!

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