好好在一起吧
论文格式毕业论文文本格式规范材料目录1.文献综述2.提纲3.中文摘要、关键词4.英文摘要、关键词5.正文6.参考文献7.总结与体会8.谢辞9.附录（注意：该内容单独成页）论文主标题文献综述大理学院文学院 级汉语言文学专业 ××× 学号：×××指导教师：××× （职称）前言主要说明写作的目的，使读者对全文要叙述的问题有一个初步的轮廓。一、介绍有关的概念及定义以及综述的范围；二、说明写作目的、意义和作用；三、综述问题的历史、资料来源、现状和发展动态；四、如果属于争论性课题，说明争论焦点的焦点所在。五、选择这一专题的目的和动机、应用价值和实践意义。主题主要综述材料来源，将所搜集到的文献资料进行归纳、整理，阐明有关主题的历史背景、现状和发展方向，比较、评述各种观点的异同及其理论根据，从而反映作者的见解。主题部分的写法多样，没有固定的格式，但在逻辑上要合理。行文结构上，可以进行纵向综述，如按年代顺序对某一专题的历史发展进行综述；也可进行横向综述，如按文献与论文主题的关系由主而次进行综述，或将不同的问题进行分类综述，或将不同的观点进行比较综述；还可进行纵横比较综述。总之，综述的目的在于了解某一专题的研究历史，分析当前研究现状，提出展望性意见。总结对全文主题进行概括，重点评议，提出结论，得出自己的见解。要说清前人研究的不足，衬托出做进一步研究的必要性和理论价值。参考文献[1](句段涉及论题)梁启超著.国之美及其历史[M].方出版社，1963年版，第131页.[2] (专著涉及论题)隋树森.诗十九首集释[M].北京：中华书局出版社，1955年3月第1版.[3] (章节涉及论题)游国恩等主编.中国文学史[M].人民文学出版社，1963年7月第1版，第212-213页.[4] (论文涉及论题)张如倩、张启成．古诗十九首创作时代新探[J].徐州民族学院学报．1990年第4期，第35-38页.年××月××日（注意：该内容单独成页）主标题(应简短、明确、有概括性。字数一般不宜超过30个汉字字符。)提纲（小二号，楷体，加粗，居中）前言（四号，黑体，居中）正文（四号，黑体，居中）分标题一 四号，黑体1.1 小四，宋体1.1.1 小四，宋体1.1.2 小四，宋体……分标题二 四号，黑体2.1 小四，宋体2.1.1 小四，宋体2.1.2 小四，宋体……分标题三 四号，黑体3.1 小四，宋体3.1.1 小四，宋体3.1.2 小四，宋体……结论（四号，黑体，居中）（注意：该内容单独成页）主标题大理学院文学院 ＊＊级汉语言文学专业本科 ＊＊＊ 学号：【摘要】(中文)概括课题的内容、方法和观点，以及取得的成果和结论，300字以内为宜。内容摘要的写作要求可以概括为“全、精、简、实、活”。【关键词】(中文)关键词是从论文的题名、摘要和正文中选取出来的，是对表述论文的中心内容有实质意义的词汇。关键词是用作计算机系统标引论文内容特征的词语，便于信息系统汇集，以供读者检索。每篇论文一般选取3—5个词汇作为关键词。（注意：该内容单独成页）主标题（英文:小二，Times New Roman,居中）Sun Lichun, Student No. 2004107074,Specialty of Chinese Language and Literature, Class:2,Grade:2004,College of Chinese Language and Literature, Dali University（说明：以上为小四，Times New Roman,居中）【Abstract】(英文)以250个实词为宜。【Key words】(英文)（注意：该内容单独成页）主标题大理学院文学院 ＊＊级汉语言文学专业本科 ＊＊＊ 学号：前言说明选题的缘由，国内外对本课题已有的研究情况的评述，本文所要解决的问题和采用的手段及方法，成果和意义的概述。正文课题的提出，理论论证，以及对结果的讨论等。结论所得结果与已有结果的比较，课题研究中尚存在的问题，对进一步开展研究的见解与建议。（注意：该内容单独成页）参考文献反映毕业论文（设计）的取材来源、材料的广博程度和材料的可靠程度。也是向读者提供的一份有价值的信息、资料。学生查阅的文献原则上不少于15篇。行文中在引用的地方标号（一般以出现的先后顺序编号，编号以方括号括起，放在右上角，如[1])，然后在全文末单设“参考文献”一节，按标号顺序顶格一一说明文献出处。