那份噯隻許伱甡
语言与语言学类 01英语谚语的修辞手法 02英语中的缩略语 03 英语词汇中的外来语单词 04 英语新词新意探究 05 美国英语的特色 06 如何正确把握英语定语从句(或其他各种从句或语法形式)在句子中的确切含义 语言教学类 01 扩大词汇量和提高英语阅读能力的关系 02 提高英语阅读速度的主要障碍 03 英语阅读能力和阅读速度的关系 04 通过扩大知识面提高英语阅读能力 05 如何在阅读实践中提高英语阅读能力 06 阅读英文报刊的好处 07 如何处理精读和泛读的关系 08 如何对付英语阅读材料中的生词 09 如何通过阅读扩大词汇量 10 提高阅读能力和提高英语听力的关系 11 英语听说读写四种技能的关系 12 原版电影与英语学习 13《疯狂英语》(或各种教学方式)的利与弊 14 如何杜绝中式英语 15 网络时代如何学好英语 翻译类 01 英汉文化差异和翻译 02谈英语被动句的翻译 03英汉句法对比和翻译 04 谈合同(或其他各种类型文本)的翻译 05 英语否定句的翻译 06广告英语及其翻译 07中国特色词汇及其英译 08英语长句的理解与翻译 09 商号、商标、公司名称等的翻译 文学类 01 英文作品中的人物分析 02英文作品的社会意义 03 英文作品的文体风格
卷卷卷和毛
从最基本的说起,其实和语文的议论文一样, 有introduction,body and conclusion。 Introduction- topic, point of view(optional),a breif introduction that the student will mention in the following paragraph (1st para of body). Body- a thesis statement + supportive examples + a summary of the thesis(optional) NB: one thesis (idea)/para. Conclusion- rearrangement of introduction. REMEMBER students have no idea! That's the whole idea of academic writing. Thus there is a very IMPORTANT tip you need to tell your students- REFERENCES. References need to appear in introduction,body and conclusion of the whole acticle. Academic writings are usually expositive, hence you need tell your students to use passive languages. Active words are ONLY used in Creative Writing students.
小乐乐9
Published in 1847, WUTHERING HEIGHTS was not well received by the reading public, many of whom condemned it as sordid, vulgar, and unnatural--and author Emily Bronte went to her grave in 1848 believing that her only novel was a failure. It was not until 1850, when WUTHERING HEIGHTS received a second printing with an introduction by Emily's sister Charlotte, that it attracted a wide readership. And from that point the reputation of the book has never looked back. Today it is widely recognized as one of the great novels of English literature. Even so, WUTHERING HEIGHTS continues to divide readers. It is not a pretty love story; rather, it is swirling tale of largely unlikeable people caught up in obsessive love that turns to dark madness. It is cruel, violent, dark and brooding, and many people find it extremely unpleasant. And yet--it possesses a grandeur of language and design, a sense of tremendous pity and great loss that sets it apart from virtually every other novel written. The novel is told in the form of an extended flashback. After a visit to his strange landlord, a newcomer to the area desires to know the history of the family--which he receives from Nelly Deans, a servant who introduces us to the Earnshaw family who once resided in the house known as Wuthering Heights. It was once a cheerful place, but Old Earnshaw adopted a "Gipsy" child who he named Heathcliff. And Catherine, daughter of the house, found in him the perfect companion: wild, rude, and as proud and cruel as she. But although Catherine loves him, even recognizes him as her soulmate, she cannot lower herself to marry so far below her social station. She instead marries another, and in so doing sets in motion an obsession that will destroy them all. WUTHERING HEIGHTS is a bit difficult to "get into;" the opening chapters are so dark in their portrait of the end result of this obsessive love that they are somewhat off-putting. But they feed into the flow of the work in a remarkable way, setting the stage for one of the most remarkable structures in all of literature, a story that circles upon itself in a series of repetitions as it plays out across two generations. Catherine and Heathcliff are equally remarkable, both vicious and cruel, and yet never able to shed their impossible love no matter how brutally one may wound the other. As the novel coils further into alcoholism, seduction, and one of the most elaborately imagined plans of revenge it gathers into a ghostly tone: Heathcliff, driven to madness by a woman who is not there but who seems reflected in every part of his world--dragging her corpse from the grave, hearing her calling to him from the moors, escalating his brutality not for the sake of brutality but so that her memory will never fade, so that she may never leave his mind until death itself. Yes, this is madness, insanity, and there is no peace this side of the grave or even beyond. Many people in the world are trying to find a perfect of these may marry and not know what their new husband or wife is kind of situation often leads to separation or hostility. Other situations may develop between two friends that stem from jealousy, desire for revenge, uncaring parents, etc. Emily Brontë's Wuthering Heights displays several characteristics of destructive relationships. Three of these are uncaring parents, marriage without knowing the person, and jealousy. Uncaring or unsympathizing parents are shown throughout this story to be an element of destructive relationships. Because Heathcliff gained all the attention from Mr. Earnshaw, Hindley became disassociated from his father. This separation continued until after Mr. Earnshaw had example is between Hindley and Hareton. Hindley became such a drunk and a gambler that he could not properly care for young Hareton. This led to a separation between Hareton and his father as well. One primary example of an uncaring parent is shown between Heathcliff and his son did not even want his son for anything except enacting a part of his revenge. This is shown by Linton's fear of Heathcliff and Heathcliff's enmity toward his son. Linton even says "... my father threatened me, and I dread him - I dread him!"