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首页 > 职称论文 > 关于洛丽塔的论文的开题报告

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吊炸天1234

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出自:俄裔美国作家弗拉基米尔·纳博科夫创作的长篇小说《洛丽塔》。

《洛丽塔》叙述了一个中年男子与一个未成年少女的恋爱故事。一位对初恋情人恋恋不舍的知识分子,成年后依旧钟情于年幼的少女,视她们为纯洁的小仙女。

他在认识了十二岁的少女洛丽塔之后为之倾倒,不惜取得洛丽塔继父的身份以和她共处。在这貌似具有浓郁不道德扭转氛围的情节背后,隐藏的却是主人公一颗善良的心。最终,他为这段情背上了凶手的之名。

扩展资料:

《洛丽塔》探寻的是记忆与时间的关系、意识与现实的关系、虚构与真实的关系。亨伯特·亨伯特是典型的“纳博科夫式主人公”,既是现实中的流亡者,也是精神上的流亡者,他的故事是在失去与寻找之间展开的。

由于13岁时那场铭心刻骨的爱情,寻找失去的阿娜贝尔成了亨伯特的强烈愿望。他渴望在周遭的现实世界中找到阿娜贝尔的替代物,从而冲破时间的监狱,将昔日那段难忘的时间延续下去。然而,造物弄人,当意识投射到现实中时,难免发生移位。

亨伯特以为自己娶的是“贫民区里苍白的小姑娘”,但婚后不久却发现妻子瓦莱里亚其实是“一个大身架、肥胖、短腿、大奶脯、简直没有头脑的罗姆酒水果蛋糕”。直到他邂逅了洛丽塔,方才找到了联系过去与未来的中介。然而,洛丽塔也不过是“时间的虚幻岛屿”。

一方面,亨伯特体会到时间的因果之链:“可能从来也没有什么洛丽塔,要不是我在一个夏天曾爱上了一个女童”;一方面,亨伯特也担心时间的不可逆转:“她不会永远是洛丽塔”;最重要的是,洛丽塔只能是洛丽塔,不会真的是阿娜贝尔、更不会是宁芙式的小仙女。

在过去与现在之间、在意愿与现实之间,永远存在着差距。真实世界的洛丽塔无非是个浅薄的物质女孩,“平庸得让人讨厌的小丫头”,但是被爱情所蒙蔽的亨伯特只愿看到她的美。在某种意义上,亨伯特的洛丽塔是亨伯特的“心理创作”,如他自己意识到的。

“我永远爱上了洛丽塔。‘永远’这个词只关涉到我自己的激情,只关涉到我心底里的洛丽塔。”洛丽塔失踪之后,亨伯特旧地重游,“为的是以回忆抢救还可以被抢救的东西”,在回忆中完成对洛丽塔的寻找。

他甚至专门写作了一篇论文《智慧之泉守护神与记忆》,来论证“知觉时间”。后来,亨伯特在狱中写下《洛丽塔》,也是为了让文字战胜时间,让心目中洛丽塔的形象永存于后世。直到小说结尾,亨伯特依然在进行精神的旅行,小说这样结束:

“我正想着欧洲野牛与天使,永恒色彩的秘密,先知般的十四行诗,以及艺术的慰藉。这是你我能共享的惟一的不朽,我的洛丽塔。” 亨伯特对洛丽塔的爱情,有着狂人式的执著、艺术家式的唯美,虽然非道德非理性,但是一样悲怆。