（注意：该内容单独成页）总结与体会学生要对毕业论文（设计）工作进行全面的总结。通过毕业论文（设计）工作对知识的综合运用、新知识的学习、解决问题和进行科学研究所受到的基本训练和能力培养的感受。对走向工作岗位具有重要的意义。说明：“总结与体会”不少于1500字。（注意：该内容单独成页）谢辞以简短的文字对课题与论文撰写过程中曾直接给予帮助的人员（如指导教师、答辩及评阅教师、提供资料的单位及个人、同学等）表示自己的谢意。（注意：该内容单独成页）附录1、文献综述： 份2、手写提纲： 份3、历次修改稿： 份4、调查资料： 份5、一些有参考价值、但不宜放在正文中的内容： 份（注意：该内容单独成页）范文自然崇拜：人与自然对话的语境张强【专题名称】宗教【专 题 号】B9【复印期号】2003年04期【原文出处】《江海学刊》(南京)2003年03期第50～56页【作者简介】张强，1956年生，文学博士，淮阴师范学院中文系教授。【内容提要】 在人与自然对话的语境中，拜物是必不可少的文化因子。在万物有灵向自然崇拜过渡的叙事话语中，其叙述语言一方面接近了自然崇拜的所指和能指，另一方面又通过神话语言把追究自然的话语蕴含在初民的价值观中。神化自然和将自然人格化为崇拜自然提供了先决条件。图腾崇拜是自然崇拜的前提，万物有灵是从图腾崇拜到自然崇拜的中介语言。自然崇拜对图腾崇拜中心话语的取消主要表现在张扬万物有灵的“元语言”方面，其“元语言”由深层浮向表层，使以图腾崇拜为标志的中心话语在接近自然崇拜——权力话语时成为可能。【关 键 词】自然崇拜/人与自然/对话/语境一在人与自然对话的语境中，神话具有特殊的意义。黑格尔认为：“从客体或对象方面来看，艺术的起源与宗教的联系最密切。最早的艺术作品都属于神话一类。在宗教里呈现于人类意识的是绝对，尽管这绝对是按照它的最抽象最贫乏的意义来了解的。这种绝对最初展现为自然现象。从自然现象中人隐约窥见绝对，于是就用自然事物的形式来把绝对变成可以观照的。这种企图就是最早的艺术起源。”（注：黑格尔：《美学》第一卷，朱光潜译，商务印书馆1979年版，第24页。）茅盾在给神话下定义时说：“所谓‘神话’者，原来是初民的宇宙观，宗教思想，道德标准，民族历史最初期的传说，并对于自然界的认识等等。”（注：茅盾：《中国神话研究初探》，《茅盾评论文集》（下），人民文学出版社1978年版，第242页。）宗教与神话的不可分割性使神话成为了人与自然进行对话时的最有意义的话语。关注神话，将神话与宗教拧结在一起几乎成了研究者们的共识，恩格斯在他的名著《家庭、私有制和国家的起源》中也曾将神话包容在宗教观念之中，针对印第安人的宗教观念（神话）和崇拜仪式，恩格斯指出：“他们已经给自己的宗教观念——各种精灵——赋予人的形象，但是他们还处在野蛮时代低级阶段，所以还不知道具体的造像，即所谓偶像。这是一种正向多神教发展的对大自然与自然力的崇拜。”（注：《马克思恩格斯选集》第四卷，人民出版社1972年版，第88页。）神话在起源上与宗教的同步性，有时使人很难把它们截然分开，这种情况的存在恰好说明了神话语言的深层闪烁着自然崇拜的文化因子，它对宗教信仰之语义的启迪则规范着人与自然对话时的语境。这一语境的出现是历史的因然，当它把人与自然的对话锁定在关注自然的方向时，这时它又以信仰的形式培养着人的宗教情感。恩格斯在《反杜林论》中指出：“一切宗教都不过是支配着人们日常生活的外部力量在人们头脑中的幻想的反映，在这种反映中，人们的力量采取了超人间的力量的形式。在历史的初期，首先是自然力量获得了这样的反映……但是除自然力量外，不久社会力量也起了作用，这种力量和自然力量本身一样，对人来说是异己的，最初也是不能解释的，它以同样的表面上的自然必然性支配着人。最初仅仅反映自然界的神秘力量的幻象，现在又获得了社会的属性，成为历史力量的代表者。在更进一步的发展阶段上，许多神的全部自然属性和社会属性都转移到一个万能的神身上，而这个神本身又只是抽象的人的反映。”（注：《马克思恩格斯选集》第三卷，人民出版社1972年版，第354～355页。）黑格尔也指出：“只有艺术（指神话）才是最早的对宗教观念的形象翻译。”（注：黑格尔：《美学》第一卷，朱光潜译，商务印书馆1979年版，第24页。）也就是说，神话的自然本色是以自然崇拜为内在的语言结构，这种语言结构经过显现，则成为了初民们与自然进行对话时的最有意义的话语。