(244) to express his feeling about hostility and separation between father and son in this book shows that uncaring parents can cause serious damage in relationships with their children. This element of destructive behavior may stem from an unhappy marriage in which the husbands or wives don't know each other. This had happened between Isabella and Heathcliff. Isabella did not really know Heathcliff when she married him, but after she had married him she saw that Heathcliff was not a gentleman at all. To declare her feelings she wrote "Is Heathcliff a man? If so, is he mad? And if not, is he a devil? I shan't tell my reasons for making this inquiry; but I beseech you to explain, if you can, what I have married ..."(125). Another example of this is when Catherine married Edgar Linton. Although she had been happy at the beginning of the marriage, she thought having parties all the time was going to be fun. Yet, after a while, she became bored. She also realized that she loved Heathcliff more than Edgar and would always love enlightenment created separation between Edgar and Catherine during the final hours of Cathy's life. An additional marriage which was made that was doomed was the one between Catherine and Linton. Because this was a forced marriage, Cathy had not yet learned all she could about she did not know until after the marriage that Linton was selfish and inconsiderate, she became distressed and grew isolated in the three failed marriages described in this novel show that knowing the person you will marry is very these marriages took place, jealousy also took a hold in some relationships. One example of this is when Mr. Earnshaw starts to favor Heathcliff over his own son, Hindley. Because of this, Hindley becomes jealous of young Heathcliff and sets out to make Heathcliff's life a nightmare. Hindley's jealousy becomes evident when he says ,"... be damned you beggarly interloper! and wheedle my father out of all he has; only afterwards show him what you are, imp of Satan."(35). Jealousy was also found very notably in the relationship between Heathcliff and Edgar Linton. The jealousy between them is expressed when Heathcliff and Edgar start a hostile conversation after Cathy's homecoming at Christmas near the beginning of the book. As the story progresses these two become bitter enemies who will not speak to one another. Another relationship which jealousy ruined is the one between Hareton and Linton. These two become jealous of each other over Cathy's affections. This relationship ends as Hareton and Linton hating each other. These relationships show that jealousy can ruin a relationship very quickly. The housekeeper Ellen Dean, or we can call her Nelly, tells most of the story. She witnesses the life of the three-generations in the two families. She is a good storyteller but we mustn’t believe all of what she said. She always thinks and considers things in a simple way. She couldn’t understand the deep love between Catherine and Heathcliff. She thinks it is a kind of madness. She is a limited narrator. In a certain way, this helps readers to understand Heathcliff better because he has no chance to defend himself. An outsider will see the whole thing more clearly. However, we should pay more attention not to be affect by her opinions and try to find the truth between the lines. As a main character Catherine is a paradox. She is attracted by Linton but doesn’t love him. She knows that clearly but she marries Linton without listening to the call of her heart. Many critics believe that what makes her marry Linton is only his high social status and wealth. I think this comment is unfair. In fact, she folly thinks to marry Linton will help Heathcliff “to rise and place him out of my brother’s power.” Her decision ruins herself, Heathcliff and the two families. She has to endure serious suffering because she knows clearly she love Heathcliff whole-heartedly but can’t become his wife. She confesses to Nelly her own thoughts: “…I am Heathcliff—he’s always, always in my mind—not as a pleasure, any more than I am always a pleasure to myself—but as my own being…” She loves Heathcliff because he is more like her than herself. His existence is natural to her for they are the same in nature. They could understand each other without obstacles. Talking about Heathcliff, he is an evil person but I admire him because his love and hate is straight. Everyone has a devil in his heart. The one in Heathcliff’s heart is especially strong. In spite of this, I believe and can read between the lines that Amily Bronte also has her favor to Heathcliff. She wants to tell us evil and love are deeply planted in everyone’s heart and it is human nature.
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