肖申克的救赎毕业论文英文

我有下过英文版的文你要不要？？观后感：影片《肖申克的救赎》的观后感英文的The story may sound simple, but the truth behind the words is remarkable. When I heard the name of the film first time, I considered the Shawshank to be a man’ name, but in fact it is a jail’s name——a hell in the world. Not only for the inhumanity of the jailors——they behaved brutally;but also for the jail gnawed at people’ heart by keeping them waiting and waiting as life passed. It seemed that only those utterly worthless people who gave up everything could survive. That’s where the story happened.The part impressed me most is when Andy got out of the jail. He extended his arms in front of him in the heavy rain as if he were welcoming the fresh air and the freedom. At that moment, I saw the confidence win the darkness, discharging light dazzling the eyes in the dark blue sky. Under the light, I could feel my recreant heart being shivering as his voice said: “Remember, Hope is a good thing, maybe the best of things and no good thing ever dies!”That’s why I like this film: it encourages people to fight to preserve the dignity of human beings, to appreciate the beauty of life, and the most importance is to keep hope forever. He once that is born, that is die. Everyone is the same. The only difference is whether busy living or busy dying.The film tells us that even a man can live once, but if he keeps confidence, keeps hope and works his life right, then once is enough. The congfidence is the bird that feels the light when the dawn is still dark, the hope is the chief happiness that this world affords,nd the life should be full of the singing of the bird and the happiness hope brings. " What’s that do you think? It’s the trembling of the heart, the singing of the mind, the flying of the soul and the hope to be free.”

"The Shawshank Redemption," with Tim Robbins, Morgan Freeman, Bob Gunton, Clancy Brown, and James Whitmore. Written and directed by Frank Darabont, based on the short novel "Rita Hayworth and Shawshank Redemption," by Stephen King. City Centre. "R" - Restricted; profanity, violence, mature content. Prisoners of Hope -- 'Shawshank Redemption' Melodramatic but RewardingBy Jeff ShannonWhen trustworthy colleagues told me they found "The Shawshank Redemption" either too long or vaguely disappointing, I must confess I was mystified. As the credits rolled after my first viewing, I was certain I'd seen one of the best movies of the year. After a second viewing (a rare luxury for reviewers these days), I understood my friends' complaints but my initial opinion held firm. It's true that Frank Darabont, making an otherwise remarkably assured directorial debut, could use a lesson in pacing and editorial economy, and from a detached perspective "The Shawshank Redemption" is likely to seem cleverly but deviously manipulative. It's by no means a perfect movie. But like "Field of Dreams," this movie about perseverance, ingenuity, and hope in the face of hopelessness held a greater personal significance - an emotional connection to a well-told story that transcended whatever niggling reservations I might have formed. Judging from the applause that followed both screenings I attended, there's clearly something to "The Shawshank Redemption" that many people will find, well . . . redeeming. It's in many ways a standard prison movie, beginning in 1947 when a New England banker named Andy (Tim Robbins) is wrongly convicted for the murder of his adulterous wife and her lover, and sentenced to two life terms in the Shawshank State Prison in Maine. There he meets Red (Morgan Freeman), another lifer who's "a regular Sears Roebuck," serving as Shawshank's primary supplier of smuggled goods and contraband. The corrupt, Bible-thumping warden (Bob Gunton) is a joylessly hissable villain straight out of the Snidely Whiplash school of melodrama, as is his vile and violent head guard, played with mule-headed brutality by the ever-effective Clancy Brown. Providing moral counter-balance are the prison's oldest inmate (a welcomed return for James Whitmore), and the close-knit members of Red's benevolent gang who, like Red, see in Andy a unique and optimistic spirit. Their admiration deepens when Andy earns rare privileges (by cooking the warden's books and filing the guards' tax returns) and mounts a successful campaign to build New England's finest prison library. But every privilege has a greater cost, and "The Shawshank Redemption" turns into a dark journey of the soul, with Andy cleverly and patiently awaiting his chance at freedom. To say that Robbins is too inexpressive is to miss the subtle, internalized grace of a finely calibrated performance. Like a sly bluffer who knows just when to tip his hand, Robbins portrays Andy as a man who can survive torture, threat, and psychological terrorism because he's matched his inward faith with an outward defense. The latter gives the movie its almost mythological payoff, delivered in tandem by the equally excellent Freeman, whose wise narration rises Andy's uplifting story to almost legendary status. Sharply adapted by Darabont from a novella by Stephen King, the film has been mounted with physical authenticity, but as a kind of adult fable it should not be confused with reality. There's a slightly artificial tidiness to the story, and it won't grab you if you aren't immediately hooked. But as it spans nearly two decades in the enduring friendship of Andy and Red, "The Shawshank Redemption" accumulates the kind of spiritual depth that comes from taking a path well chosen. The journey may not be a smooth one, but the destination is well worth the effort.

"Shawshank Redemption" with a different narrative perspective to other films : the second film is used as the first-person protagonist Reid narrative perspective, the use of the Reid described the subjective experience, not mainstream "omniscient" perspective restrictions, which makes narrative more flexible, more realistic. Art from the lofty status of art works is often a symbol and metaphor. The metaphor is the film by montage, or the lens between the lens elements within the individual performance to be enhanced, concentrated, analog, resulting in the audience's feelings and psychological effects of tactics. The movie "Shawshank Redemption" the use of a unique metaphor, make the film more expressive. More prominent theme of the film. Understanding of the "Shawshank Redemption" narrative feature, is of great value.

"Shawshank Redemption" and other films with a different narrative perspective: the second film is used as the first-person protagonist Reid narrative perspective, the use of the Reid described the subjective experience, not mainstream "omniscient" perspective restrictions, which makes narrative more flexible, more realistic. Art from the lofty status of art works is often a symbol and metaphor. The metaphor is the film by montage, or the lens between the lens elements within the individual performance to be enhanced, concentrated, analog, resulting in the audience's feelings and psychological effects of the practices.The movie "Shawshank Redemption" the use of a unique metaphor, make the film more expressive. More prominent theme of the film. Understanding of the "Shawshank Redemption" narrative feature, is of great value 苦命的同学！ 我辛苦了！ 分拿了！ 多给点也可以！

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《Shawshank Redemption》and other films with a different narrative perspective: the second film is used as the first-person protagonist Reid narrative perspective, the use of the Reid described the subjective experience, not mainstream "omniscient" perspective restrictions, which makes narrative more flexible, more realistic. Art from the lofty status of art works is often a symbol and metaphor. The metaphor is the film by montage, or the lens between the lens elements within the individual performance to be enhanced, concentrated, analog, resulting in the audience's feelings and psychological effects of tactics. The movie 《Shawshank Redemption》 the use of a unique metaphor, make the film more expressive. More prominent theme of the film. Understanding of the 《Shawshank Redemption》narrative feature, is of great value.