当自然崇拜以宗教信仰的形式出现的时候，宗教与神话的互渗不但使它们以对方为存在的前提，更重要的是它把人置于自然力（异己的力量）支配之下。这虽然是神话无可奈何的选择，但神话对宗教的依存却壮大了自己。从万物有灵到萌生自然神的观念，从关注自然神（敷衍自然神的故事）到确认支配神，从确认支配神到确证一元至上神，从确证一元至上神再到人神合一，创造出英雄神的神话，神话语言的发展与壮大是与原始宗教息息相关的。进而言之，这是一个多语的时代，也是一个富有创造性的年代，想象和幻想的空间不但为人提供着丰富的语言词汇，传达着想说的意念，而且随着时间的推移，能力的加强也在不断地提高着人类认知自然的质量。在人与自然对话的语境中，拜物是必不可少的文化因子。当人类刚刚从自然界中提升出来的时候，主体意识的难以确证往往使他们把自己视为自然的附属物。然而，正因为人有了拜物的意念，神话才有了酝酿和发生的语言土壤。迷信神灵的突出表现是关心自然超过对自身的关心，由此而萌生的宗教情感则使人在自然面前表现出诚惶诚恐的情状。在宗教情感的作用下，人在宇宙万物面前的无知虽然使他们难以自信并丧失自我，然而透过人与自然进行对话的话语，却又可以看到人驾驭自然、追求心灵自由的要求。从另一个层面来看，这一追求虽说是不自觉的，但它却表达了人与自然进行对话的企图。拜物培养了人的宗教情感和中心话语，其话语对自然的神灵化大体上有两个指向，一是创造出丰富多彩的神话语言，以神话追究自然，与自然进行着富有成效的对话；一是以神灵信仰为原点，在阐释自然的过程中留下自然的烙印。在这中间，由拜物培养起来的宗教情感则起到提示和规范对话语境的作用。随着这种话语形式的加深，人与自然的对话也就不再停留在同一语言层面和水平上了。特别是人对自然因果关系的发现，则使人产生了整合和梳理神话语言的历史要求。自然崇拜的核心是拜物，拜物作为人类的第一个情结(complex)，当它以敬畏的方式打量和揣测自然时，遂产生了想说的意念，随着这种心理机制由深层转移到表层，人对自然的读解则以话语的形式表现出来。细绎其话语发生的语境，我以为有三个方面值得重视。第一个语境是以万物有灵的“元语言”(metalanguage)追究自然（注：所谓元语言(metalanguage)，按照语言学家的阐释，是指“用来分析和描写另一种语言（被观察的语言或目的语[Object language]）的语言或一套符号，如用来解释另一个词或外语教学中的本族语”。参见哈特曼、斯托克《语言与语言学词典》（黄长著等译，上海辞书出版社1984年版，第213页）。这里借用“元语言”一词来谈论万物有灵的意义，是指它在神话的话语系统中是一种普遍的语言，即通过对它的分析可以发现自然崇拜中的原型，进而以此来考察自然神在自然崇拜的话语系统中的意义。）。万物有灵以想象和幻想的方式神化了自然或自然力，作为原始思维的成果，它不但是人类神秘自然的起点，同时也是启迪神话——普遍语言的重要语境；第二个语境是自然神的观念，在稳定神灵信仰的前提下，自然神的观念不但描绘着神化的自然或自然力，而且以特定的话语梳理着自然神的故事，随着自然神故事的不断发现和拓展，这一语境也就变得丰富起来了；第三个语境是祭神理念的形成，通过祭祀、举行祭祀仪式和选择祭祀的场所，祭祀不但培养着人的宗教情感，而且还将人崇拜自然的语言行为加以规范化，并把人神（本质是自然）沟通的途径以程式化的语言固定下来。这三个语境的拧结便极大地丰富了人与自然对话时的语言，而这种语境的丰富便生成了以自然崇拜为特质的权力话语系统。在这一权力话语的系统中，自然神观念的出现是其关键。何星亮指出：“自然神观念是自然崇拜文化中最基本的文化元素，其他文化元素都是在自然神观念的基础上衍生的。任何一种自然崇拜，都是先有神的观念，然后才会产生祭祀仪式、祭祀场所、偶像、禁忌等。”（注：何星亮：《中国自然神与自然崇拜》，上海三联书店1992年版，第20页。）可以说，正是因为有了这样的语境，才创造出人与自然进行对话时的特殊氛围，才使人在自然的状态中展示追究自然的才能和见识。二自然崇拜昭示着人对自然及生命的无限遐思，在万物有灵向自然崇拜过渡的叙事话语中，叙述语言对自然崇拜的接近，一方面触摸到自然崇拜的所指和能指，另一方面又通过神话语言把追究自然的话语蕴含在初民的价值观念中。如果要追溯这一话语的源头的话，则应该说是万物有灵的“元语言”在起根本性的作用。“元语言”是培养自然崇拜权力话语的基本语境，当“元语言”承担起人的“多语”要求时，其叙述对自然崇拜这一权力话语的接近，一方面造就了自然故事的丰富性，另一方面则使人与自然的对话走向了单一。