论文摘要翻译的例子

题目：从三套考级教材曲目的变更看手风琴之发展Title: Tracking Three Grading Text Materials Change to see the Development of The Accordion.摘要内容：随着手风琴的创作思路越来越宽，在题材的选择、体裁的运用和技法的创新等诸多方面都有所拓展.通过努力提高创作技法和理论深度，延长了出现优秀作品的生命线，用现代音乐发展的创作技法与中国传统文化、现代文化紧密结合，把现代意识与民族风格交织在一起，使中国的手风琴作品体现中国新时代的特色，将中国手风琴创作的艺术境界推向新高峰。Abstract: as creative path of accordion is expanding, we have some extraordinary breakthroughs in the selection of subject matter, the usage of species, and innovation technique. The author tries to describe the ongoing situation of China accordion works that reflect the identity of modern China and help the creation of China accordion to a new height. These methods are required: improving writing skills and theoretical depth of accordion, combining writing skills with Chinese national culture and modern culture, as well as combing modern thinking with national styles.本文以三套手风琴教材为研究对象，首先介绍三套手风琴教材的简介，其次从三套教材产生的时代背景、创作体裁、选曲范围等几个方面进行比较分析，其中主要对第三套手风琴教材进行了比较详细的介绍，从而更详细的了解近几年中国手风琴事业的发展，对已有的研究成果进行必要的补充和完善。Put three training materials as investigating subject, the author firstly describes the training materials, then comparative analysis the background, writing literatures, tune-selecting range of three materials. The third training material will be in the core of introduction. With these, we will make exact understanding on the development of Chinese accordion industry in recent years and offer essential supplementary to existing research findings. 一楼的哥们，直接把中文粘到灵格斯里，翻译完后直接弄出来？呵呵，有才！

通常来说现在的论文摘要翻译要注意的是有关时态基本上有两种:一般现在时、一般过去时。由于学术论文写作通常采用一般现在时,摘要也多用一般现在时。目的、方法、结果及结论部分多用一般现在时,背景介绍常采用一般过去时。一般现在时用于描述研究目的和范围、研究内容、结果和结论;一般过去时用于描述论文撰写前作者已做的工作,也可用于表示转述已发表文献的报导、讨论和研究内容。具体的细节信息，你可以来58期刊网看看。

rozy and rare treasures are often breeded in an unusual enviornmenta brief of ceramic art of Mr Qiu Huan-tangsummary:This article briefly traced the life of Mr Qiu Huan-tang, the TaiWan modern ceramic master, from his learning and practising of ceramics to his mastery and creation. It also expresses his ideas and philosophies of artistic creativity by reviewing some of his masterpieces. Mr Qiu Huan-tang's artworks and influence have met with a wide-spread assurance,thus,the framework of Taiwan's ceramic and its vast-number of elites could be seen through his words: Mr Qiu Huan-tang,glazed color,forming,creativity,a mordern mind

题目：从三套考级教材曲目的变更看手风琴之发展Title: Viewing the Development of the Accordion based on Three Sets of Grading Test Materials摘要内容：随着手风琴的创作思路越来越宽，在题材的选择、体裁的运用和技法的创新等诸多方面都有所拓展，通过努力提高创作技法和理论深度，延长了出现优秀作品的生命线，用现代音乐发展的创作技法与中国传统文化、现代文化紧密结合，把现代意识与民族风格交织在一起，使中国的手风琴作品体现中国新时代的特色，将中国手风琴创作的艺术境界推向新高峰。Abstract: With the more and more wide creation of ideas, accordion has processed a lot in the choice of topic, genre and the use of innovative techniques the appearance of excellent works is extended through improving the composing skills and theoretical depth .Via associating creation techniques of the development of modern music with Chinese traditional culture and modern culture and linking modern consciousness with national styles, the characteristics of a new era of China can be reflected by the accordion works, as a result , China's accordion art creation can reach a new realm .本文以三套手风琴教材为研究对象，首先介绍三套手风琴教材的简介，其次从三套教材产生的时代背景、创作体裁、选曲范围等几个方面进行比较分析，其中主要对第三套手风琴教材进行了比较详细的介绍，从而更详细的了解近几年中国手风琴事业的发展，对已有的研究成果进行必要的补充和完善。This paper has studied three sets of accordion teaching materials. Firstly, it gives a brief introduction of the materials, then it makes comparisons between them from several aspects like the background, writing styles, selections range ,etc. It focuses on the third set of accordion material and gives a more detailed introduction of the development of Chinese accordion in the past few years. Finally, it makes some supplements to the existed research results .我自己理解翻的，供您参考吧，(*^__^*) 嘻嘻