参考资料来源:百度百科-洛丽塔

129 评论

为萍伤心航

论《洛丽塔》中纳博科夫的现代意识 (文化冲突)The Dispiriting Incompatibility of European and American CulturesThroughout Lolita, the interactions between European and American cultures result in perpetual misunderstandings and conflict. Charlotte Haze, an American, is drawn to the sophistication and worldliness of Humbert, a European. She eagerly accepts Humbert not so much because of who he is, but because she is charmed by what she sees as the glamour and intellect of Humbert’s background. Humbert has no such reverence for Charlotte. He openly mocks the superficiality and transience of American culture, and he views Charlotte as nothing but a simple-minded housewife. However, he adores every one of Lolita’s vulgarities and chronicles every detail of his tour of America—he enjoys the possibilities for freedom along the open American road. He eventually admits that he has defiled the country rather than the other way around. Though Humbert and Lolita develop their own version of peace as they travel together, their union is clearly not based on understanding or acceptance. Lolita cannot comprehend the depth of Humbert’s devotion, which he overtly links to art, history, and culture, and Humbert will never truly recognize Lolita’s unwillingness to let him sophisticate her. Eventually, Lolita leaves Humbert for the American Quilty, who does not bore her with high culture or grand passions.偶然和无常纳博科夫的《洛丽塔》中的混沌 (心里和心理学方面的混乱)The Inadequacy of PsychiatryHumbert’s passion for Lolita defies easy psychological analysis, and throughout Lolita Humbert mocks psychiatry’s tendency toward simplistic, logical explanations. In the foreword to Lolita, John Ray, Jr., ., claims that Humbert’s tale will be of great interest to psychiatry, but throughout his memoir Humbert does his best to discredit the entire field of study, heaping the most scorn on Freudian psychology. For example, he enjoys lying to the psychiatrists at the sanitarium. He reports mockingly that Pratt, the headmistress of Lolita’s school, diagnoses Lolita as sexually immature, wholly unaware that she actually has an overly active sex life with her stepfather. By undermining the authority and logic of the psychiatric field, Nabokov demands that readers view Humbert as a unique and deeply flawed human being, but not an insane one. Humbert further thwarts efforts of scientific categorization by constantly describing his feelings for Lolita as an enchantment or spell, closer to magic than to science. He tries to prove that his love is not a mental disease but an enormous, strange, and uncontrollable emotion that resists easy classification. Nabokov himself was deeply critical of psychiatry, and Lolita is, in a way, an attack on the field.以《洛丽塔》为例分析文学内在价值与社会道德规范的冲突解析《洛丽塔》中主人公的悲剧命运论《洛丽塔》的悲剧意义(这段3个主题都有相关,但是不详细)Humbert and Lolita are both exiles, and, alienated from the societies with which they are familiar, they find themselves in ambiguous moral territory where the old rules seem not to apply. Humbert chooses exile and comes willingly from Europe to America, while Lolita is forced into exile when Charlotte dies. She becomes detached from her familiar community of Ramsdale and goes on the road with Humbert. Together, they move constantly and belong to no single fixed place. The tourists Humbert and Lolita meet on the road are similarly transient, belonging to a generic America rather than to a specific place. In open, unfamiliar territory, Humbert and Lolita form their own set of rules, where normal sexual and familial relationships become twisted and corrupt. Both Humbert and Lolita have become so disconnected from ordinary society that neither can fully recognize how morally depraved their actions are. Humbert cannot see his own monstrosity, and Lolita shows only occasional awareness of herself of a Humbert sweeps Lolita away so that they can find a measure of freedom, their exile ultimately traps them. Lolita is bound to Humbert because she has nowhere else to go, and though Humbert dreams of leaving America with Lolita, he eventually accepts that he will stay in America until he dies. Though each of them undergoes one final exile, Lolita to Dick Schiller and Humbert to prison, it is clear that they are first and foremost exiled from their own selves, an exile so total that they could never return to their original places in the worlds they once left. Exile in Lolita is tragic and permanent.来源sparksnotes, 有角色分析和分篇的summary

343 评论

Meow儿儿

忘记吃药了?

228 评论

馨悦心辰辰

真行 居然要写这个题目 我太惊讶了不过还真难 你给我10000分我也写不出来ps 我也是罗莉控啊哈哈哈

334 评论

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