因为图腾崇拜对自然神的超越，是把某一自然物或自然力的崇拜转换为与自然对话时的中心话语。而对中心话语的寻找，则使人表现出“失语”的特征。也就是说，受认知能力和阐释能力的限制，初民们对自然的追究不再以泛灵为集体表象，而是叙述为对某一类自然物或自然力特别依赖的情感话语。这一情感语言反映到人与自然对话的方面，则是建立起图腾崇拜的中心话语机制。美国民俗学家摩尔根在《古代社会》一书中指出：“在鄂吉布瓦方言中，有‘图腾’一词——实际上往往读作‘多丹’——意指一个氏族的标志或图徽；例如，狼的图形便是狼氏族的图腾。”（注：〔美〕摩尔根：《古代社会》，杨东纯等译，商务印书馆1977年版，第162页。）泰勒亦认为，灵魂不但可以“继续存在和生活在死后的人的肉体上”，而且还能够“进入另一个人的肉体中去，能够进入动物体内甚至物体内，支配它们，影响它们”（注：〔英〕泰勒：《原始文化》，连树声译，上诲文艺出版社1992年版，第416页。）。这种情况的存在，在原始人那里便产生了体外寄魂的思想行为。今天所能见到的体外寄魂主要有三种形式，即人的灵魂可以分别寄居于动植物、自然物（如日月星辰）以及人造物（如刀斧、房舍）之中。这一提法得到了大多数学者的赞同，乃至马昌仪指出：“灵魂寄存于体外，可说是无处不在。大至日月山川、猛兽凶禽，小至蛇虫鼠蚁、针头线脑，处处都是灵魂寄居之所在。大致说来，不外乎动植物、自然物、人造物几种。”（注：马昌仪：《中国灵魂信仰》，上海文艺出版社1998年版，第185～186页。）万物有灵是培养体外寄魂语汇的温床，经过生成转换，初民们在寄魂物体的基础上便产生图腾崇拜的要求。图腾崇拜对万物有灵的阐释是特别地关注某一自然物，这种情况的存在，一方面使万物有灵的“元语言”遵循从个别到一般的叙述原则，另一方面图腾崇拜的中心话语又把一般的叙述还原到个别。从表现上看，图腾崇拜只是对万物有灵的回复，但它所显示出来的轨迹恰好说明了图腾崇拜的中心话语来源于万物有灵的“元语言”，即它所表达的语言和追究的语义依旧集中在人与自然对话的方面，也就是说，图腾崇拜的话语虽然依旧可以包容在万物有灵的“元语言”中，但其话语实现的途径却离不开体外寄魂这一基本语汇。原始思维是以集体表象为特征的，神化自然和将自然人格化为导向崇拜自然打下了必要的基础，在这一环节中，图腾崇拜对自然崇拜的全面推进具有重要的意义。当人类以联系的观点对待自然万物时，在神话语言中便出现了支配与被支配的语汇，大神从众神中的提升，一方面标志着人类对自然有了深入的理解语言，另一方面它也向人提出了建立有序的自然世界的语言要求。在这一基础上，与某一氏族成员发生密切联系的自然物或自然力便成了氏族格外关注的对象，乃至氏族成员认为这一自然物或自然力与氏族有着特别的关系。如在羌族中流传着这样的图腾神话：羌人被相邻的部落打败后，逃到了岷江的上游。在这里，他们碰上了身材奇伟的葛人，葛人纵目大嘴，齿若马鬃，拖有尾巴，他们一再地袭扰羌人，使羌人民不聊生。这时，羌人的首领做了一个梦，在梦中，神灵告诉他说：用白石投击葛人，葛人就会死去。于是，羌人的男女老少一起去寻找白石，用白石攻击葛人，终于战胜了葛人。（注：马春文：《羌人的白石崇拜》，《民族文化》1985年第3期。）白石在紧要的关头保护了羌人，因此，羌人把它视为自己的保护神，进而确认它与氏族间存在着血缘关系。这种图腾神话的表达便成了人与自然进行对话时的新话语。图腾是氏族具有标志性的族徽（原始氏族的本质是家族），由于这样的缘故，氏族成员往往把它画在自己的居住地以及使用的器物上，或者是自己的服饰以及身体上，进而以虔诚的态度祈求它保佑自己及整个氏族的平安。作为一种神秘的力量，图腾与氏族成员所发生的亲近关系，实际上也在勾勒人与自然进行对话的中心话语。与自然神观念相比，图腾的意义，是以更加肯定的口吻确定和培养氏族成员的宗教情感。就是说，图腾作为氏族成员的集体信仰，其鲜明的特征是，图腾在氏族中具有至高无上的地位。它不但左右着氏族的命运，而且还起着保护氏族全体成员的作用。
诗涵百草兔
英语毕业的论文答辩稿（精选6篇）
毕业论文答辩是一种有组织、有准备、有计划、有鉴定的比较正规的审查论文的重要形式。为了搞好毕业论文答辩，在举行答辩会前，校方、答辩委员会、答辩者（撰写毕业论文的作者）三方都要作好充分的准备。下面是我整理的英语毕业的论文答辩稿（精选6篇），欢迎大家分享。
Good evening, all the appraiser committee members. I come from HUST, majoring in foreign linguistics and applied linguistics. I am xxx and my supervisor is prof.xxx. With her sincere and intellectual guidance, for nearly one whole year's hard work, I have finished my paper. Finally, it is the show time. This evening I will present my efforts to you all and I gratefully welcome any correction.
The title of my paper is A Study of the Causes of the Gothic Style.
I hope by studying this short story we can know more about American southern women in certain history and culture and more importantly help women in modern society get a deeper understanding about ourselves ,help us raise our independence and confidence and show more concern for our mental health.
Next , I will present it to you. Here is an outline of my presentation. They are literature review, gothic tradition , the gothic style in the story and the causes of the gothic style .
This paper consists of six parts. Part one presents an introduction to the author William Faulkner and A Rose for Emily by pointing out the purpose and significance of this study. Part two is literature review which introduces the relevant research about this novel at home and abroad and then points out the theoretical basis and methods. Part three gives a timeline of the gothic tradition in literature and explains the main characteristics of gothic works. Part four explains the three aspects of the gothic style in the novel，that is, the death theme, grotesque characters and mystic atmosphere. Part five then explains in detail the causes of the gothic style in this novel: patriarchal oppression, the myth of southern ladyhood and Emily’s attitude towards love. Finally, in the conclusion, the author summarizes the previous parts and emphasizes the significance of the argument of the thesis again.
Ok, that's all. Now you may raise your questions ! I am ready! Thank you !
晚上好，所有的评估委员会成员。我来自HUST，主修外国语言学和应用语言学。我是xxx，我的主管是教授。 xxx。凭着她的真诚和智慧的指导，近一年的辛苦工作，我已经完成了我的论文。最后，这是展示时间。今天晚上，我将向大家致以衷心的感谢，我衷心地欢迎您的加入。
我的论文的标题是哥特式风格的研究
我希望通过研究这个短小的故事，我们可以在某些历史和文化中更多地描述美国南方妇女，更多地要求帮助现代社会的妇女对自己有一个广泛的了解，帮助我们提高我的独立性和信心，并更多地关注我们的心理健康该
接下来，我将向您介绍。这是我演讲的大纲。他们是文学评论，哥特式传统，哥特式风格的故事和哥特风格的原因。
本文由六部分组成。第一部分提出了作者威廉·福克纳(William Faulkner)和艾米莉·艾丝丽(A Rose)的作者，指出了这项研究的目的.和意义。第二部分是文献综述，对国内外这本小说进行了相关研究，并指出了理论依据和方法。第三部分给出了小说中哥特式传统的时间表，即死亡主题，独特的人物和神秘的气氛。部分原因，详细介绍了这本小说中哥特式风格的原因：父权制的压迫，南方女士的神话和艾米莉对爱情的态度。最后，在结论中，笔者对以前的部分进行了梳理，再次强调了论文论证的意义。
好的，就是这样。现在你可以提出你的问题!我准备好了!谢谢 ！
Good morning,
Distinguished professors and teachers, ladies and gentlemen, thank you for attending the oral defense. (或Welcome to attend the oral defense.) ：
I am Wu Lin. First and foremost, I would like to express my sincere gratitude to my supervisor, professor Hu Anjiang, for his intellectual guidance, invaluable instructions and comments on my thesis. It is with his valuable assistance that I have finally accomplished this thesis.
My topic is On the tragedy figures at historical turning points(Comparison of KongYiji and Rip Van Winkle).
The whole thesis consists of 6 parts. The first part will give a brief introduction of the negative, evasive and conservative attitudes of Kong and Rip as well as the topic’s significance in the real society. And the second part is going to analyze the figures’ background to show the historical necessity of the tragedies. In the third part, the tragic heroes’ failing in the character according to their living environment will be further discussed and the fourth part is to talk about their different tendency of dispositions and behaviors in the society. Then the author will dig into the root causes of the tragedies in the fifth part, and sum up the whole paper to reveal the ideological weak points of the two countries separately in the last part.
Thank you!
good afternoon, all appraiser committee members. i am xxxx and my supervisor is xxx. with her constant encouragement and guidance, i have finished my paper. now, it is the show time. i will present my efforts to you and welcome any correction.the title of my paper is on transformation of parts of speech in translation. i choose this as my topic due to the following reasons. different languages have different standards to distinguish parts of speech. each language has its own special structure. and there are no equivalent parts of speech between different languages. in order to make the target version more idiomatic and standard, the transformation of parts of speech is always used by translators. so the transformation of parts of speech is playing a more important role in english to chinese based on different characteristics of english and chinese. for the above facts, i select the subject of“on transformation of parts of speech”as the title of my paper.i hope by studying this topic we can know the importance of the transformation of parts of speech in english to chinese translation. through transformation, we can get the better version and improve the translation skills.the way of thinking and expressing is quite different between chinese and english. english is a kind of static languages which tends to use more nouns. while chinese is a dynamic one in which verbs are often used.so when we make translation in english to chinese, we should know this point and shift the parts of speech.next, it is an outline of my paper. in the main part of this paper, i divide it into five parts.part one presents an introduction to the basic concepts of parts of speech and transformation.part two discusses the definition of translation and emphasizes the importance of transformation of parts of speech in the course of translation.part three gives four basic ways of transformation of parts of speech through illustrative examples. there are transformed english words into chinese verbs, nouns, adjectives and adverbs.part four presents some problems about transformation and gives some advise to solve the problems.part five draws some conclusions that transformation between parts of speech is necessary for us to achieve good translation. it is demonstrated that we can have a good master of transformation and improve the translation. in addition, we must continuously study and explore in all kinds of translation practices.ok! that is all. thank you!
stant encouragement and guidance, I have finished my paper. Now, it's show time. You and I will work hard to welcome any correction.The topic of my thesis is 《Angela carter to mythology research - the female archetype in “new eve passion”, for example》。 I choose this as my topic due to the following reasons.Angela Carter （1940-1992） is an outstanding feminist writer whose influence on Britishwomen's writing was “pivotal in this opening and transformation” [“23]. The year 2014 represents the 22”^ anniversary of Angela Carter's death. In those twenty-two years, her works have been widely taught internationally and brought about much critical debate. In a survey conducted by Cristina Bacchilega and Danielle M. Roemer [2],Carter is one of the most commonly taught women writers on North American programs. She has endowed us with an amazingly large number of legacies in her comparatively limited life, setting foot in various fields such as novels,short stories,children stories, dramas, non-fictions and so on. The acute observations with great insights,as well as the devastating wit and poignant mockery in Carter's works have made her stand out as an iconic figure in English literature. Many scholars and critics have devoted themselves to the research on Angela Carter from many perspectives,including gothic, magic realism, feminism,post-modernism and so on. As a prolific writer who is always ready to blur the boundaries between different genres, Carter has left us a wonderful world to delve into.With the emergence of western women's movement as well as the development of feminist criticism in the 1960s,the feminist approach has become a potent weapon for those who are concerned with the emancipation and legal rights of women. Though women's social status has considerably improved due to the contribution made by countless predecessors,the fundamental problem still lingers on. Carter, with her versatile and avant-garde reputation, is best known as a feminist writer. Concerning the dilemmas and predicaments faced by women nowadays,it is very necessary for us to probe into her insightful and penetrating reflections on femininity as well as the relationship between two genders. The Passion of New Eve, as one of Carter's most representative works, is of great value in the research of her feminist thoughts and propositions.Next, is my paper outline. In the main part of this article, I put it into five parts.Chapter one is an introduction to the thesis, covering the research background, theobjective and significance as well as the organization of the thesis.Chapter two presents a broad picture of Angela Carter's life and her works, as well as the background information about The Passion of New Eve. It also reviews previous studies on Angela Carter and her works at home and abroad, summarizing achievements in the past and pointing out new directions in the future.Chapter three conducts a retrospective study on feminism and archetypal criticism. The author attempts to work out the origin and development of feminism, demonstrating the important role feminism plays in Carter's life. Then is the history of archetypal criticism,as well as those classic female archetypes in mythology. Regarding those fossilized and monotonous images as impediments to women's freedom and liberation,Carter endeavors to shatter them in her demythologizing strategy and appeals for a rational attitude toward heterosexual relationship.Chapter four is the main body of the thesis. Through an in-depth analysis on The Passion of New Eve,it demonstrates Carter's demythologizing of “The Temptress,,,”Mother Goddess“and ”Eve“ respectively in the text. Leilah,the embodiment of Delilah,the famous temptress in the Bible,cannot escape the fate of being objectified by men and herself. By exposing”temptresses“ as mere victims rather than symbols of viciousness. Carter condemns the oppression and exploitation of women in a patriarchal society. ”Mother“ in Beulah serves as a severe satire on those mother goddesses in mythology. Carter smashes the legend by revealing the surgically-made essence of mother and the patriarchal values lurking behind her alleged matriarchal kingdom, warning against the peril and impracticality of extremist matriarchy.And her most convincing example goes to Eve, the most important female character in the Bible, Her transformative journey from a chauvinist to a real woman in the story illustrates that gender, rather than a hereditary feature, is the result of social influence and unremitting imitations. Carter concludes the story with proposing ”androgyny“ as a solution to the current problems,implying that mutual respect and understanding is the only way to achieve the harmony between the two genders.Chapter five comes to a general conclusion, summarizing the limitations of the theses as well as some suggestions for further study.OK! That is all. Thank you!
Good morning, distinguished professors and teachers, thank you for attending the oral defense. I’m xxx and come from class x. My supervisor is professor Li. I would like to express my deepest gratitude to Prof. Li.With his consistent guidance and valuable suggestions, I have finished my paper. Now I will present my efforts to you and gratefully welcome any suggestion.
The title of my paper is xxxxxxxxxxxxx. I choose this as my topic due to the following reasons.
Firstly, I am very interested in the study of ambiguity. Ambiguity is a common phenomenon in all natural languages. As is known to all, in our daily conversations, ambiguity is often employed to achieve the effect of humor, thus creating a relaxing atmosphere and letting people feel at ease. Some jokes caused by ambiguity is very interesting.
Secondly, I have read several articles about ambiguity written by linguistics and scholars. I found my knowledge of ambiguity is very limited, superficial and nonsystematic. What I knew is just the tip of the iceberg. So I plan to learn more about ambiguity by this research.
Thirdly, I found many scholars have carried out numerous studies of ambiguity, but a majority of these studies are focused on single language separately. Articles about comparison between English ambiguity and Chinese ambiguity are not sufficient. So it is necessary to make further study.
For the above facts, I select this title.
Next, I will present the outline of my thesis. It consists of 7 parts.
The first part gives a brief introduction to the ambiguity and structure of the thesis.
The second part is literature review, briefly introducing the development of study of ambiguity and some scholars’s main views.
The third to fifth parts focus on three types of ambiguity in English and Chinese: phonological ambiguity, lexical ambiguity, syntactic ambiguity. In every broad type, I respectively list some detailed branches and cite some vivid English and Chinese examples to explain these ambiguity phenomena. But I put more focus on the third part and point out two differences of ambiguity between English ambiguity and Chinese ambiguity.
The part six will point out positive results by using ambiguity deliberately in daily conversations, advertisements and literary works.
The last part is the conclusion.
I hope by this contrastive research, we will have a better understanding of ambiguity in English and Chinese and apply it to our life and study.
When reading the final draft, I still find my argument is not so comprehensive and improvements are needed. So welcome your precious suggestion.
That’s all. Thank you.
Good morning,Distinguished professors and teachers, ladies and gentlemen, thank you for attending the oral defense. （或Welcome to attend the oral defense.） :I am XX. First and foremost, I would like to express my sincere gratitude to my supervisor, professorXX, for his intellectual guidance, invaluable instructions and comments on my thesis. It is with his valuable assistance that I have finally accomplished this thesis.My topic is On the tragedy figures at historical turning points（Comparison of KongYiji and Rip Van ）The whole thesis consists of 6 parts. The first part will give a brief introduction of the negative, evasive and conservative attitudes of Kong and Rip as well as the topic s significance in the real society. And the second part is going to analyze the figures background to show the historical necessity of the tragedies. In the third part, the tragic heroes failing in the character according to their living environment will be further discussed and the fourth part is to talk about their different tendency of dispositions and behaviors in the society. Then the author will dig into the root causes of the tragedies in the fifth part, and sum up the whole paper to reveal the ideological weak points of the two countries separately in the last part.
1、中国古代神话与古希腊神话的起源不同。2、中国古代神话与古希腊神话神的形象不同。3、神所展现的“人性”和“神性”的差异。4、诸神中女性和男性地位的差异。以上四
xiaomi595629661 5人参与回答 2023-12-11 dfadsa
魔羯女悠悠 5人参与回答 2023-12-05 一整夜，国王埃厄忒斯和贵族在宫中商议，如何才能战胜阿耳戈英雄，因为他知道白天发生的事情，都是在女儿的帮助下才得成功的。赫拉女神看到伊阿宋面临的危险，因此使美狄亚
W了然于心 3人参与回答 2023-12-11 设计是在论文写作选题确定之后，进一步提出问题并计划出解决问题的初步方案，以便使科研和写作顺利进行。护理论文设计应包括以下几方面：（1）专业设计：是根据选题的需要
cool100886 2人参与回答 2023-12-11 昆仑山 人类是从山林中走出并一步步迈向文明的，山岳崇拜对于中华民族来说是一项非常重要的信仰。中国境内很多远古的文明遗迹都在山林之中。伴随着中华文明产生而生成的山
盛笑笑shamir 7人参与回答 2023-12-11 
